6340 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Personnes et institutions:
Date:
2000-2008
2000-2008
Titre:
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Documents d'archives de l'installation "Météorologie d'intérieur" de Philippe Rahm
Actions:
AP189
Résumé:
L’installation Météorologie d’intérieur fut présentée au Centre Canadien d’Architecture (CCA) lors de l’exposition Environ(ne)ment (18 octobre 2006-10 juin 2007) et à Rovereto en Italie lors de l’exposition Manifesta 7 (19 juillet-2 novembre 2008). Les documents d’archives de l’installation comprennent le logiciel développé pour l’installation et une sélection des objets installés dans les deux espaces d’exposition. *** The installation Interior Weather was presented at the Candian Centre for Architecture (CCA) as part of the exhibition Environ(ne)ment (October 18, 2006-June 10, 2007) and in Rovereto, Italy as part of Manifesta 7 (July 19-November 2, 2008). The records of the installation Interior Weather include the software developed for the installation and a selection of objects installed in the exhibition spaces.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2000-2008
2000-2008
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Niveau de description archivistique:
Series
Series
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Cette première conférence L’architecture comme sujet d’intérêt public marque le lancement du Réseau de recherche du CCA, une entité qui réunit d’anciens participants aux programmes de recherche menés depuis près de quarante ans au CCA. Cette conférence annuelle prolonge l’exploration du thème de la bourse L’architecture comme sujet d’intérêt public, lequel est, en 2023, «(...)
Cette première conférence L’architecture comme sujet d’intérêt public marque le lancement du Réseau de recherche du CCA, une entité qui réunit d’anciens participants aux programmes de recherche menés depuis près de quarante ans au CCA. Cette conférence annuelle prolonge l’exploration du thème de la bourse L’architecture comme sujet d’intérêt public, lequel est, en 2023, «(...)
Localisation:
En ligne Mot(s)-clé(s):
Samia Henni, Jay Pather, Réseau de recherche du CCA, L'architecture comme sujet d'intérêt public, communautés
En ligne Mot(s)-clé(s):
Samia Henni, Jay Pather, Réseau de recherche du CCA, L'architecture comme sujet d'intérêt public, communautés
Date:
26 septembre 2023, 14 h à 16 h
26 septembre 2023, 14 h à 16 h
Titre:
Conférence L’architecture comme sujet d’intérêt public 2023 : À qui s’adresse le travail?
Actions:
Description:
Cette première conférence L’architecture comme sujet d’intérêt public marque le lancement du Réseau de recherche du CCA, une entité qui réunit d’anciens participants aux programmes de recherche menés depuis près de quarante ans au CCA. Cette conférence annuelle prolonge l’exploration du thème de la bourse L’architecture comme sujet d’intérêt public, lequel est, en 2023, «(...)
Conférence L’architecture comme sujet d’intérêt public 2023 : À qui s’adresse le travail?
Actions:
Description:
Cette première conférence L’architecture comme sujet d’intérêt public marque le lancement du Réseau de recherche du CCA, une entité qui réunit d’anciens participants aux programmes de recherche menés depuis près de quarante ans au CCA. Cette conférence annuelle prolonge l’exploration du thème de la bourse L’architecture comme sujet d’intérêt public, lequel est, en 2023, «(...)
Classification:
événements
événements
Date:
26 septembre 2023
14 h à 16 h
26 septembre 2023
14 h à 16 h
Localisation:
En ligne Mot(s)-clé(s):
Samia Henni, Jay Pather, Réseau de recherche du CCA, L'architecture comme sujet d'intérêt public, communautés
En ligne Mot(s)-clé(s):
Samia Henni, Jay Pather, Réseau de recherche du CCA, L'architecture comme sujet d'intérêt public, communautés
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
événements
événements
Titre:
Renouveler notre perspective
Catalyser les savoirs basés sur le lieu pour un avenir holistique
Renouveler notre perspective
Catalyser les savoirs basés sur le lieu pour un avenir holistique
Actions:
Localisation:
Maison Shaughnessy, CCA Mot(s)-clé(s):
Design autochtone, pratiques basées sur le lieu, connaissances basées sur le lieu, pédagogie, environnement, crise climatique, apprentissage sur le terrain
Maison Shaughnessy, CCA Mot(s)-clé(s):
Design autochtone, pratiques basées sur le lieu, connaissances basées sur le lieu, pédagogie, environnement, crise climatique, apprentissage sur le terrain
Date:
24 février 2024, 14h à 15h30
24 février 2024, 14h à 15h30
Classification:
événements
événements
Date:
24 février 2024
14h à 15h30
24 février 2024
14h à 15h30
Localisation:
Maison Shaughnessy, CCA Mot(s)-clé(s):
Design autochtone, pratiques basées sur le lieu, connaissances basées sur le lieu, pédagogie, environnement, crise climatique, apprentissage sur le terrain
Maison Shaughnessy, CCA Mot(s)-clé(s):
Design autochtone, pratiques basées sur le lieu, connaissances basées sur le lieu, pédagogie, environnement, crise climatique, apprentissage sur le terrain
Classification:
événements
événements
Description:
Venez nous aider a ajouter les faits à Wikipédia sur les changements climatiques. Entrée gratuite, ouvert à tous.
