livres
On Brick Lane
$42.00
(disponible sur commande)
Résumé:
A mesmerizing return to the memory-nest of Rachel Lichtenstein's heartland. By listening with such care and sympathetic attention, she teases out the voices of the living and the dead. Here is a mapping to set beside mayhew and Jack London, a valid attempt to identify eternal verities in a place that is vanishing, reinventing itself, even as she walks across it' Ian Sinclair
août 2007, London, New York
On Brick Lane
Actions:
Prix:
$42.00
(disponible sur commande)
Résumé:
A mesmerizing return to the memory-nest of Rachel Lichtenstein's heartland. By listening with such care and sympathetic attention, she teases out the voices of the living and the dead. Here is a mapping to set beside mayhew and Jack London, a valid attempt to identify eternal verities in a place that is vanishing, reinventing itself, even as she walks across it' Ian Sinclair
livres
août 2007, London, New York
périodiques
$39.95
(disponible sur commande)
Résumé:
Includes projects by Patkau Architects (Winnipeg Skating Shelters), Manifesto Architecture PC (Bike Hanger), J.Mayer H. Architects (Metropol Parasol), Nieto Sobejano (San Telmo Museum Extension), Rocco Design Architects (Guangdong Museum), Cino Zucchi Architetti (Turin Automobile Museum), Forma 6 (Tower of Arts), Josep Llinàs (L’Atlantida Performing Arts Center), Alberto(...)
C3 322: walking along the culture, Museum Art Center
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Includes projects by Patkau Architects (Winnipeg Skating Shelters), Manifesto Architecture PC (Bike Hanger), J.Mayer H. Architects (Metropol Parasol), Nieto Sobejano (San Telmo Museum Extension), Rocco Design Architects (Guangdong Museum), Cino Zucchi Architetti (Turin Automobile Museum), Forma 6 (Tower of Arts), Josep Llinàs (L’Atlantida Performing Arts Center), Alberto Campo Baeza (Andalucia’s Museum of Memory and more. Essays by Diego Terna and Julia van den Hout.
périodiques
septembre 2011
Revues
Mark Ruwedel
$75.00
(disponible sur commande)
Résumé:
Over the past three decades, Mark Ruwedel (born 1954) has examined the intersections of representation, cultural memory and shifting perceptions of space. His work is an epic account of North American civilization, extending from topologies of urban architecture to large-scale projects such as "The Ice Age" and "Westward the Course of Empire." Ruwedel represents landscape(...)
Mark Ruwedel
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
Over the past three decades, Mark Ruwedel (born 1954) has examined the intersections of representation, cultural memory and shifting perceptions of space. His work is an epic account of North American civilization, extending from topologies of urban architecture to large-scale projects such as "The Ice Age" and "Westward the Course of Empire." Ruwedel represents landscape as a site where radically different scales of time intertwine.
Monographies photo
James Welling: monograph
$80.00
(disponible sur commande)
Résumé:
James Welling: Monograph provides a presentation of the artist’s work to date. Since the mid-1970s, Welling’s work has explored realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photography. This volume presents a large selection of recent series, from 2000 through to the(...)
James Welling: monograph
Actions:
Prix:
$80.00
(disponible sur commande)
Résumé:
James Welling: Monograph provides a presentation of the artist’s work to date. Since the mid-1970s, Welling’s work has explored realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photography. This volume presents a large selection of recent series, from 2000 through to the present, interspersed with early works made in the preceding decades.
Monographies photo
livres
Description:
152 pages : color illustrations ; 18 cm
Berlin : Sternberg Press, [2017], ©2017
Art without death : conversations on Russian cosmism / with contributions by Bart De Baere [and eight others].
Actions:
Exemplaires:
Description:
152 pages : color illustrations ; 18 cm
livres
Berlin : Sternberg Press, [2017], ©2017
livres
Description:
575 pages : illustrations (some color) ; 25 cm
Köln : Taschen, ©2000.
Modernism rediscovered = Die wiederentdeckte Moderne = La redécouverte d'un modernisme / text by Pierluigi Serraino & photos by Julius Shulman.
Actions:
Exemplaires:
Description:
575 pages : illustrations (some color) ; 25 cm
livres
Köln : Taschen, ©2000.
AMAA: Seemingly simple
$36.00
(disponible en magasin)
Résumé:
AMAA reveals their work 10 years after the founding of the studio: a concise narration by Natalie Donat-Cattin aims at providing a model to interpret the studio’s approach over the years. The concept of the ''Seemingly simple'' embraces the comprehensive research and frames the process, focusing on the attention to tradition, historical memory, the mutual influence of the(...)
AMAA: Seemingly simple
Actions:
Prix:
$36.00
(disponible en magasin)
Résumé:
AMAA reveals their work 10 years after the founding of the studio: a concise narration by Natalie Donat-Cattin aims at providing a model to interpret the studio’s approach over the years. The concept of the ''Seemingly simple'' embraces the comprehensive research and frames the process, focusing on the attention to tradition, historical memory, the mutual influence of the arts, the craftsmanship involved in the use of materials. These subjects seem to strengthen a deep connection with the regional context and with its renowned references. They translate into each individual project with the ambitious intention to constitute a new stratification in addition to the complex, existing memory of the territory. Images, drawings and words are put together uninterruptedly, graphically assembled by Lorenzo Mason Studio, offering cause for reflection on the formal outcome achieved by AMAA so far. Loose thoughts, open to a continuously evolving future, which is not familiar with the word 'ending': the conclusion of a process does not necessarily lead to a definite end. Rather, it may result in new developments.
Architecture, monographies
$82.00
(disponible en magasin)
Résumé:
For almost a decade, Ana Anahory and Felipa Almeida had an the interior design studio (AnahoryAlmeida studio) which led to a unique opportunity to discover and visit Portuguese family houses, with stories and beauty that deserved to be portrayed. Since then, time has passed and with the growth of tourism in our country, many of these houses ended up being transformed into(...)
Portuguese houses with history
Actions:
Prix:
$82.00
(disponible en magasin)
Résumé:
For almost a decade, Ana Anahory and Felipa Almeida had an the interior design studio (AnahoryAlmeida studio) which led to a unique opportunity to discover and visit Portuguese family houses, with stories and beauty that deserved to be portrayed. Since then, time has passed and with the growth of tourism in our country, many of these houses ended up being transformed into hotels, vacation rentals, airbnbs and rural hotels, as it was too expensive to keep them just as family homes. This passion for these houses and their unrepeatable identity convinced them that this could be a project where the studio could work together again, photographing the properties that they still managed to find so that at least their visual memory didn't get lost. Thiis book wants to pay homage to a memory, a Portuguese savoir-faire and taste that is disappearing with the massification of design, objects and furniture. This book pretends to be a homage to Portuguese family houses, with stories and beauty that deserved to be portrayed.
Architecture résidentielle
$24.50
(disponible sur commande)
Résumé:
In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special(...)
Evocative objects : things we think with
Actions:
Prix:
$24.50
(disponible sur commande)
Résumé:
In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas. These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects - an apple, a datebook, a laptop computer - are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes - the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.
Théorie du design
$44.50
(disponible sur commande)
Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Archiveology: Walter Benjamin and archival film practices
Actions:
Prix:
$44.50
(disponible sur commande)
Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.