$105.00
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Beginning in the late 1950s and continuing to the 1980s, the independence period in Africa was a time of prolific—and thrilling—architectural production, during which leaders of newly independent nations sought to redefine themselves and their countries in contrast to colonial rule. "Architects of liberation: Modernism in Western Africa" focuses on seven western African(...)
Architects of liberation: Modernism in Western Africa
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$105.00
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Beginning in the late 1950s and continuing to the 1980s, the independence period in Africa was a time of prolific—and thrilling—architectural production, during which leaders of newly independent nations sought to redefine themselves and their countries in contrast to colonial rule. "Architects of liberation: Modernism in Western Africa" focuses on seven western African nations—Benin (Dahomey), Cameroon, Côte d’Ivoire, Ghana, Nigeria, Senegal and Togo—and illuminates the ways in which architects sought to adapt, adopt or reinvent the idiom of modernism for their specific cultural, political and economic purposes. This landmark publication features more than 200 illustrations, including architectural drawings and archival photographs, as well as a newly commissioned photographic portfolio by François-Xavier Gbré highlighting these stunning works of architecture.
$34.50
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to(...)
Modernism and the architecture of private life
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In the late nineteenth century the conventions of Victorian domesticity came under scrutiny by British writers, designers, artists, and architects intent on bringing a modern spirit into the home. Seeking to redefine the spaces of middle-class private life, figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf attempted to rethink Victorian design and reconstruct the form, function, and meaning of the home to meet the demands of modernity. In this study, Rosner draws on a host of previously unexamined archival sources and reveals the many personal and aesthetic connections among modern British writers, interior designers, and architects, elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art.
Théorie de l’architecture
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and(...)
Le Corbusier's Chandigarh Revisited: Preservation as future modernism
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Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and architecture today. What lessons, if any, does the utopian ethos within modernism offer in the face of the climate crisis, rising authoritarianism, and the digital explosion? Via chapters focused on the hydrologics of the master plan, the symbolism of the Capitol buildings, and the archeology of the unbuilt Museum of Knowledge, this book makes the future-preservation case for Chandigarh as an ‘open’ work, a project that was set up by design to be ‘completed’ by others in times yet to come.
Architecture, monographies
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"Modernism: designing a new world" is the first book to explore Modernism in the designed world from a truly international perspective, and across all the arts. It offers a reassessment of the idea of Modernism and reveals the fundamental ways in which it has shaped our own world and its visual culture. Modernism flourished during the years 1914 to 1939. As a movement(...)
Modernism : designing a new world, 1914-1939
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"Modernism: designing a new world" is the first book to explore Modernism in the designed world from a truly international perspective, and across all the arts. It offers a reassessment of the idea of Modernism and reveals the fundamental ways in which it has shaped our own world and its visual culture. Modernism flourished during the years 1914 to 1939. As a movement it was the key point of reference for 20th century architecture, design and art. Modernists had an utopian desire to create a better world, frequently combined with social and political beliefs that design and art could transform society. The range of objects illustrated – including painting, sculpture, film, photography, prints and collage as well as architecture, interiors, furniture, manufactured products, graphic and fashion design – reflect the period’s emphasis on the unity of the arts and the key role of the fine arts in shaping contemporary visual culture. Europe and America take centre stage but the reach of Modernism is demonstrated by selected works from around the world, including Russia, Palestine and Japan.
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and(...)
Greater American camera: Making Modernism in Mexico
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Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new "greater American" aesthetic.
Photographie- collections
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
février 2014
Bauhaus: the art of the students
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
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In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations — to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals — in response to challenges posed by rapid change. The twelve essays(...)
Modernism and landscape architecture, 1890-1940
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In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations — to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals — in response to challenges posed by rapid change. The twelve essays included in this volume grapple with the definition and significance of modernism in landscape design during this transformative era.
Jardins
vidéo
Description:
1 videocassette (58 min., 32 sec.) : sound, color ; 1/2 in.
New York, N.Y. : Michael Blackwood Productions, ©1992.
The New modernists : six European architects / writer and consultant, Kenneth Frampton ; edited by Julie Stone ; photographed by Mead Hunt ; director and producer, Michael Blackwood.
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Description:
1 videocassette (58 min., 32 sec.) : sound, color ; 1/2 in.
vidéo
New York, N.Y. : Michael Blackwood Productions, ©1992.
livres
Description:
184 pages : illustrations ; 26 cm.
New York : Museum of Modern Art, 1991., New York : Harry N. Abrams
American art of the 1960s / the Museum of Modern Art.
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Description:
184 pages : illustrations ; 26 cm.
livres
New York : Museum of Modern Art, 1991., New York : Harry N. Abrams
livres
Description:
127 pages : illustrations ; 30 cm
Stuttgart : Edition Axel Menges, ©2005.
Bruno Paul : the life and work of a pragmatic modernist / William Owen Harrod.
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Description:
127 pages : illustrations ; 30 cm
livres
Stuttgart : Edition Axel Menges, ©2005.