livres
Description:
120 pages
Lambersart : Du Quesne Editions, 2011.
Maisons de mineurs = Miner's houses. Patrimoine majeur du Nord-Pas-de-Calais = Important heritage of Nord-Pas-de-Calais. / Yves Le Maner.
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120 pages
livres
Lambersart : Du Quesne Editions, 2011.
$24.95
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Résumé:
The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine(...)
e-flux journal: The wretched of the screen
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The Wretched of the Screen collects a number of Steyerl's landmark essays in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information: on the formal shifts and distortions of accelerated capitalism; the art system as a vast mine of labor extraction and passionate commitment, structural and literal violence, enchantment and fun, and of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses.
Théorie/ philosophie
$37.50
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In this book, Dutch graphic designer Ruben Pater uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. Capitalism could not exist without the myriad banknotes, documents, infographics, interfaces, branding, and advertisements created by graphic designers. Even anti-consumerist strategies such as social and speculative(...)
Caps lock : How capitalism took hold of graphic design, and how to escape from it
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In this book, Dutch graphic designer Ruben Pater uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. Capitalism could not exist without the myriad banknotes, documents, infographics, interfaces, branding, and advertisements created by graphic designers. Even anti-consumerist strategies such as social and speculative design are appropriated to serve economic growth. Design, it seems, is locked in a cycle of exploitation and extraction, furthering global inequality and environmental collapse. Featured are six radical design cooperatives that resist capitalist thinking, hoping to inspire a more socially aware practice.
Mining photography
$63.00
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Résumé:
Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
mars 2023
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
livres
Bâtir avec ce qui reste : quelles ressources pour sortir de de l'extractivisme / Philippe Simay.
Description:
133 pages ; 20 cm.
[Saint-Mandé] : Éditions Terre urbaine, [2024], ©2024
Bâtir avec ce qui reste : quelles ressources pour sortir de de l'extractivisme / Philippe Simay.
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133 pages ; 20 cm.
livres
[Saint-Mandé] : Éditions Terre urbaine, [2024], ©2024
$79.00
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Monographies photo
Unpayable Debt
$36.95
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to(...)
Unpayable Debt
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''Unpayable debt'' examines the relationships among coloniality, raciality, and global capital from a black feminist ''poethical'' perspective. Inspired by Octavia E. Butler's 1979 sci-fi novel ''Kindred,'' in which an African-American writer is transported back in time to the antebellum South to save her owner-ancestor, ''Unpayable debt'' relates the notion of value to coloniality—both economic and ethical. Focusing on the philosophy behind value, Denise Ferreira da Silva exposes capital as the juridical architecture and ethical grammar of the world. Here, raciality—a symbol of coloniality—justifies deployments of total violence to enable expropriation and land extraction.
Théorie/ philosophie
$62.95
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises(...)
octobre 2022
Climate: Our right to breathe
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises because of racialised capitalism. Opening with an introduction from the editors and ‘The Universal Right to Breathe’ by Achille Mbembe, the rest of the book is divided into four sections: ‘Commodification, Energy & Extraction,’ ‘Land & Food Sovereignty,’ ‘Toxicity & Healing,’ and ‘Shelters.’
audio
Apophanies.
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2022.
audio
[Place of publication not identified] : Lateral Addition, 2022.
$54.00
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
Picture research: The work of intermediation from pre-photography to post-digitization
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Théorie de la photographie