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Ninety years after the Bauhaus first opened its doors in Dessau, ''Big Plans! Modern Figures, Visionaries, and Inventors'' examines for the first time the role of the Bauhaus in the early modernist vision of utopia. Not just an experimental forum for the avant-garde, the Bauhaus, once it moved to Dessau, became part of an industrial region that had been a hotbed of(...)
Big plans! Modern figures, visionaries, and inventors
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Ninety years after the Bauhaus first opened its doors in Dessau, ''Big Plans! Modern Figures, Visionaries, and Inventors'' examines for the first time the role of the Bauhaus in the early modernist vision of utopia. Not just an experimental forum for the avant-garde, the Bauhaus, once it moved to Dessau, became part of an industrial region that had been a hotbed of idealized planning for the future of humanity since the end of the First World War. This visionary futurist age of Saxony-Anhalt, reflected in its local architecture, industrial production, education and advertising, continued until the rise of the Nazi party in the 1930s.
Modernisme
Modern futures
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There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of(...)
Modern futures
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There has been a groundswell of interest in modernist architecture in recent years, particularly buildings from the second half of the twentieth century. Individuals and groups are engaging with modernist environments in the form of popular histories, documentaries and community projects, and digital and social media. Alongside this growing popularity however, many of these buildings are under threat from demolition and regeneration. "Modern futures" explores these trends, their connections, and how more popular and creative engagements might be used to inform the uncertain future of modernist architecture.
Modernisme
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“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new(...)
In reserve: the household. Historic models and contemporary positions from the Bauhaus
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“How are we to live in a way that is healthy and economical?” One answer to this question was provided by Ernst Jahn’s film of the same name Wie wohnen wir gesund und wirtschaftlich? (1926–28), which showed the kitchen in the Gropius House complete with all the latest domestic appliances it was equipped with. The Dessau Masters’ Houses were not only showcases of “new living” (Neues Wohnen) but also places where modern methods of housekeeping could be demonstrated. The topical relevance of this question was discussed at the 2015 Haushaltsmesse, an international trade fair on the art of housekeeping and budgeting. The publication Housekeeping in the Modern Age, which takes a documentary approach to this subject, now brings together these different viewpoints eyeing the question through the prism of the problems we face today. In the face of climate change and dwindling resources, the externalized costs of running a modern household are back on the (kitchen) table. The book is a compilation of essays by anthropologists, economists, artists, architects, historians, and cultural studies experts and also contains historical documents and photographs.
Modernisme
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Cet ouvrage propose une réinterprétation inédite de l'architecture de la fin du 19e et de l'ensemble du 20e siècle, selon une méthode privilégiant l'analyse de la structure, du revêtement et des matériaux, ainsi que celle de l'influence, tant en termes de conception que de mise en œuvre, des principes formulés par Viollet-le-Duc et Semper. Richement illustré, ce livre(...)
Histoire de l'architecture moderne : structure et revêtement
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Cet ouvrage propose une réinterprétation inédite de l'architecture de la fin du 19e et de l'ensemble du 20e siècle, selon une méthode privilégiant l'analyse de la structure, du revêtement et des matériaux, ainsi que celle de l'influence, tant en termes de conception que de mise en œuvre, des principes formulés par Viollet-le-Duc et Semper. Richement illustré, ce livre offre au lecteur une nouvelle manière de " voir " l'architecture. Rédigé par deux grands spécialistes du domaine et organisé selon une corrélation continue entre textes et images, il constitue une solide référence didactique pour les étudiants et les chercheurs en architecture.
Modernisme
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In recent years there has been an enormous interest among emerging and established artists in architecture of the modern period. Revisiting the Glass House explores the ways in which contemporary artists incorporate images of modern buildings in their work as a means to explore the utopian potential of architecture and to provide an antidote to the cynicism of our(...)
Revisiting the glass house: Contemporary art and modern architecture
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In recent years there has been an enormous interest among emerging and established artists in architecture of the modern period. Revisiting the Glass House explores the ways in which contemporary artists incorporate images of modern buildings in their work as a means to explore the utopian potential of architecture and to provide an antidote to the cynicism of our time. The book features painting, photography, video art, and other two-dimensional work by twenty-two artists from around the world whose engagement with architecture has more to do with ideas and ideals than with structure.
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octobre 2008
Modernisme
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This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work. Structured chronologically, the book defines the characteristics of the different periods and highlights the consistent forms, techniques, and styles that mark the art and architecture as distinctively(...)
American art and architecture
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This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work. Structured chronologically, the book defines the characteristics of the different periods and highlights the consistent forms, techniques, and styles that mark the art and architecture as distinctively American. Michael J. Lewis charts the ways in which American artists and architects both adopted and diverged from earlier European models to create an original visual language of their own. He also shows how that language in turn came to influence and eventually dominate art and architecture around the world. The author integrates discussions of both buildings and works of visual art, revealing the shared social and aesthetic concerns that underlie the two. Vernacular, religious, secular, and corporate architecture appears alongside paintings, sculpture, photography, and new-media art. Major American artists and works from the seventeenth century to today are included, such as epic history paintings by Benjamin West and John Singleton Copley; sublime landscapes by Thomas Cole, Albert Bierstadt, and Frederick Church; society portraits by John Singer Sargent; groundbreaking abstract expressionist and pop art by Jackson Pollock, Barnett Newman, and Andy Warhol; and challenging sculptural, installation, and video works from more recent years by Robert Gober, Fred Wilson, and Matthew Barney. In architecture, dozens of different building types are illustrated and discussed, from the earliest colonial houses and churches to the most spectacular modernist and postmodernist houses, stations, museums, and iconic skyscrapers. 275 illustrations, 175 in color.
Modernisme
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In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass(...)
Bauhaus culture : from Weimar to the Cold War
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In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.
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juillet 2006, Minneapolis
Modernisme
livres
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world.(...)
Modern architecture, 4th edition
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever.
livres
septembre 2007
Modernisme
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first(...)
Sozgorod, faksimile der erstausgabe von 1930
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first direct German translation of the original Russian, makes Milyutin’s legacy available again.
Modernisme
livres
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
livres
décembre 1998, Cambridge, Mass.
Modernisme