Venez nous aider a ajouter les faits à Wikipédia sur les changements climatiques. Entrée gratuite, ouvert à tous.
Localisation:
Salle d’étude au CCA
Salle d’étude au CCA
Date:
30 avril 2025, 15h à 19h
30 avril 2025, 15h à 19h
Titre:
Le 3e Wiki Edit-a-thon : Editer pour la crise écologique
Actions:
Description:
Venez nous aider a ajouter les faits à Wikipédia sur les changements climatiques. Entrée gratuite, ouvert à tous.
Le 3e Wiki Edit-a-thon : Editer pour la crise écologique
Actions:
Description:
Venez nous aider a ajouter les faits à Wikipédia sur les changements climatiques. Entrée gratuite, ouvert à tous.
Classification:
événements
événements
Date:
30 avril 2025
15h à 19h
30 avril 2025
15h à 19h
Localisation:
Salle d’étude au CCA
Salle d’étude au CCA
Classification:
articles
articles
Titre:
L'esprit de Cornelia
L'esprit de Cornelia
Actions:
Mot(s)-clé(s):
Cornelia Hahn Oberlander, Martien de Vletter, paysage, terrain de jeux, Robson Square, toits verts, jardin, environnement
Cornelia Hahn Oberlander, Martien de Vletter, paysage, terrain de jeux, Robson Square, toits verts, jardin, environnement
Publié:
25 mai 2021
25 mai 2021
Classification:
événements
événements
Date:
4 juin 2023, 13h à 16h
4 juin 2023, 13h à 16h
Classification:
événements
événements
Date:
4 juin 2023
13h à 16h
4 juin 2023
13h à 16h
Niveau de description archivistique:
Projet
Projet
Titre:
BTDB Computer
BTDB Computer
Numéro de référence:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1966-1984, predominant 1968-1973
1966-1984, predominant 1968-1973
Titre:
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
BTDB Computer
Actions:
AP144.S2.D70
Description:
File documents the executed project for an office building to house the computer facilities of the British Transport Docks Board (BTDB) at Bulls Bridge and Hayes Road, in Southall, Ealing, England. The building has few doors and no corridors, rooms for computers, data control and preparation, and offices for engineers, programmers, and analysts. The client anticipated a 20% expansion of facilities during the life-cycle of the building and Cedric Price developed designs for "expanding" the building without interrupting computer services which were to run 24 hours a day. Design included interior walls that can be dismounted and reinstalled, a raised flexible floor system, and an exterior cladding system that allowed for an interchange between opaque and transparent panels. Existing conditions material includes an ordinance survey (1963) and floor plans for an unidentified building. Design development and working drawings include site plans, floor plans, sections, elevations, and construction details. The plans show: circulation patterns and relationships between areas; a series of alternate floor plans for computer room expansion; connections between original and expanded services; the computer room and equipment; furniture layout; framing and structure; and plans for acoustic and visual barriers. Also included are axonometric drawings of the phased development/expansion of the structure; design validation charts which measure projected "required" design elements against observation and investigation; environmental control charts exploring alternate proposals for illumination, ventilation, air, temperature, and acoustic control of certain areas, and diagrammatic sections showing environmental controls for air intake, returns and circulation; project requirements charts; project task sequencing diagrams; perspective drawings; elevations and sections for an illuminated sign; and details and wall sections for the exterior cladding. Twenty-nine individual and 60 sets of reprographic copies are stamped "issued contractor". Material for publication includes: details, site plans, floor plans and exterior elevations, b/w post-construction photographs, and a photo collage. Some material from this file was published in: Price, Cedric, "ECHOES: Environment Controlled Human Operational Enclosed Spaces", 'Architectural Design' (October 1969), 547-552; "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 25; Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 82-83, 112, 113. Material in this file was produced between 1966 and 1984, but predominantly between 1968 and 1973. Sandy Brown appears as the acoustics consultant and Zisman, Bowyer & Partners appear as the services consultants in this file. File contains design development drawings, working drawings, reference drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 70
File 70
Date:
1966-1984, predominant 1968-1973
1966-1984, predominant 1968-1973
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Personnes et institutions:
Date:
1991-2009
1991-2009
Titre:
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Documents d’archives de Asymptote Architecture pour le projet New York Stock Exchange
Actions:
AP184
Résumé:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1991-2009
1991-2009
Personnes et institutions:
