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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Lewis Baltz: rule without exception / only Exceptions
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of(...)
Robert Frank: Black, white and things
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of Frank's travels to cities including Paris, New York, Valencia and St. Louis. First reprinted for an exhibition at the National Gallery in Washington, D.C., in 1994, this edition has now been designed in a smaller format by Frank. The three categories “black,” “white” and “things,” are shaped more by mood than subject matter: vastly different images—Frank's first wife reclining with their newborn baby, peasants squatting against a flaking wall in Peru and a business man strolling past a snow-filled tree in London—are all gathered in the “white” section, for example.
Monographies photo
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate(...)
Expositions en cours
novembre 2020
Urbainable: Positions on the european city for the 21st century
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Künste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos.
Expositions en cours
Font. the sourcebook
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Font: The Sourcebook is a resource for those interested in the story of type and with that visual communication. The first section of Font: The Sourcebook gives a thorough history of the public word, back to its roots in Egyptian hieroglyphs, describing the mechanics of early printing right up until the digital methods now in use. This comprehensive account includes(...)
Font. the sourcebook
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Font: The Sourcebook is a resource for those interested in the story of type and with that visual communication. The first section of Font: The Sourcebook gives a thorough history of the public word, back to its roots in Egyptian hieroglyphs, describing the mechanics of early printing right up until the digital methods now in use. This comprehensive account includes comment and analysis by some of the world's leading typographers, graphic designers and critics. Contributors include Penguin's David Pearson, Chairman of the Type Directors Club Alex W White, Will Hill, Pentagram's Domenic Lippa, Ed Fella, Peter Bi'lak, Experimental Jetset and more. The second part of Font: The Sourcebook profiles 50 of the most innovative and inspiring fonts in use today, with a short history of their origin, their inspiration and the designer who brought them to life. Each typeface entry is illustrated with an extensive library and examples of the font in use. Font: The Sourcebook is a resource no designer, typographer, artist or aesthete will want to be without.
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
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2G 13 : Carlos Jimenez
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This issue of 2G is dedicated to the work of Texas-based architect Carlos Jiménez and includes unpublished projects such as the competition proposal for the Arrecife's waterfront in Lanzarote, Canary Islands and the Cummins Engine Distributorship Facility Prototypes. The architectural practice of Carlos Jiménez now spans almost twenty years, and yet it is(...)
Architecture, monographies
janvier 2000, Barcelona
2G 13 : Carlos Jimenez
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This issue of 2G is dedicated to the work of Texas-based architect Carlos Jiménez and includes unpublished projects such as the competition proposal for the Arrecife's waterfront in Lanzarote, Canary Islands and the Cummins Engine Distributorship Facility Prototypes. The architectural practice of Carlos Jiménez now spans almost twenty years, and yet it is still a young practice by a young architect. Jiménez began to build the moment he finished school; his buildings have gathered their meaning in use and simple presence. "Buildings bleed," says Jiménez; their meaning is evolutionary and they acquire content in every context they partake in. The introduction by Michael Bell titled "Houston, Texas and the Architecture of Carlos Jiménez", analyzes how the architect's practice has made use of given conditions, sites and intellectual histories, showing that the multi-faceted depth of Jiménez's practice is in large part due to his diligent and empathetic care for the milieu that he works within. This publication presents fourteen recent works and projects with abundant graphic and photographic documentation. The introduction by Luis Fernández-Galiano weaves biographical insights with Jiménez's lyrical and personal architectural language, emphasizing the importance of memory in his work. The 'Nexus' section includes a text by Carlos Jiménez titled "Memory, a City, and the Need for Poetry".
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janvier 2000, Barcelona
Architecture, monographies
Vacant Spaces NY
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This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in(...)
Architecture, monographies
octobre 2021
Vacant Spaces NY
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This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in the United States. During a housing crisis. Throughout a pandemic. The quantity of vacant spaces is anyone’s best guess. It’s only partially documented. They hide in plain sight. This volume is organized from large to small, general to specific. It begins by looking at vacancy within the United States and continues down to each Manhattan neighborhood, where we zoom into specific vacant spaces, where we have provided as case studies that imagine some possibilities for transforming current vacant spaces into housing or social services. There is also a section on Covid 19, which infiltrated New York during our research. As a whole, this document is not meant to provide specific solutions. The data is incomplete. Case studies are limited. We are not policy experts or data analysts or urban planners. Instead, it is simply meant to show something we have taken for granted, vacant spaces, taking part in a collective process of imagining a better city.
Architecture, monographies
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More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than(...)
Espaces Public
octobre 2006, Philadelphia
More Philadelphia murals and the story they tell
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More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than 2600 murals throughout Philadelphia, the program has brightened the lives of countless residents and tourists while providing a creative outlet for an astounding array of artists. MAP now works with more than 3000 students around the city, engaging them in a curriculum that teaches not only artistic skills but civic engagement and personal responsibility. "More Philadelphia murals and the stories they tell", a sequel to "Philadelphia murals and the stories they tell", shares with the earlier work its beautiful color photography, along with profiles of the artists. Featured here is the remarkable story of an unlikely artistic collaboration — between boys who live in a residential facility, a community in the Kensington section of Philadelphia, and men who are incarcerated in a maximum-security state correctional facility. The 1/8 of a mile long mural they created, about balanced and restorative justice, was intended to help the young men give something back to a community they had harmed and help the community wrestle with issues around crime and violence. In the process of creating the mural, it became a life-changing experience for all involved.
Espaces Public
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our(...)
novembre 2004, New York
Massive change
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"Massive Change" is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the future of design culture, broadly defined as the “familiar objects and techniques that are transforming our lives.” In essays, interviews, and provocative imagery aimed at a broad audience, "Massive Change" explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society — such as urbanism and architecture, the military, health and living, and wealth and politics. Each section intersperses intriguing documentary images with a general introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present. "Massive Change" is a well designed, intelligent, visually provocative exploration of the myriad subjects percolating through popular culture: those we read about in magazines and on Web sites but rarely understand in any meaningful way. It poses the question: “Now that the human race can do almost anything, what will we do next?” Accompanies the internationally touring exhibition produced by Bruce Mau and his Institute without Borders.