18196 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2001:0179
PH2001:0179
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1974
1974
Classification:
photographies
photographies
Date:
1974
1974
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0431:001-050
Description:
- Album PH1986:0431:001-050 comprises 32 views of the United States, including: seven views of the Adirondack Mountains in New York; three views of the White Mountains in New Hampshire; seven views of Boston, Massachusetts; five views of Washington, D.C.; four views of Cambridge, Massachusetts; and two views of Philadelphia, Pennsylvania. There are 14 views of Canada, including seven views of Ottawa, Ontario, and seven views of Québec: three views of Québec City, Québec; three views of Beauport, Québec; and one view of Montréal, Québec. There are eight views of Niagara Falls: five views of the American side and two views of the Canadian side.
PH1986:0431:001-050
Description:
- Album PH1986:0431:001-050 comprises 32 views of the United States, including: seven views of the Adirondack Mountains in New York; three views of the White Mountains in New Hampshire; seven views of Boston, Massachusetts; five views of Washington, D.C.; four views of Cambridge, Massachusetts; and two views of Philadelphia, Pennsylvania. There are 14 views of Canada, including seven views of Ottawa, Ontario, and seven views of Québec: three views of Québec City, Québec; three views of Beauport, Québec; and one view of Montréal, Québec. There are eight views of Niagara Falls: five views of the American side and two views of the Canadian side.
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, topographique, urbanisme
architecture, ingénierie, militaire, topographique, urbanisme
Date:
1886
1886
Titre:
Album of views of major urban centres in Massachusetts, Washington, D.C., Pennsylvania, Ontario and Québec and scenic views of the Adirondack Mountains, the White Mountains, Niagara Falls, Montmorency Falls and Chaudière Falls, United States and Canada
Actions:
PH1986:0431:001-050
Description:
- Album PH1986:0431:001-050 comprises 32 views of the United States, including: seven views of the Adirondack Mountains in New York; three views of the White Mountains in New Hampshire; seven views of Boston, Massachusetts; five views of Washington, D.C.; four views of Cambridge, Massachusetts; and two views of Philadelphia, Pennsylvania. There are 14 views of Canada, including seven views of Ottawa, Ontario, and seven views of Québec: three views of Québec City, Québec; three views of Beauport, Québec; and one view of Montréal, Québec. There are eight views of Niagara Falls: five views of the American side and two views of the Canadian side.
Album of views of major urban centres in Massachusetts, Washington, D.C., Pennsylvania, Ontario and Québec and scenic views of the Adirondack Mountains, the White Mountains, Niagara Falls, Montmorency Falls and Chaudière Falls, United States and Canada
Actions:
PH1986:0431:001-050
Description:
- Album PH1986:0431:001-050 comprises 32 views of the United States, including: seven views of the Adirondack Mountains in New York; three views of the White Mountains in New Hampshire; seven views of Boston, Massachusetts; five views of Washington, D.C.; four views of Cambridge, Massachusetts; and two views of Philadelphia, Pennsylvania. There are 14 views of Canada, including seven views of Ottawa, Ontario, and seven views of Québec: three views of Québec City, Québec; three views of Beauport, Québec; and one view of Montréal, Québec. There are eight views of Niagara Falls: five views of the American side and two views of the Canadian side.
Classification:
photographies
photographies
Date:
1886
1886
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, topographique, urbanisme
architecture, ingénierie, militaire, topographique, urbanisme
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
Titre:
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Classification:
photographies
photographies
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH401736
ARCH401736
Personnes et institutions:
Date:
12 September 1980
12 September 1980
Classification:
documents textuels
documents textuels
Date:
12 September 1980
12 September 1980
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0824
PH1982:0824
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1981
1981
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0833
PH1982:0833
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1982
1982
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0834
PH1982:0834
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1982
1982
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0836
PH1982:0836
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1981
1981
Classification:
photographies
photographies
Date:
1981
1981
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
