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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of(...)
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of(...)
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Nortopia: Nordic modern architecture and postwar Germany
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of Interbau 1957 presented a timely opportunity to reappraise the Hansaviertel in Berlin and the entire New Building movement. In this context, Nordic conceptions of architecture and town planning seemed particularly worthy of critical reflection. The “people's home” (folkhem), as well as various national strands of modernization, architectural preferences and even geopolitical considerations play a role in the formation of the Nordic model. The contributors to this volume take the example of the Hansaviertel as an opportunity to investigate Nordic-German transfer in modernism—aesthetically, socioculturally and programmatically.
Nortopia: Nordic modern architecture and postwar Germany
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How can “Nordic Modernism” be defined? Did German city planners look to the North for inspiration after the Second World War? In what way did their social model affect architecture and city planning in the Nordic countries? What specific features characterize architecture and town planning in the Nordic countries compared with postwar Germany? The fiftieth anniversary of Interbau 1957 presented a timely opportunity to reappraise the Hansaviertel in Berlin and the entire New Building movement. In this context, Nordic conceptions of architecture and town planning seemed particularly worthy of critical reflection. The “people's home” (folkhem), as well as various national strands of modernization, architectural preferences and even geopolitical considerations play a role in the formation of the Nordic model. The contributors to this volume take the example of the Hansaviertel as an opportunity to investigate Nordic-German transfer in modernism—aesthetically, socioculturally and programmatically.
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livres
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avril 2010
avril 2010
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Théorie de l’architecture
Théorie de l’architecture
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viii, 508 pages : illustrations (chiefly color) ; 27 cm
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viii, 508 pages : illustrations (chiefly color) ; 27 cm
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Austin : University of Texas Press, [2015], ©2015
Austin : University of Texas Press, [2015], ©2015
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Postcard America : Curt Teich and the imaging of a nation, 1931-1950 / Jeffrey L. Meikle.
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viii, 508 pages : illustrations (chiefly color) ; 27 cm
Postcard America : Curt Teich and the imaging of a nation, 1931-1950 / Jeffrey L. Meikle.
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viii, 508 pages : illustrations (chiefly color) ; 27 cm
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Austin : University of Texas Press, [2015], ©2015
Austin : University of Texas Press, [2015], ©2015
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
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Who are you? : identification, deception, and surveillance in early modern Europe
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
Who are you? : identification, deception, and surveillance in early modern Europe
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
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mars 2007, New York
mars 2007, New York
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Théorie de l’architecture
Théorie de l’architecture
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
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Economization of Life : Biopolitical Feminism & Chemical Infrastructures.
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1 online resource.
Economization of Life : Biopolitical Feminism & Chemical Infrastructures.
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1 online resource.
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audio
audio
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[Place of publication not identified] : The Funambulist, 2014.
[Place of publication not identified] : The Funambulist, 2014.
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Total Design offers an intimate tour of houses conceived as complete works of art. Each of the houses demonstrates how an architect realized a unifying vision through all aspects of design — architecture, furniture, fittings, decorative objects, color, and gardens.
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Total Design offers an intimate tour of houses conceived as complete works of art. Each of the houses demonstrates how an architect realized a unifying vision through all aspects of design — architecture, furniture, fittings, decorative objects, color, and gardens.
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Total design: architecture and interiors of iconic Modern houses
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Total Design offers an intimate tour of houses conceived as complete works of art. Each of the houses demonstrates how an architect realized a unifying vision through all aspects of design — architecture, furniture, fittings, decorative objects, color, and gardens.
Total design: architecture and interiors of iconic Modern houses
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Total Design offers an intimate tour of houses conceived as complete works of art. Each of the houses demonstrates how an architect realized a unifying vision through all aspects of design — architecture, furniture, fittings, decorative objects, color, and gardens.
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octobre 2014
octobre 2014
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Design d’intérieur
Design d’intérieur
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xiv, 203 pages : illustrations ; 25 cm
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xiv, 203 pages : illustrations ; 25 cm
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Cambridge, Mass. : MIT Press, ©2013.
Cambridge, Mass. : MIT Press, ©2013.
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The view from above : the science of social space / Jeanne Haffner.
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xiv, 203 pages : illustrations ; 25 cm
The view from above : the science of social space / Jeanne Haffner.
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xiv, 203 pages : illustrations ; 25 cm
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Cambridge, Mass. : MIT Press, ©2013.
Cambridge, Mass. : MIT Press, ©2013.
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xv, 109 pages : illustrations, maps ; 27 cm
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xv, 109 pages : illustrations, maps ; 27 cm
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Los Angeles, California : The Getty Research Institute, [2014], ©2014
Los Angeles, California : The Getty Research Institute, [2014], ©2014
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Los Angeles Union Station / edited by Marlyn Musicant ; with contributions by William Deverell and Matthew W. Roth.
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xv, 109 pages : illustrations, maps ; 27 cm
Los Angeles Union Station / edited by Marlyn Musicant ; with contributions by William Deverell and Matthew W. Roth.
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xv, 109 pages : illustrations, maps ; 27 cm
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Los Angeles, California : The Getty Research Institute, [2014], ©2014
Los Angeles, California : The Getty Research Institute, [2014], ©2014
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$87.95
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Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, "Objects in exile" shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
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Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, "Objects in exile" shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
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Objects in exile: modern art and design across borders 1930-1960
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Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, "Objects in exile" shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
Objects in exile: modern art and design across borders 1930-1960
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Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, "Objects in exile" shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
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janvier 2024
janvier 2024
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Théorie de l’architecture
Théorie de l’architecture
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192 pages : illustrations (some color) ; 29 cm
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192 pages : illustrations (some color) ; 29 cm
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Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
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The Canada Pavilion at the Venice Biennale / edited by Réjean Legault.
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192 pages : illustrations (some color) ; 29 cm
The Canada Pavilion at the Venice Biennale / edited by Réjean Legault.
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192 pages : illustrations (some color) ; 29 cm
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Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
Ottawa : National Gallery of Canada ; Milan : 5 Continents Editions, [2019]
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xxix, 257 pages : illustrations ; 24 cm.
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xxix, 257 pages : illustrations ; 24 cm.
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Toronto : RIC Books ; Cambridge, Massachusetts : MIT Press, [2018], ©2018
Toronto : RIC Books ; Cambridge, Massachusetts : MIT Press, [2018], ©2018
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The eye of history : when images take positions / Georges Didi-Huberman ; translated by Shane B. Lillis.
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xxix, 257 pages : illustrations ; 24 cm.
The eye of history : when images take positions / Georges Didi-Huberman ; translated by Shane B. Lillis.
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xxix, 257 pages : illustrations ; 24 cm.
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Toronto : RIC Books ; Cambridge, Massachusetts : MIT Press, [2018], ©2018
Toronto : RIC Books ; Cambridge, Massachusetts : MIT Press, [2018], ©2018
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