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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie,(...)
Nos jours heureux : architecture et bien-être à l'ère du capitalisme émotionnel
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie, circulent de manière virale. Parallèlement, les données émotionnelles présentées dans ces enquêtes, y compris les perceptions relatives aux notions de solitude, d’amitié et de peurs intimes, alimentent un agenda politique du bonheur en croissance et une nouvelle forme de marché dont l’atout le plus déterminant est l’« affect ». Nos jours heureux examine les implications architecturales de cette tendance en disséquant et en questionnant les conditions politiques, économiques et émotionnelles qui génèrent l’espace aujourd’hui. Structuré comme une narration visuelle – assortie de lectures critiques de William Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson et Mirko Zardini –, cet ouvrage présente l’architecture, la ville et le paysage comme des surfaces contestées, prises entre les lignes directrices intangibles des indices de bonheur, le nouveau marché des émotions et l’idéologie implacable de la positivité.
Publications du CCA
livres
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xii, 344 pages : illustrations ; 24 cm
Durham : Duke University Press, 2007.
Tourists of history : memory, kitsch, and consumerism from Oklahoma City to Ground Zero / Marita Sturken.
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xii, 344 pages : illustrations ; 24 cm
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Durham : Duke University Press, 2007.
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The pandemic has once made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalised. The laments are a formal device, used in many cultures to express and contain the(...)
Performing mourning: Laments in contemporary art
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The pandemic has once made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalised. The laments are a formal device, used in many cultures to express and contain the emotions of grief. In a poetic, meandering, personal way Cools explores cultural habits, traditions, rituals, and artists' performances.
Théorie de l’art
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A showcase of work by over 40 international artists, using printed matter as their raw material and primary media to express ideas and emotions through sensory design, leaving us all with delicately indelible impression.
octobre 2007, Hong Kong
Special effects
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A showcase of work by over 40 international artists, using printed matter as their raw material and primary media to express ideas and emotions through sensory design, leaving us all with delicately indelible impression.
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Macau, 2011. Viagens / Journeys
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Trajets
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Chandigarh, 1991. Viagens / Journeys
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Trajets
$20.00
(disponible en magasin)
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Guiné-Bissau, 2011. Viagens / Journeys
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The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Trajets
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In an era of brash, expensive, provocative new buildings, critic Rowan Moore argues that emotions — hope, power, sex, our changing relationship to the idea of home — are the most powerful force behind architecture, yesterday and (especially) today.
Why we build : power and desire in architecture
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In an era of brash, expensive, provocative new buildings, critic Rowan Moore argues that emotions — hope, power, sex, our changing relationship to the idea of home — are the most powerful force behind architecture, yesterday and (especially) today.
Théorie de l’architecture
livres
Description:
176 pages : illustrations (chiefly color) ; 25 cm
Marseille : Parenthèses, [2018]
Le voyage de l'architecte / Philippe Potié.
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176 pages : illustrations (chiefly color) ; 25 cm
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Marseille : Parenthèses, [2018]
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This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston.
Jaromir Funke: between construction and emotion
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This is the first substantial monograph to examine the photography of Jaromír Funke (1896-1945), an innovator of modernist photography, comparable to contemporaries such as Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albery Renger-Patzsch, Aleksander Rodchenko, Paul Strand and Edward Weston.
Monographies photo