3037 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Par les rues
Par les rues
Actions:
Description:
L’exposition Par les rues, qui accompagne l’initiative ABC : MTL, témoigne de l’expérience quotidienne montréalaise tout au long du XXe siècle. Elle saisit les changements politiques et culturels à une échelle humaine et donne un aperçu de la ville commerciale et résidentielle ainsi que des zones industrielles. Ce survol de Montréal, tiré de la collection du CCA, présente(...)
L’exposition Par les rues, qui accompagne l’initiative ABC : MTL, témoigne de l’expérience quotidienne montréalaise tout au long du XXe siècle. Elle saisit les changements politiques et culturels à une échelle humaine et donne un aperçu de la ville commerciale et résidentielle ainsi que des zones industrielles. Ce survol de Montréal, tiré de la collection du CCA, présente(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
31 janvier 2013 au 12 mai 2013
31 janvier 2013 au 12 mai 2013
Titre:
Par les rues
Actions:
Description:
L’exposition Par les rues, qui accompagne l’initiative ABC : MTL, témoigne de l’expérience quotidienne montréalaise tout au long du XXe siècle. Elle saisit les changements politiques et culturels à une échelle humaine et donne un aperçu de la ville commerciale et résidentielle ainsi que des zones industrielles. Ce survol de Montréal, tiré de la collection du CCA, présente(...)
Par les rues
Actions:
Description:
L’exposition Par les rues, qui accompagne l’initiative ABC : MTL, témoigne de l’expérience quotidienne montréalaise tout au long du XXe siècle. Elle saisit les changements politiques et culturels à une échelle humaine et donne un aperçu de la ville commerciale et résidentielle ainsi que des zones industrielles. Ce survol de Montréal, tiré de la collection du CCA, présente(...)
Classification:
expositions
expositions
Date:
31 janvier 2013 au
12 mai 2013
31 janvier 2013 au
12 mai 2013
Localisation:
Salle octogonale
Salle octogonale
Classification:
événements
événements
Titre:
Manque pas le bateau!
Manque pas le bateau!
Actions:
Description:
À quoi pourrait ressembler une ville qui adapterait ses infrastructures en les rendant imperméables, flottantes et, pourquoi pas, amphibies? Considérant la hausse attendue du niveau de la mer à l’échelle planétaire, l’articulation entre la ville et l’eau sous toutes ses formes – océans, fleuves, canaux, voies navigables – sera amenée à changer dans les années à venir.(...)
À quoi pourrait ressembler une ville qui adapterait ses infrastructures en les rendant imperméables, flottantes et, pourquoi pas, amphibies? Considérant la hausse attendue du niveau de la mer à l’échelle planétaire, l’articulation entre la ville et l’eau sous toutes ses formes – océans, fleuves, canaux, voies navigables – sera amenée à changer dans les années à venir.(...)
Date:
février 2017 au mars 2017
février 2017 au mars 2017
Titre:
Manque pas le bateau!
Actions:
Description:
À quoi pourrait ressembler une ville qui adapterait ses infrastructures en les rendant imperméables, flottantes et, pourquoi pas, amphibies? Considérant la hausse attendue du niveau de la mer à l’échelle planétaire, l’articulation entre la ville et l’eau sous toutes ses formes – océans, fleuves, canaux, voies navigables – sera amenée à changer dans les années à venir.(...)
Manque pas le bateau!
Actions:
Description:
À quoi pourrait ressembler une ville qui adapterait ses infrastructures en les rendant imperméables, flottantes et, pourquoi pas, amphibies? Considérant la hausse attendue du niveau de la mer à l’échelle planétaire, l’articulation entre la ville et l’eau sous toutes ses formes – océans, fleuves, canaux, voies navigables – sera amenée à changer dans les années à venir.(...)
Classification:
événements
événements
Date:
février 2017 au
mars 2017
février 2017 au
mars 2017
Classification:
livres
livres
Titre:
Scale in contemporary sculpture : enlargement, miniaturisation and the life-size / Rachel Wells.
Scale in contemporary sculpture : enlargement, miniaturisation and the life-size / Rachel Wells.
