dessins
AP178.S2.1988.011
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela and for the Vilanova de Arousa Sports complex in Spain. It also contains a draft letter to M. Schultz about Bonjour Tristesse.
August 1988
Sketchbook 275: Santiago - Arousa
Actions:
AP178.S2.1988.011
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela and for the Vilanova de Arousa Sports complex in Spain. It also contains a draft letter to M. Schultz about Bonjour Tristesse.
dessins
August 1988
photographies
ARCH274324
Description:
Reference slides, includes: installations at Expo '70, Osaka Japan; Expo '67 exhibits, Montreal, Quebec; slides labeled, "Art on File," primarily images of works by sculptural and environmental artists; images of works by sculptor Gerhard Class.
1967- ca. 1986
Reference slides
Actions:
ARCH274324
Description:
Reference slides, includes: installations at Expo '70, Osaka Japan; Expo '67 exhibits, Montreal, Quebec; slides labeled, "Art on File," primarily images of works by sculptural and environmental artists; images of works by sculptor Gerhard Class.
photographies
1967- ca. 1986
Projet
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
1967
Canadian government pavilion, Japan world exposition, Osaka, Japan
Actions:
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
Project
1967
Projet
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
circa 1980s-1990s
Jharia Coalfields, Jharia, India (circa 1980s-1990s)
Actions:
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Project
circa 1980s-1990s
dessins
AP178.S2.1994.009
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation, the children's education centre in the Serralves Park in Porto, as well as for the Master plan for Rossio São Brás in Évora, Portugal.
1994
Sketchbook 366: Serralves - Evora
Actions:
AP178.S2.1994.009
Description:
This sketchbook includes sketches for the Museum of Contemporary Art of the Serralves Foundation, the children's education centre in the Serralves Park in Porto, as well as for the Master plan for Rossio São Brás in Évora, Portugal.
dessins
1994
dessins
AP178.S2.1999.003
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Santa Maria de Rosario church in Rome, Italy. It also contains sketches of Rome.
April 1999
Sketchbook 461: Serralves - Roma Panteon
Actions:
AP178.S2.1999.003
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, as well as for the Santa Maria de Rosario church in Rome, Italy. It also contains sketches of Rome.
dessins
April 1999
documents textuels
PHCON2002:0016:006:006
6 January 1978
documents textuels
6 January 1978
photographies
Quantité:
59 photograph(s)
PH1998:0014:062-120
architecture
between 1920 and 1926; after 1925
photographies
Quantité:
59 photograph(s)
between 1920 and 1926; after 1925
architecture
photographies
Quantité:
2 photograph(s)
PH1998:0014:364-365
architecture
between 1926 and 1930
photographies
Quantité:
2 photograph(s)
between 1926 and 1930
architecture
documents textuels
PHCON2002:0016:002:011
Description:
Thanking Gordon for participating in Twenty-Six by Twenty-Six exhibition. Mentions that Vassar purchased a drawing.
18 June 1971
Letter from Mary Delahoyd to Gordon Matta-Clark
Actions:
PHCON2002:0016:002:011
Description:
Thanking Gordon for participating in Twenty-Six by Twenty-Six exhibition. Mentions that Vassar purchased a drawing.
documents textuels
18 June 1971