6254 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH284728
Description:
Album is 39 pages.
ARCH284728
Description:
Album is 39 pages.
Personnes et institutions:
Date:
circa 1960s-2000s
circa 1960s-2000s
Titre:
Photo album of architectural projects, people, landscapes and Aditya Prakash
Actions:
ARCH284728
Description:
Album is 39 pages.
Photo album of architectural projects, people, landscapes and Aditya Prakash
Actions:
ARCH284728
Description:
Album is 39 pages.
Classification:
photographies
photographies
Date:
circa 1960s-2000s
circa 1960s-2000s
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
Personnes et institutions:
Sujet:
design de théâtre, design d'intérieur
design de théâtre, design d'intérieur
Date:
probably between 1745-1775
probably between 1745-1775
Titre:
Presentation drawing for a stage set with a central trompe-l'oeil landscape
Actions:
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
Presentation drawing for a stage set with a central trompe-l'oeil landscape
Actions:
DR1967:0010:001
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space of the architectural interior and low vanishing point of the central landscape indicates that this part of the drawing is probably intended to be a painted trompe-l'oeil, however, the inscribed scale suggests that some of the architectural elements may have been constructed (Fuhring, 161 and 570). The prickings indicate that the overall design was intended to be executed. A crown above the central cartouche in drawing DR1967:0010:002 which is probably by the same hand, indicates a possible royal connection.
Classification:
dessins
dessins
Date:
probably between 1745-1775
probably between 1745-1775
Personnes et institutions:
Sujet:
design de théâtre, design d'intérieur
design de théâtre, design d'intérieur
Classification:
dessins
dessins
Numéro de référence:
ARCH261787
Description:
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans, typical plans and sections of pods.
ARCH261787
Description:
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans, typical plans and sections of pods.
Personnes et institutions:
Date:
1976
1976
Titre:
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans
Actions:
ARCH261787
Description:
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans, typical plans and sections of pods.
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans
Actions:
ARCH261787
Description:
Bound set of Habitat Pavilion structural plans including architectural and landscaping plans, typical plans and sections of pods.
Classification:
dessins
dessins
Date:
1976
1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
La Mia Scualo D'Architettura [My School of Architecture] (2011)
Actions:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
La Mia Scualo D'Architettura [My School of Architecture] (2011)
Actions:
AP207.S1.2011.PR03
Description:
The project series documents "La Mia Scuola D'Architettura" a series of photographs of the Dolomites at the time of Pettena's childhood. The landscape, considered as his school of architecture, is "simply photographed and catalogued, thereby acknowledging at one and the same time the inevitable supremacy of nature, as "begetter" of architecture, and the acceptance of this lesson both conceptually and in its infinite spatial and linguistic." [1] The project series contains photographs and a printout out of a photo montage of natural geological formation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-my-school-2011/ (last accessed 23 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Personnes et institutions:
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Titre:
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Niveau de description archivistique:
Project
Project
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0643:001-189
PH1982:0643:001-189
Personnes et institutions:
Date:
between 1860 and 1879
between 1860 and 1879
Classification:
photographies
photographies
Date:
between 1860 and 1879
between 1860 and 1879
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
ca. 1854-1857
ca. 1854-1857
Titre:
Album of views of topography and religious and secular architecture, Scotland and England, United Kingdom
Actions:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Album of views of topography and religious and secular architecture, Scotland and England, United Kingdom
Actions:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Classification:
photographies
photographies
Date:
ca. 1854-1857
ca. 1854-1857
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1994:0007:028
DR1994:0007:028
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1941-1943
1941-1943
Titre:
Interior perspective sketch for Museum for a Small City showing an enclosing wall and the surrounding landscape
Actions:
DR1994:0007:028
Interior perspective sketch for Museum for a Small City showing an enclosing wall and the surrounding landscape
Actions:
DR1994:0007:028
Classification:
dessins
dessins
Date:
1941-1943
1941-1943
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
Quantité:
89 photomechanical print(s)
photographies
Quantité:
89 photomechanical print(s)
Numéro de référence:
ARCH219792
ARCH219792
Personnes et institutions:
Classification:
photographies
Quantité:
89 photomechanical print(s)
photographies
Quantité:
89 photomechanical print(s)
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
Personnes et institutions:
Date:
ca. 2003
ca. 2003
Titre:
Correspondence, design development drawings and project description for an exhibition held at Architectural Association School of Architecture, in London, England
Actions:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
Correspondence, design development drawings and project description for an exhibition held at Architectural Association School of Architecture, in London, England
Actions:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
ca. 2003
ca. 2003
Personnes et institutions:
