Oraefi: the wasteland
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After a grueling solo expedition on Vatnajokull Glacier, Austrian toponymist Bernhardt Fingerberg returns to civilization, barely alive, and into the care of Dr. Lassi. The doctor, suspicious of his story, attempts to discover his real motives for venturing into the treacherous wastelands of Iceland - but the secrets she unravels may be more dangerous than they're worth.
Oraefi: the wasteland
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After a grueling solo expedition on Vatnajokull Glacier, Austrian toponymist Bernhardt Fingerberg returns to civilization, barely alive, and into the care of Dr. Lassi. The doctor, suspicious of his story, attempts to discover his real motives for venturing into the treacherous wastelands of Iceland - but the secrets she unravels may be more dangerous than they're worth.
Littérature et poésie
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced(...)
Gerard Hemsworth : hidden agenda
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British artist Gerard Hemsworth (born 1945) undermines the seriousness of high modernist art with storybook picture motifs, straddling the sublime and the ridiculous and celebrating the clash of visual rhetorics in line drawings with flat, muted colors. For Hemsworth's first solo museum show in the United States at the Aldrich, 15 works have been chosen and are reproduced in this catalogue.
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Dynamically moving through media - from paint to bronze, papiermache to concrete - Belgian artist Valerie Mannaerts playfully arranges sculptural elements to create spatial installations, settings without stages. The first monograph for this artist - who represented Belgium at the 2003 Venice Biennale - covers two solo exhibitions from 2010, Blood Flow (Extra City(...)
mai 2011
Valérie Mannaerts: An exhibition another exhibition
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Dynamically moving through media - from paint to bronze, papiermache to concrete - Belgian artist Valerie Mannaerts playfully arranges sculptural elements to create spatial installations, settings without stages. The first monograph for this artist - who represented Belgium at the 2003 Venice Biennale - covers two solo exhibitions from 2010, Blood Flow (Extra City Kunsthal Antwerp) and Diamond Dancer (de Appel Arts Center Amsterdam).
ABC de la nature
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Bernadette Gervais nous offre un magnifique abécédaire grand format. Idéal pour les plus jeunes, pour l'apprentissage de l'alphabet et découvrir les beautés de la nature.Bernadette Gervais à longtemps collaboré avec francesco Pittau (le duo Pittau-Gervais) et continue son exploration du monde jeunesse en solo. Son travail pictural est ici particulièrement remarquable,(...)
ABC de la nature
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Bernadette Gervais nous offre un magnifique abécédaire grand format. Idéal pour les plus jeunes, pour l'apprentissage de l'alphabet et découvrir les beautés de la nature.Bernadette Gervais à longtemps collaboré avec francesco Pittau (le duo Pittau-Gervais) et continue son exploration du monde jeunesse en solo. Son travail pictural est ici particulièrement remarquable, mélange de pochoirs et de travail à l'éponge.
Littérature jeunesse
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Catalogue covering Mark Manders' double solo show "Isolated rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004). The book (184 pp.) is accompanied by a exhibition checklist and a 56 pp. reference book. Compilation and design : Roger Willems and Mark Manders. Texts by : James Cuno and Susanne Ghez, James(...)
Mark Manders : isolated rooms
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Catalogue covering Mark Manders' double solo show "Isolated rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004). The book (184 pp.) is accompanied by a exhibition checklist and a 56 pp. reference book. Compilation and design : Roger Willems and Mark Manders. Texts by : James Cuno and Susanne Ghez, James Rondeau, Dieter Roelstraete, Mark Manders and Marije Langelaar.
livres
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This(...)
Shary Boyle: La chair et le sang / Flesh and blood
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Toronto artist Shary Boyle engages in drawing, painting, sculpture, audio-visual performance and installations to explore human psychological and emotional states through a fictional fantasy. At once feminist, dream-like and poetic, but always charged with disturbing emotion and expressive candour, her works generate daring and original perspectives on the present. This publication features all new works, many created especially for Boyle's first solo museum exhibition, touring nationally throughout 2011.
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décembre 2010
Art canadien
Peter Saville estate 1-127
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This publication arose from the exhibition Peter Saville Estate at the migros museum für gegenwartskunst Zürich 12 th November, 2008 - 8th January, 2006. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration(...)
Peter Saville estate 1-127
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This publication arose from the exhibition Peter Saville Estate at the migros museum für gegenwartskunst Zürich 12 th November, 2008 - 8th January, 2006. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration with Saville; as such, it is the first publication to be designed by the artist.
Design, monographies
Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show(...)
Thomas Demand: House of card
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Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
janvier 2005, Vancouver
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
Jurgen Naber: Stops
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In this slender first-time solo publication of recent works by the German photo-based artist Jurgen Nabor, a series of 48 black and white photographs of bus shelters in people-less rural Norwegian landscapes recall the visual texture of the Dusseldorf aesthetic of the 1970s. An essay by independent curator Henriette Heidbrink discusses the centering of the subject in each(...)
Jurgen Naber: Stops
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In this slender first-time solo publication of recent works by the German photo-based artist Jurgen Nabor, a series of 48 black and white photographs of bus shelters in people-less rural Norwegian landscapes recall the visual texture of the Dusseldorf aesthetic of the 1970s. An essay by independent curator Henriette Heidbrink discusses the centering of the subject in each photograph and Nabor's debt to other conceptual photographic series such as Ed Ruscha's 26 Gas Stations (1963),
Monographies photo