3069 Résultats
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vidéo
vidéo
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1 videocassette (16 1/2 min.) : sound, black and white with some color
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1 videocassette (16 1/2 min.) : sound, black and white with some color
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[Place of publication not identified] : Film to Video Labs, ©1976.
[Place of publication not identified] : Film to Video Labs, ©1976.
Titre:
The Chicago World's Fair, 1893 / written and directed by Sally Anderson Chappell.
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1 videocassette (16 1/2 min.) : sound, black and white with some color
The Chicago World's Fair, 1893 / written and directed by Sally Anderson Chappell.
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1 videocassette (16 1/2 min.) : sound, black and white with some color
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vidéo
vidéo
Publication:
[Place of publication not identified] : Film to Video Labs, ©1976.
[Place of publication not identified] : Film to Video Labs, ©1976.
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livres
livres
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$66.00
(disponible sur commande)
Résumé:
''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account(...)
$66.00
(disponible sur commande)
Résumé:
''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account(...)
Titre:
Lost days, endless nights: Photography and film from Los Angeles
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$66.00
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''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account of the artists who have lived or worked in Los Angeles, delving into the region's history and geography, highlighting its racial, gender, and class conflicts. Presented as a series of nine case studies, Witt explores how artists as diverse as Agnès Varda, Dana Lixenberg, Allan Sekula, Catherine Opie, John Divola, Gregory Halpern, Paul Sepuya, and Guadalupe Rosales have reimagined and reshaped our understanding of contemporary Los Angeles. The book features portraits of those who struggle and attempt to get by in the city: dock workers, students, bus riders, petty criminals, office workers, immigrants, queer and trans activists. Set against the landscape of economic turmoil and environmental crises that shadowed the 1970s, Witt highlights the urgent need for a historical perspective of cultural retrieval and counternarrative. Extending into the present, ''Lost Days, Endless Nights'' advocates for an approach that actively embraces the works and projects that have been overlooked and evicted from the historical imaginary
Lost days, endless nights: Photography and film from Los Angeles
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$66.00
(disponible sur commande)
Résumé:
''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account of the artists who have lived or worked in Los Angeles, delving into the region's history and geography, highlighting its racial, gender, and class conflicts. Presented as a series of nine case studies, Witt explores how artists as diverse as Agnès Varda, Dana Lixenberg, Allan Sekula, Catherine Opie, John Divola, Gregory Halpern, Paul Sepuya, and Guadalupe Rosales have reimagined and reshaped our understanding of contemporary Los Angeles. The book features portraits of those who struggle and attempt to get by in the city: dock workers, students, bus riders, petty criminals, office workers, immigrants, queer and trans activists. Set against the landscape of economic turmoil and environmental crises that shadowed the 1970s, Witt highlights the urgent need for a historical perspective of cultural retrieval and counternarrative. Extending into the present, ''Lost Days, Endless Nights'' advocates for an approach that actively embraces the works and projects that have been overlooked and evicted from the historical imaginary
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livres
livres
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décembre 2024
décembre 2024
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livres
livres
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279 pages : illustrations (chiefly color) ; 27 cm
Description:
279 pages : illustrations (chiefly color) ; 27 cm
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Lucerne : Quart Publishers, [2018], ©2018
Lucerne : Quart Publishers, [2018], ©2018
Titre:
Defining criteria / edited by Marina Montresor and Stephan Lando.
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279 pages : illustrations (chiefly color) ; 27 cm
Defining criteria / edited by Marina Montresor and Stephan Lando.
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279 pages : illustrations (chiefly color) ; 27 cm
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livres
livres
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Lucerne : Quart Publishers, [2018], ©2018
Lucerne : Quart Publishers, [2018], ©2018
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livres
livres
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176 pages : illustrations (some color) ; 31 cm
Description:
176 pages : illustrations (some color) ; 31 cm
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Rochester, New York : George Eastman Museum, [2016]
Rochester, New York : George Eastman Museum, [2016]
Titre:
A matter of memory : photography as object in the digital age / edited and with an essay by Lisa Hostetler ; with contributions from William T. Green.
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176 pages : illustrations (some color) ; 31 cm
A matter of memory : photography as object in the digital age / edited and with an essay by Lisa Hostetler ; with contributions from William T. Green.
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Description:
176 pages : illustrations (some color) ; 31 cm
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livres
livres
Publication:
Rochester, New York : George Eastman Museum, [2016]
Rochester, New York : George Eastman Museum, [2016]
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livres
livres
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xiv, 114 pages : chiefly illustrations ; 24 x 28 cm
Description:
xiv, 114 pages : chiefly illustrations ; 24 x 28 cm
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Portsmouth, NH : Peter E. Randall Pub., ©2009.
Portsmouth, NH : Peter E. Randall Pub., ©2009.
Titre:
A space for faith : the colonial meeting houses of New England / Paul Wainwright, photographer ; essay by Peter Benes ; forward by Brent D. Glass ; commentary by William E. Williams.
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xiv, 114 pages : chiefly illustrations ; 24 x 28 cm
A space for faith : the colonial meeting houses of New England / Paul Wainwright, photographer ; essay by Peter Benes ; forward by Brent D. Glass ; commentary by William E. Williams.
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xiv, 114 pages : chiefly illustrations ; 24 x 28 cm
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livres
livres
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Portsmouth, NH : Peter E. Randall Pub., ©2009.
Portsmouth, NH : Peter E. Randall Pub., ©2009.
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livres
livres
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Description:
79 pages, illustrations en coul., couv. illustrations en coul. ; 15 x 25 cm
Description:
79 pages, illustrations en coul., couv. illustrations en coul. ; 15 x 25 cm
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Paris, Textuel 2004.
Paris, Textuel 2004.
Titre:
Colorama : les plus grandes photographies du monde made in America de Kodak et de la George Eastman House textes de Alison Nordstrm̲ et de Peggy Roalf, [trad. de l'anglais par Christophe Marchand-Kiss].
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79 pages, illustrations en coul., couv. illustrations en coul. ; 15 x 25 cm
Colorama : les plus grandes photographies du monde made in America de Kodak et de la George Eastman House textes de Alison Nordstrm̲ et de Peggy Roalf, [trad. de l'anglais par Christophe Marchand-Kiss].
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79 pages, illustrations en coul., couv. illustrations en coul. ; 15 x 25 cm
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livres
livres
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Paris, Textuel 2004.
Paris, Textuel 2004.
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livres
livres
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77 pages : illustrations ; 18 cm
Description:
77 pages : illustrations ; 18 cm
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Edmonton, Alberta : Petrocultures Research Group, [2016], ©2016
Edmonton, Alberta : Petrocultures Research Group, [2016], ©2016
Titre:
After oil / Petrocultures Research Group.
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77 pages : illustrations ; 18 cm
After oil / Petrocultures Research Group.
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77 pages : illustrations ; 18 cm
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livres
livres
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Edmonton, Alberta : Petrocultures Research Group, [2016], ©2016
Edmonton, Alberta : Petrocultures Research Group, [2016], ©2016
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livres
livres
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59 pages : illustrations (some color) ; 23 cm
Description:
59 pages : illustrations (some color) ; 23 cm
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[Budapest] : Ludwig Múzeum Budapest, [1994]
[Budapest] : Ludwig Múzeum Budapest, [1994]
Titre:
Bachman Gábor, építészeti festmények, építészeti modellek, 1990-94 = Bachman Gábor, architectural paintings, architectural projects, 1990-94.
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59 pages : illustrations (some color) ; 23 cm
Bachman Gábor, építészeti festmények, építészeti modellek, 1990-94 = Bachman Gábor, architectural paintings, architectural projects, 1990-94.
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59 pages : illustrations (some color) ; 23 cm
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livres
livres
Publication:
[Budapest] : Ludwig Múzeum Budapest, [1994]
[Budapest] : Ludwig Múzeum Budapest, [1994]
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livres
livres
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$62.00
(disponible sur commande)
Résumé:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
$62.00
(disponible sur commande)
Résumé:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
Publication:
septembre 2024
septembre 2024
Titre:
Architecture, film, and the in-between: Spatio-cinematic between
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$62.00
(disponible sur commande)
Résumé:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Architecture, film, and the in-between: Spatio-cinematic between
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Prix:
$62.00
(disponible sur commande)
Résumé:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
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livres
livres
Publication:
septembre 2024
septembre 2024
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livres
livres
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Full Unemployment Cinema 2013
Full Unemployment Cinema 2013
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livres
livres
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Full Unemployment Cinema 2013
Full Unemployment Cinema 2013
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