archives
Luxor [electronic resource].
Description:
still image
[between 1991 and 2004]
archives
[between 1991 and 2004]
archives
Description:
still image
Unidentified [approximately 1962]
archives
Unidentified [approximately 1962]
artéfacts
Haupkirche St. Michaelis.
Description:
1 model : plastic, color ; 19 x 7 x 14 cm
[between 2000 and 2006]
Haupkirche St. Michaelis.
Actions:
Exemplaires:
Description:
1 model : plastic, color ; 19 x 7 x 14 cm
artéfacts
[between 2000 and 2006]
archives
Description:
2 items ; 28 cm.
En rose = Pink : exhibition products, 2009.
Actions:
Exemplaires:
Description:
2 items ; 28 cm.
archives
livres
Sweaterlodge.
Description:
173 p. : chiefly ill. (chiefly col.) ; 15 cm.
Vancouver : Blueimprint, 2006.
Sweaterlodge.
Actions:
Exemplaires:
Description:
173 p. : chiefly ill. (chiefly col.) ; 15 cm.
livres
Vancouver : Blueimprint, 2006.
archives
Description:
still image
W & R [between 1903 and 1927]
archives
W & R [between 1903 and 1927]
archives
Description:
still image
[199-?]
archives
[199-?]
artéfacts
Toledo.
Description:
1 model : brass ; 8 x 6 x 5 cm
[19--]
artéfacts
[19--]
artéfacts
Independence Hall
Description:
1 model : plastic ; 13 x 10 x 6 cm
[between 1960 and 2000]
artéfacts
[between 1960 and 2000]
$39.95
(disponible sur commande)
Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
janvier 2012
A thousand eyes: media technology, law and esthetics
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Prix:
$39.95
(disponible sur commande)
Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann