223 Résultats
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical(...)
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical(...)
Titre:
Documented landscape: the photo archives of Carl Schröter and Geobotanical
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical biodiversity in the Alps. Rubel's teacher, the botanist and ETH professor Carl Schroeter (1855-1939), was himself a pioneer of biodiversity and landscape conservation. Rubel and Schroeter were some of the earliest botanists to use photography as a means to document their research, thus making it available to a wider public and drawing attention to their early efforts in environmentalism. While the photo archives bear witness to a bygone era, their depiction of a changing landscape and progressing human interference are still strikingly on topic today. Sometimes showing near-arcadian scenes, the images are nevertheless highly realistic in their exact scientific documentation of the alpine biosphere.
Documented landscape: the photo archives of Carl Schröter and Geobotanical
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical biodiversity in the Alps. Rubel's teacher, the botanist and ETH professor Carl Schroeter (1855-1939), was himself a pioneer of biodiversity and landscape conservation. Rubel and Schroeter were some of the earliest botanists to use photography as a means to document their research, thus making it available to a wider public and drawing attention to their early efforts in environmentalism. While the photo archives bear witness to a bygone era, their depiction of a changing landscape and progressing human interference are still strikingly on topic today. Sometimes showing near-arcadian scenes, the images are nevertheless highly realistic in their exact scientific documentation of the alpine biosphere.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
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livres
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The(...)
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The(...)
Titre:
The illustrated atlas of architecture and marvelous monuments
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The illustrated atlas of architecture and marvelous monuments" presents a world of breathtaking buildings and their incredible stories through illustrated maps and engaging factsheets. Sarah Tavernier and Alexandre Verhille have already deftly shown with "Legendary routes of the world" that they are experts in showcasing the biggest and the best. Now, for "The illustrated atlas of architecture and marvelous monuments", they researched the longest bridges, tallest towers, the most impressive cultural sites, and plenty of curiosities. Exciting facts are woven together with a myriad of architectural styles; the material feats are skillfully and artfully placed upon bold maps, situating the constructions within a geographic context.
The illustrated atlas of architecture and marvelous monuments
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Mali, in North Africa, is home to the largest building made out of clay; the structure only took one year to complete. For the construction of Neuschwanstein Castle, 465 tons of marble were hefted to the Alps to the building site. The Atomium in Brussels boasts the longest escalators in Europe. The largest mosque in the world is as big as 56 football fields. "The illustrated atlas of architecture and marvelous monuments" presents a world of breathtaking buildings and their incredible stories through illustrated maps and engaging factsheets. Sarah Tavernier and Alexandre Verhille have already deftly shown with "Legendary routes of the world" that they are experts in showcasing the biggest and the best. Now, for "The illustrated atlas of architecture and marvelous monuments", they researched the longest bridges, tallest towers, the most impressive cultural sites, and plenty of curiosities. Exciting facts are woven together with a myriad of architectural styles; the material feats are skillfully and artfully placed upon bold maps, situating the constructions within a geographic context.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Littérature jeunesse
Littérature jeunesse
Classification:
périodiques
périodiques
Titre:
Cabinet 27 : mountains
Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen,(...)
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen,(...)
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Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen, scientists, poets and philosophers. Indeed, our modern notion of the "sublime" was born in the Alps - where, as the English critic John Dennis wrote in 1693, nature was revealed as not solely a "delight that is consistent with reason," but also an experience "mingled with Horrours, and sometimes almost with despair." Cabinet 27 features Brian Dillon on the Cold War fact and Faustian fiction of Germany's Brocken; Allen S. Weiss on Petrarch and the winds of Mount Ventoux; and Jeffrey Kastner on the eighteenth-century Alpine panoramas of Hans Conrad Escher von der Linth. It also features Christopher Turner on the "lunar photographs" of James Nasmyth; Viktoria Tkaczyk on scientist Robert Hooke; biologist J.S.B. Haldane on being the right size; artist projects by Casey Logan and Walead Beshty; and Peter Lamborn Wilson's examination of the alchemical properties of building materials.
Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen, scientists, poets and philosophers. Indeed, our modern notion of the "sublime" was born in the Alps - where, as the English critic John Dennis wrote in 1693, nature was revealed as not solely a "delight that is consistent with reason," but also an experience "mingled with Horrours, and sometimes almost with despair." Cabinet 27 features Brian Dillon on the Cold War fact and Faustian fiction of Germany's Brocken; Allen S. Weiss on Petrarch and the winds of Mount Ventoux; and Jeffrey Kastner on the eighteenth-century Alpine panoramas of Hans Conrad Escher von der Linth. It also features Christopher Turner on the "lunar photographs" of James Nasmyth; Viktoria Tkaczyk on scientist Robert Hooke; biologist J.S.B. Haldane on being the right size; artist projects by Casey Logan and Walead Beshty; and Peter Lamborn Wilson's examination of the alchemical properties of building materials.
Classification:
périodiques
périodiques
Publication:
octobre 2007, Brooklyn
octobre 2007, Brooklyn
Sujet:
Revues
Revues
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livres
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual(...)
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual(...)
Titre:
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy.
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Roof life
Roof life
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Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
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Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
Titre:
Roof life
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Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
Roof life
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Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
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livres
livres
Publication:
août 2013
août 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Peter Zumthor Therme Vals
Peter Zumthor Therme Vals
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Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous(...)
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Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous(...)
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Peter Zumthor Therme Vals
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Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. Peter Zumthor Therme Vals, the only book-length study of this singular building, features the architect’s own original sketches and plans for its design as well as Hélène Binet’s striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay on such topics as “Artemis/Diana,” “Baptism,” “Mikvah,” and “Spring”—drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity. Annotations by Peter Zumthor on his design concept and the building process elucidate the structure’s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals’s scenic design elements, and Zumthor’s contributions to this book, reflect the architect’s commitment to the essential and his disdain for needless architectural flourishes. This lavishly illustrated volume about the spa that catapulted a remote Swiss village onto the international architecture scene will entrance all enthusiasts of contemporary design.
Peter Zumthor Therme Vals
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Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. Peter Zumthor Therme Vals, the only book-length study of this singular building, features the architect’s own original sketches and plans for its design as well as Hélène Binet’s striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay on such topics as “Artemis/Diana,” “Baptism,” “Mikvah,” and “Spring”—drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity. Annotations by Peter Zumthor on his design concept and the building process elucidate the structure’s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals’s scenic design elements, and Zumthor’s contributions to this book, reflect the architect’s commitment to the essential and his disdain for needless architectural flourishes. This lavishly illustrated volume about the spa that catapulted a remote Swiss village onto the international architecture scene will entrance all enthusiasts of contemporary design.
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livres
livres
Publication:
février 2007
février 2007
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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Description:
x, 468 pages : illustrations ; 24 cm
Description:
x, 468 pages : illustrations ; 24 cm
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Washington : Smithsonian Institution Press, [1991], ©1991
Washington : Smithsonian Institution Press, [1991], ©1991
Titre:
Exhibiting cultures : the poetics and politics of museum display / edited by Ivan Karp and Steven D. Lavine.
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Description:
x, 468 pages : illustrations ; 24 cm
Exhibiting cultures : the poetics and politics of museum display / edited by Ivan Karp and Steven D. Lavine.
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x, 468 pages : illustrations ; 24 cm
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livres
livres
Publication:
Washington : Smithsonian Institution Press, [1991], ©1991
Washington : Smithsonian Institution Press, [1991], ©1991
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livres
livres
Titre:
Is art history?
Is art history?
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$58.00
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A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on(...)
$58.00
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A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on(...)
Titre:
Is art history?
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A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on Vasari (1960), "Is Art History?" (1970), "Style Is What You Make It" (1979) and "Art History and Its Exclusions" (1982); two never before published lectures and other unpublished public presentations; notable critical essays on art and recent texts on contemporary artists including Alex Katz, Catherine Murphy and Shirley Jaffe. "Is Art History?" also includes new prefatory notes written by the author for this occasion, an unexpected introduction by her former student, the esteemed scholar-critic Richard Meyer, and an interview with the German author and critic Ulf Erdmann Ziegler. This extensive view of Alpers’ prolific and varied career appeals both to new readers in need of an introduction and to audiences familiar with her essential writing on the great European tradition of painting.
Is art history?
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A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on Vasari (1960), "Is Art History?" (1970), "Style Is What You Make It" (1979) and "Art History and Its Exclusions" (1982); two never before published lectures and other unpublished public presentations; notable critical essays on art and recent texts on contemporary artists including Alex Katz, Catherine Murphy and Shirley Jaffe. "Is Art History?" also includes new prefatory notes written by the author for this occasion, an unexpected introduction by her former student, the esteemed scholar-critic Richard Meyer, and an interview with the German author and critic Ulf Erdmann Ziegler. This extensive view of Alpers’ prolific and varied career appeals both to new readers in need of an introduction and to audiences familiar with her essential writing on the great European tradition of painting.
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livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Art history and its methods : a critical anthology / selection and commentary by Eric Fernie.
Art history and its methods : a critical anthology / selection and commentary by Eric Fernie.
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384 pages : illustrations, maps, portraits ; 24 cm
Description:
384 pages : illustrations, maps, portraits ; 24 cm
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London : Phaidon, 1995.
London : Phaidon, 1995.
Titre:
Art history and its methods : a critical anthology / selection and commentary by Eric Fernie.
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Description:
384 pages : illustrations, maps, portraits ; 24 cm
Art history and its methods : a critical anthology / selection and commentary by Eric Fernie.
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Description:
384 pages : illustrations, maps, portraits ; 24 cm
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livres
livres
Publication:
London : Phaidon, 1995.
London : Phaidon, 1995.
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livres
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$39.95
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Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In ''Walker Evans'', renowned art historian Svetlana Alpers(...)
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Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In ''Walker Evans'', renowned art historian Svetlana Alpers(...)
Titre:
Walker Evans: Starting from scratch
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Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In ''Walker Evans'', renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.
Walker Evans: Starting from scratch
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Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In ''Walker Evans'', renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
