13023 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:029
Description:
Includes plans, elevations and details for a school, Ecole Cure Grenier, Notre-Dame-des-Laurentides, Québec. Material was originally housed in a tube labelled "1964-67 Ecole Cure Grenier, Notre-Dame-des-Laurentides".
DR2012:0012:029
Description:
Includes plans, elevations and details for a school, Ecole Cure Grenier, Notre-Dame-des-Laurentides, Québec. Material was originally housed in a tube labelled "1964-67 Ecole Cure Grenier, Notre-Dame-des-Laurentides".
Personnes et institutions:
Date:
1966
1966
Titre:
Plans, elevations and details for a school, Ecole Cure Grenier
Actions:
DR2012:0012:029
Description:
Includes plans, elevations and details for a school, Ecole Cure Grenier, Notre-Dame-des-Laurentides, Québec. Material was originally housed in a tube labelled "1964-67 Ecole Cure Grenier, Notre-Dame-des-Laurentides".
Plans, elevations and details for a school, Ecole Cure Grenier
Actions:
DR2012:0012:029
Description:
Includes plans, elevations and details for a school, Ecole Cure Grenier, Notre-Dame-des-Laurentides, Québec. Material was originally housed in a tube labelled "1964-67 Ecole Cure Grenier, Notre-Dame-des-Laurentides".
Classification:
dessins
dessins
Date:
1966
1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1952.PR03
Description:
This project series documents Cornelia Hahn Oberlander's project for the garden of Mr. & Mrs. W. A. Rahill's private residence in Feasterville, Pennsylvania. The residence is located in Bryn Gweled Homesteads, a small cooperative community in Upper Southampton Township. Oberlander worked on this project from 1952-1953. The garden design consists of a meadow area and a play area on the front lawn of the house. The play area, surrounded by trees and strubs, includes a badminton field and a vegetable patch. This project series only contains a presentation drawing for the landscape design with a plant list.
AP075.S1.1952.PR03
Description:
This project series documents Cornelia Hahn Oberlander's project for the garden of Mr. & Mrs. W. A. Rahill's private residence in Feasterville, Pennsylvania. The residence is located in Bryn Gweled Homesteads, a small cooperative community in Upper Southampton Township. Oberlander worked on this project from 1952-1953. The garden design consists of a meadow area and a play area on the front lawn of the house. The play area, surrounded by trees and strubs, includes a badminton field and a vegetable patch. This project series only contains a presentation drawing for the landscape design with a plant list.
Personnes et institutions:
Date:
1952-1953
1952-1953
Titre:
Garden of Mr. & Mrs. W. A. Rahill, Feasterville, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR03
Description:
This project series documents Cornelia Hahn Oberlander's project for the garden of Mr. & Mrs. W. A. Rahill's private residence in Feasterville, Pennsylvania. The residence is located in Bryn Gweled Homesteads, a small cooperative community in Upper Southampton Township. Oberlander worked on this project from 1952-1953. The garden design consists of a meadow area and a play area on the front lawn of the house. The play area, surrounded by trees and strubs, includes a badminton field and a vegetable patch. This project series only contains a presentation drawing for the landscape design with a plant list.
Garden of Mr. & Mrs. W. A. Rahill, Feasterville, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR03
Description:
This project series documents Cornelia Hahn Oberlander's project for the garden of Mr. & Mrs. W. A. Rahill's private residence in Feasterville, Pennsylvania. The residence is located in Bryn Gweled Homesteads, a small cooperative community in Upper Southampton Township. Oberlander worked on this project from 1952-1953. The garden design consists of a meadow area and a play area on the front lawn of the house. The play area, surrounded by trees and strubs, includes a badminton field and a vegetable patch. This project series only contains a presentation drawing for the landscape design with a plant list.
Niveau de description archivistique:
Project
Project
Date:
1952-1953
1952-1953
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Le 20 novembre prochain de 16h à 19h, venez nous aider à mettre de l’avant les femmes qui ont conçu et construit notre environnement bâti, en participant à un Éditathon Wikipédia. L’événement est gratuit et ouvert au public.
Le 20 novembre prochain de 16h à 19h, venez nous aider à mettre de l’avant les femmes qui ont conçu et construit notre environnement bâti, en participant à un Éditathon Wikipédia. L’événement est gratuit et ouvert au public.
Localisation:
Salle d’étude
Salle d’étude
Date:
20 novembre 2024, 16h à 19h
20 novembre 2024, 16h à 19h
Titre:
Wiki Éditathon : Les femmes architectes canadiennes en premier plan
Actions:
Description:
Le 20 novembre prochain de 16h à 19h, venez nous aider à mettre de l’avant les femmes qui ont conçu et construit notre environnement bâti, en participant à un Éditathon Wikipédia. L’événement est gratuit et ouvert au public.
Wiki Éditathon : Les femmes architectes canadiennes en premier plan
Actions:
Description:
Le 20 novembre prochain de 16h à 19h, venez nous aider à mettre de l’avant les femmes qui ont conçu et construit notre environnement bâti, en participant à un Éditathon Wikipédia. L’événement est gratuit et ouvert au public.
Classification:
événements
événements
Date:
20 novembre 2024
16h à 19h
20 novembre 2024
16h à 19h
Localisation:
Salle d’étude
Salle d’étude
Classification:
photographies
Quantité:
5 negative(s)
photographies
Quantité:
5 negative(s)
Numéro de référence:
AP140.S2.SS1.D19.P10
Description:
views of presentation drawings including plans, elevations and a sectional elevation for the married fellows maisonettes (row houses), and a view of two diagrammatic plans showing the comparative sizes of the projected main buildings for Churchill College and other existing Colleges in Cambridge
AP140.S2.SS1.D19.P10
Description:
views of presentation drawings including plans, elevations and a sectional elevation for the married fellows maisonettes (row houses), and a view of two diagrammatic plans showing the comparative sizes of the projected main buildings for Churchill College and other existing Colleges in Cambridge
Personnes et institutions:
Date:
1958 or after
1958 or after
Titre:
Views of presentation drawings including plans, elevations and a sectional elevation
Actions:
AP140.S2.SS1.D19.P10
Description:
views of presentation drawings including plans, elevations and a sectional elevation for the married fellows maisonettes (row houses), and a view of two diagrammatic plans showing the comparative sizes of the projected main buildings for Churchill College and other existing Colleges in Cambridge
Views of presentation drawings including plans, elevations and a sectional elevation
Actions:
AP140.S2.SS1.D19.P10
Description:
views of presentation drawings including plans, elevations and a sectional elevation for the married fellows maisonettes (row houses), and a view of two diagrammatic plans showing the comparative sizes of the projected main buildings for Churchill College and other existing Colleges in Cambridge
Classification:
photographies
Quantité:
5 negative(s)
photographies
Quantité:
5 negative(s)
Date:
1958 or after
1958 or after
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1984:0578
Description:
- A view of the semi-circular portico in the garden of the Villa Albani opposite the casino. This portico, a one-storied structure comprised of eleven bays, appears to have been constructed to house and display part of Cardinal Albani's famous collection of antiquities.
DR1984:0578
Description:
- A view of the semi-circular portico in the garden of the Villa Albani opposite the casino. This portico, a one-storied structure comprised of eleven bays, appears to have been constructed to house and display part of Cardinal Albani's famous collection of antiquities.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Date:
published 1780
published 1780
Titre:
A view of the semi-circular portico in the garden of the Villa Albani
Actions:
DR1984:0578
Description:
- A view of the semi-circular portico in the garden of the Villa Albani opposite the casino. This portico, a one-storied structure comprised of eleven bays, appears to have been constructed to house and display part of Cardinal Albani's famous collection of antiquities.
A view of the semi-circular portico in the garden of the Villa Albani
Actions:
DR1984:0578
Description:
- A view of the semi-circular portico in the garden of the Villa Albani opposite the casino. This portico, a one-storied structure comprised of eleven bays, appears to have been constructed to house and display part of Cardinal Albani's famous collection of antiquities.
Classification:
oeuvres d'art
oeuvres d'art
Date:
published 1780
published 1780
Personnes et institutions:
Sujet:
architecture, architecture de paysage, topographique
architecture, architecture de paysage, topographique
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Niveau de description archivistique:
Project
Project
Date:
1972-1980
1972-1980
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Personnes et institutions:
Date:
2007-2013
2007-2013
Titre:
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Classification:
documents textuels
documents textuels
Date:
2007-2013
2007-2013
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:034
Description:
Includes studies and presentation material for a project titled "Hampstead Green", Montréal, Québec. Material was originally housed in a tube labelled "1996 Hampstead Green - project drawings".
DR2012:0012:034
Description:
Includes studies and presentation material for a project titled "Hampstead Green", Montréal, Québec. Material was originally housed in a tube labelled "1996 Hampstead Green - project drawings".
Personnes et institutions:
Date:
1966
1966
Titre:
Studies and presentation material for a project titled "Hampstead Green", Montréal, Québec
Actions:
DR2012:0012:034
Description:
Includes studies and presentation material for a project titled "Hampstead Green", Montréal, Québec. Material was originally housed in a tube labelled "1996 Hampstead Green - project drawings".
Studies and presentation material for a project titled "Hampstead Green", Montréal, Québec
Actions:
DR2012:0012:034
Description:
Includes studies and presentation material for a project titled "Hampstead Green", Montréal, Québec. Material was originally housed in a tube labelled "1996 Hampstead Green - project drawings".
Classification:
dessins
dessins
Date:
1966
1966
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:016
Description:
Includes sketches, studies, plans and sections for a project at Place Berri, Montréal, Québec. Material was originally housed in a tube labelled "Place Berri/Ville de MTL 1990-91 – Sculpture tower development studies".
DR2012:0012:016
Description:
Includes sketches, studies, plans and sections for a project at Place Berri, Montréal, Québec. Material was originally housed in a tube labelled "Place Berri/Ville de MTL 1990-91 – Sculpture tower development studies".
Personnes et institutions:
Date:
1990-1991
1990-1991
Titre:
Sketches, studies, plans and sections for a project, Square Berri, Montréal, Québec
Actions:
DR2012:0012:016
Description:
Includes sketches, studies, plans and sections for a project at Place Berri, Montréal, Québec. Material was originally housed in a tube labelled "Place Berri/Ville de MTL 1990-91 – Sculpture tower development studies".
Sketches, studies, plans and sections for a project, Square Berri, Montréal, Québec
Actions:
DR2012:0012:016
Description:
Includes sketches, studies, plans and sections for a project at Place Berri, Montréal, Québec. Material was originally housed in a tube labelled "Place Berri/Ville de MTL 1990-91 – Sculpture tower development studies".
Classification:
dessins
dessins
Date:
1990-1991
1990-1991
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256514
Description:
"Caption / Displays and exhibits in the Expo '67 Youth Pavilion will be housed in 12 thematic modules surrounding an open square or 'agora'. The agora, along with a 250-seat theatre, open-air amphitheatre and 'café-dansant', will be used for a wide range of cultural, social and athletic events, all sponsored by Steinberg's Limited."--Description.
ARCH256514
Description:
"Caption / Displays and exhibits in the Expo '67 Youth Pavilion will be housed in 12 thematic modules surrounding an open square or 'agora'. The agora, along with a 250-seat theatre, open-air amphitheatre and 'café-dansant', will be used for a wide range of cultural, social and athletic events, all sponsored by Steinberg's Limited."--Description.
Personnes et institutions:
Date:
ca. 1967
ca. 1967
Titre:
View of a model of the Youth Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256514
Description:
"Caption / Displays and exhibits in the Expo '67 Youth Pavilion will be housed in 12 thematic modules surrounding an open square or 'agora'. The agora, along with a 250-seat theatre, open-air amphitheatre and 'café-dansant', will be used for a wide range of cultural, social and athletic events, all sponsored by Steinberg's Limited."--Description.
View of a model of the Youth Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256514
Description:
"Caption / Displays and exhibits in the Expo '67 Youth Pavilion will be housed in 12 thematic modules surrounding an open square or 'agora'. The agora, along with a 250-seat theatre, open-air amphitheatre and 'café-dansant', will be used for a wide range of cultural, social and athletic events, all sponsored by Steinberg's Limited."--Description.
Classification:
photographies
photographies
Date:
ca. 1967
ca. 1967
Personnes et institutions:
