2089 Résultats
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320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
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320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
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New York : Harry N. Abrams, 1994., ©1994
New York : Harry N. Abrams, 1994., ©1994
Titre:
The oral history of modern architecture : interviews with the greatest architects of the twentieth century / John Peter.
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320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
The oral history of modern architecture : interviews with the greatest architects of the twentieth century / John Peter.
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320 pages : illustrations ; 30 cm + 1 audio disc (72 min., 20 sec. : digital ; 4 3/4 in.)
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livres
livres
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New York : Harry N. Abrams, 1994., ©1994
New York : Harry N. Abrams, 1994., ©1994
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livres
livres
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Christian Marclay: festival
Christian Marclay: festival
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$39.95
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Résumé:
Christian Marclay explores the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography, and video. Published in a 3-volume magazine format, this exhibition catalogue aims to capture the spontaneity of his process-oriented practice. Although the structure of the(...)
$39.95
(disponible sur commande)
Résumé:
Christian Marclay explores the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography, and video. Published in a 3-volume magazine format, this exhibition catalogue aims to capture the spontaneity of his process-oriented practice. Although the structure of the(...)
Publication:
décembre 2010
décembre 2010
Titre:
Christian Marclay: festival
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$39.95
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Christian Marclay explores the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography, and video. Published in a 3-volume magazine format, this exhibition catalogue aims to capture the spontaneity of his process-oriented practice. Although the structure of the magazines is intentionally loose, there are some themes that each issue addresses: the first issue, titled 'Prelude', historically contextualizes Marclay's work; the second, 'Interlude', addresses his early work and discusses the performances taking place at the Whitney; and the third, 'Reprise', looks at his later work and video scores. As a whole, "Christian Marclay: Festival" is a thoughtful and creatively packaged document that captures how this artist's compelling practice has evolved over time and continues to expand and develop.
Christian Marclay: festival
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$39.95
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Résumé:
Christian Marclay explores the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography, and video. Published in a 3-volume magazine format, this exhibition catalogue aims to capture the spontaneity of his process-oriented practice. Although the structure of the magazines is intentionally loose, there are some themes that each issue addresses: the first issue, titled 'Prelude', historically contextualizes Marclay's work; the second, 'Interlude', addresses his early work and discusses the performances taking place at the Whitney; and the third, 'Reprise', looks at his later work and video scores. As a whole, "Christian Marclay: Festival" is a thoughtful and creatively packaged document that captures how this artist's compelling practice has evolved over time and continues to expand and develop.
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livres
livres
Publication:
décembre 2010
décembre 2010
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livres
livres
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$19.99
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the(...)
$19.99
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Résumé:
Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the(...)
Sujet:
Acoustique
Acoustique
Publication:
janvier 1900, Los Angeles, Downey
janvier 1900, Los Angeles, Downey
Titre:
Writing aloud: the sonic of language
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility of being without language, Writing Aloud examines the repercussions of such a perspective. Considering the sonics of words, it extends this examination of vocalization and articulation into how it contributes to and influences communication and notions of self-recognition. And further, how orality effects the act of writing itself, stages the tension between sense and non-sense, and provides space for self-reflection.
Writing aloud: the sonic of language
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$19.99
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Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art. Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility of being without language, Writing Aloud examines the repercussions of such a perspective. Considering the sonics of words, it extends this examination of vocalization and articulation into how it contributes to and influences communication and notions of self-recognition. And further, how orality effects the act of writing itself, stages the tension between sense and non-sense, and provides space for self-reflection.
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livres
livres
Publication:
janvier 1900, Los Angeles, Downey
janvier 1900, Los Angeles, Downey
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$55.00
(disponible sur commande)
Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
$55.00
(disponible sur commande)
Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
Titre:
See this sound : audiovisuology 2 (essays)
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$55.00
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This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
See this sound : audiovisuology 2 (essays)
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$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Acoustique
Acoustique
Classification:
audio
audio
Titre:
The Fluxus Cab Driver
The Fluxus Cab Driver
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1 online resource (1 audio file)
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Social Discipline 2025
Social Discipline 2025
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audio
audio
Publication:
Social Discipline 2025
Social Discipline 2025
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livres
livres
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$30.00
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The Limestone Barrens Project is an international multidisciplinary investigation of the limestone cliffs and alvars in three areas: Ontario's Bruce Peninsula, Newfoundland's Great Northern Peninsula and the Burren in County Clare Ireland. Artists working in lens-based media (photography, video, video projection and video installation), writers, a composer and(...)
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The Limestone Barrens Project is an international multidisciplinary investigation of the limestone cliffs and alvars in three areas: Ontario's Bruce Peninsula, Newfoundland's Great Northern Peninsula and the Burren in County Clare Ireland. Artists working in lens-based media (photography, video, video projection and video installation), writers, a composer and(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
avril 2005, Corner Brook, Newfoundland
avril 2005, Corner Brook, Newfoundland
Titre:
The Limestone barrens project
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$30.00
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The Limestone Barrens Project is an international multidisciplinary investigation of the limestone cliffs and alvars in three areas: Ontario's Bruce Peninsula, Newfoundland's Great Northern Peninsula and the Burren in County Clare Ireland. Artists working in lens-based media (photography, video, video projection and video installation), writers, a composer and researchers walked and documented the sites so as to explore links between science, visual art, creative writing, sound and music. The project's publication is a stunning tribute to the fragile nature of these sites and their importance to our environment. Three essays, artist statements, poetry and sound recordings are accompanied by magnificent illustrations by some of the world's most distinguished landscape photographers, notably Marlene Creates, Har-Prakash Khalsa and Greg Staats. Accompanied by an audio CD. Produced in collaboration with Sir Wilfred Grenville College of Art Gallery, Newfoundland and Model Arts and Niland Gallery, Ireland.
The Limestone barrens project
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The Limestone Barrens Project is an international multidisciplinary investigation of the limestone cliffs and alvars in three areas: Ontario's Bruce Peninsula, Newfoundland's Great Northern Peninsula and the Burren in County Clare Ireland. Artists working in lens-based media (photography, video, video projection and video installation), writers, a composer and researchers walked and documented the sites so as to explore links between science, visual art, creative writing, sound and music. The project's publication is a stunning tribute to the fragile nature of these sites and their importance to our environment. Three essays, artist statements, poetry and sound recordings are accompanied by magnificent illustrations by some of the world's most distinguished landscape photographers, notably Marlene Creates, Har-Prakash Khalsa and Greg Staats. Accompanied by an audio CD. Produced in collaboration with Sir Wilfred Grenville College of Art Gallery, Newfoundland and Model Arts and Niland Gallery, Ireland.
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livres
livres
Publication:
avril 2005, Corner Brook, Newfoundland
avril 2005, Corner Brook, Newfoundland
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Titre:
Ryoji Ikeda: datamatics
Ryoji Ikeda: datamatics
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$47.50
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
$47.50
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Résumé:
One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a(...)
Titre:
Ryoji Ikeda: datamatics
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$47.50
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One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
Ryoji Ikeda: datamatics
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$47.50
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Résumé:
One of Japan’s leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various “raw” states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda’s music has expanded into art contexts more extensively than any of his contemporaries. Datamatics is a long-term art project that explores our reception of miniscule audio and visual data. Developed between 2006–2012, it consists of an audiovisual concert, installations, publications, a radio program and a CD. This book documents most of the works from the series, emphasizing three major Datamatics exhibitions presented in Yamaguchi (Japan 2008), Bogota (Columbia 2011) and Gijon (Spain 2012). Alongside graphic material relating to the production processes such as data sources, graphic scores and technical diagrams, the book also includes texts by curators Kazunao Abe, Maria Belen Sez de Ibarra and Benjamin Weil.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Ann Hamilton: Stylus
Ann Hamilton: Stylus
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$35.00
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Résumé:
Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping(...)
$35.00
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Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping(...)
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Ann Hamilton: Stylus
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$35.00
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Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping beans and a set of speakers telling stories to the sky, the Stylus project transformed the Pulitzer space into a unique audio and visual environment. Hamilton’s haunted call and response responded directly to the Tadao Ando-designed building, animated by acoustic elements developed in collaboration with composer and sound designer Shahrokh Yadegari. This volume both documents and builds upon the installation with texts by the artist, exhibition curator Matthias Waschek and Steven Henry Madoff, photographs of the exhibition and an image-based inventory of the artist’s materials and process.
Ann Hamilton: Stylus
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$35.00
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Ann Hamilton’s Stylus installation at The Pulitzer Foundation for the Arts in St. Louis was conceived as both sanctuary and laboratory--an attempt to link “the building’s interior state of reflection and contemplation to the world outside its opaque walls.” Employing such elements as the silence of a waving hand, the vibratory clicking of thousands of Mexican jumping beans and a set of speakers telling stories to the sky, the Stylus project transformed the Pulitzer space into a unique audio and visual environment. Hamilton’s haunted call and response responded directly to the Tadao Ando-designed building, animated by acoustic elements developed in collaboration with composer and sound designer Shahrokh Yadegari. This volume both documents and builds upon the installation with texts by the artist, exhibition curator Matthias Waschek and Steven Henry Madoff, photographs of the exhibition and an image-based inventory of the artist’s materials and process.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
audio
audio
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1 online resource.
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[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2018.
[Place of publication not identified] : Lateral Addition, 2018.
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livres
livres
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Art & vinyl
Art & vinyl
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$95.00
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Résumé:
"Art & Vinyl" is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician. With reproductions of more than 200 LPs from the mid-20th century to the present,(...)
$95.00
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Résumé:
"Art & Vinyl" is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician. With reproductions of more than 200 LPs from the mid-20th century to the present,(...)
Titre:
Art & vinyl
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$95.00
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"Art & Vinyl" is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician. With reproductions of more than 200 LPs from the mid-20th century to the present, "Art & Vinyl" traces the trajectory of how the record album has been considered by artists as material for a work of art. The book begins with Pablo Picasso’s 1949 depiction of the dove of peace, printed directly on an audio disc. Significantly, the recording was Paul Robeson’s Chante Pour La Paix (Singing for Peace). Art & Vinyl also includes works by artists as disparate and wide-ranging as Ed Ruscha, Marlene Dumas, Cy Twombly, Yoko Ono, Jean-Michel Basquiat, Barbara Kruger, Robert Rauschenberg, Sol LeWitt, Sophie Calle and Andy Warhol.
Art & vinyl
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$95.00
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Résumé:
"Art & Vinyl" is an exhilarating new look into the history of the vinyl record as a medium for modern and contemporary visual art. This beautifully designed and printed publication is the first book to focus in-depth on works of art created specifically for an album, composer or musician. With reproductions of more than 200 LPs from the mid-20th century to the present, "Art & Vinyl" traces the trajectory of how the record album has been considered by artists as material for a work of art. The book begins with Pablo Picasso’s 1949 depiction of the dove of peace, printed directly on an audio disc. Significantly, the recording was Paul Robeson’s Chante Pour La Paix (Singing for Peace). Art & Vinyl also includes works by artists as disparate and wide-ranging as Ed Ruscha, Marlene Dumas, Cy Twombly, Yoko Ono, Jean-Michel Basquiat, Barbara Kruger, Robert Rauschenberg, Sol LeWitt, Sophie Calle and Andy Warhol.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