Actions:
Exemplaires:
Description:
xv, 203 pages, [60] pages of plates : illustrations (chiefly color) ; 24 cm
Description:
xv, 203 pages, [60] pages of plates : illustrations (chiefly color) ; 24 cm
Auteur:
Sujet:
Publication:
Farnham, Surrey ; Burlington, VT : Ashgate Publishing, 2013, ©2013.
Farnham, Surrey ; Burlington, VT : Ashgate Publishing, 2013, ©2013.
Titre:
Scale in contemporary sculpture : enlargement, miniaturisation and the life-size / Rachel Wells.
Actions:
Exemplaires:
Description:
xv, 203 pages, [60] pages of plates : illustrations (chiefly color) ; 24 cm
Scale in contemporary sculpture : enlargement, miniaturisation and the life-size / Rachel Wells.
Actions:
Exemplaires:
Description:
xv, 203 pages, [60] pages of plates : illustrations (chiefly color) ; 24 cm
Classification:
livres
livres
Publication:
Farnham, Surrey ; Burlington, VT : Ashgate Publishing, 2013, ©2013.
Farnham, Surrey ; Burlington, VT : Ashgate Publishing, 2013, ©2013.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
558 pages ; 24 cm
Description:
558 pages ; 24 cm
Auteur:
Sujet:
Publication:
New York : Coward, McCann & Geoghegan, ©1980.
New York : Coward, McCann & Geoghegan, ©1980.
Classification:
livres
livres
Publication:
New York : Coward, McCann & Geoghegan, ©1980.
New York : Coward, McCann & Geoghegan, ©1980.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xiv, 241 pages : illustrations ; 26 cm.
Description:
xiv, 241 pages : illustrations ; 26 cm.
Auteur:
Sujet:
Publication:
London ; New York : Routledge, 2012.
London ; New York : Routledge, 2012.
Titre:
Scale : imagination, perception, and practice in architecture / edited by Gerald Adler, Timothy Brittain-Catlin, and Gordana Fontana-Giusti.
Actions:
Exemplaires:
Description:
xiv, 241 pages : illustrations ; 26 cm.
Scale : imagination, perception, and practice in architecture / edited by Gerald Adler, Timothy Brittain-Catlin, and Gordana Fontana-Giusti.
Actions:
Exemplaires:
Description:
xiv, 241 pages : illustrations ; 26 cm.
Classification:
livres
livres
Publication:
London ; New York : Routledge, 2012.
London ; New York : Routledge, 2012.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Scale / Steven Holl.
Scale / Steven Holl.
Actions:
Exemplaires:
Description:
approximately 480 pages : chiefly color illustrations, plans ; 13 x 17 cm.
Description:
approximately 480 pages : chiefly color illustrations, plans ; 13 x 17 cm.
Auteur:
Sujet:
Publication:
Zurich : Lars Müller Publishers, 2012., Zurich Lars Müller Publishers, 2012.
Zurich : Lars Müller Publishers, 2012., Zurich Lars Müller Publishers, 2012.
Titre:
Scale / Steven Holl.
Actions:
Exemplaires:
Description:
approximately 480 pages : chiefly color illustrations, plans ; 13 x 17 cm.
Scale / Steven Holl.
Actions:
Exemplaires:
Description:
approximately 480 pages : chiefly color illustrations, plans ; 13 x 17 cm.
Classification:
livres
livres
Publication:
Zurich : Lars Müller Publishers, 2012., Zurich Lars Müller Publishers, 2012.
Zurich : Lars Müller Publishers, 2012., Zurich Lars Müller Publishers, 2012.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Auteur:
Sujet:
Publication:
Amsterdam : Roma Publications, 2019.
Amsterdam : Roma Publications, 2019.
Titre:
Full scale, false scale / Experimental Jetset.
Actions:
Exemplaires:
Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Full scale, false scale / Experimental Jetset.
Actions:
Exemplaires:
Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Classification:
livres
livres
Publication:
Amsterdam : Roma Publications, 2019.
Amsterdam : Roma Publications, 2019.
Auteur:
Sujet:
