12019 Résultats
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livres
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The ecological approach to building is the great untold story in the architectural history of the past century. This book is essential reading for architects and students. As an urgent wake-up call on the state of our built environment, it will be of interest to everyone who cares about the future of our planet. In the past, many of the key tenets of the ecological(...)
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The ecological approach to building is the great untold story in the architectural history of the past century. This book is essential reading for architects and students. As an urgent wake-up call on the state of our built environment, it will be of interest to everyone who cares about the future of our planet. In the past, many of the key tenets of the ecological(...)
Titre:
Ecological architecture : a critical history
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The ecological approach to building is the great untold story in the architectural history of the past century. This book is essential reading for architects and students. As an urgent wake-up call on the state of our built environment, it will be of interest to everyone who cares about the future of our planet. In the past, many of the key tenets of the ecological philosophy - sustainability, energy efficiency, harmonious relationship with the environment - appeared to stand contrast to the sweep of science-led ‘progress’ that characterized the modern movement. Today, however, past visionaries are vindicated and yesterday’s eccentricities are today’s legal requirements: every architect has an obligation to the environment as well as to his or her client. After an introduction to the terminology of ecological architecture - including terms such as ‘green’ and ‘sustainable’, ’Part one’ identifies recurring themes in ecological architecture. ‘Part two’ features twenty-five case studies each focusing on a specific architect, movement or topic. Some of the names are familiar in this context - Rasem Badran, Hassan Fathy - but there are also plenty of surprises - Le Corbusier, Buckminster Fuller, Rudolf Schindler. ‘Part three’ looks to the future as ecological architecture struggles to deal with global urbanization.
Ecological architecture : a critical history
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The ecological approach to building is the great untold story in the architectural history of the past century. This book is essential reading for architects and students. As an urgent wake-up call on the state of our built environment, it will be of interest to everyone who cares about the future of our planet. In the past, many of the key tenets of the ecological philosophy - sustainability, energy efficiency, harmonious relationship with the environment - appeared to stand contrast to the sweep of science-led ‘progress’ that characterized the modern movement. Today, however, past visionaries are vindicated and yesterday’s eccentricities are today’s legal requirements: every architect has an obligation to the environment as well as to his or her client. After an introduction to the terminology of ecological architecture - including terms such as ‘green’ and ‘sustainable’, ’Part one’ identifies recurring themes in ecological architecture. ‘Part two’ features twenty-five case studies each focusing on a specific architect, movement or topic. Some of the names are familiar in this context - Rasem Badran, Hassan Fathy - but there are also plenty of surprises - Le Corbusier, Buckminster Fuller, Rudolf Schindler. ‘Part three’ looks to the future as ecological architecture struggles to deal with global urbanization.
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livres
livres
Publication:
octobre 2005, London
octobre 2005, London
Sujet:
Architecture écologique
Architecture écologique
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livres
livres
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From the foldable home to blow-up inhabitable spaces, a daring spirit pervades each project in this collection of creative solutions in mobile architecture. All projects are illustrated with full-color photographs, with accompanying floor plans and information provided by the architects and designers themselves. A varied selection of some of the most imaginative designs(...)
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From the foldable home to blow-up inhabitable spaces, a daring spirit pervades each project in this collection of creative solutions in mobile architecture. All projects are illustrated with full-color photographs, with accompanying floor plans and information provided by the architects and designers themselves. A varied selection of some of the most imaginative designs(...)
Titre:
Portable architecture - and unpredictable surroundings -
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From the foldable home to blow-up inhabitable spaces, a daring spirit pervades each project in this collection of creative solutions in mobile architecture. All projects are illustrated with full-color photographs, with accompanying floor plans and information provided by the architects and designers themselves. A varied selection of some of the most imaginative designs in the field; a collection which will serve as a source of inspiration for the urban planner, architect, student of architecture, or layperson.
Portable architecture - and unpredictable surroundings -
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From the foldable home to blow-up inhabitable spaces, a daring spirit pervades each project in this collection of creative solutions in mobile architecture. All projects are illustrated with full-color photographs, with accompanying floor plans and information provided by the architects and designers themselves. A varied selection of some of the most imaginative designs in the field; a collection which will serve as a source of inspiration for the urban planner, architect, student of architecture, or layperson.
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livres
livres
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
Sujet:
Architecture miniature
Architecture miniature
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livres
livres
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
Titre:
Architecture and its ethical dilemmas
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Architecture and its ethical dilemmas
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Classification:
livres
livres
Publication:
décembre 2005, London, New York
décembre 2005, London, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$23.95
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2005, Minneapolis, London
novembre 2005, Minneapolis, London
Titre:
Commodification and spectacle in architecture
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Commodification and spectacle in architecture
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More than ever, architectural design is seen as a means to promote commercial goals rather than as an end in itself. Frank Gehry’s Guggenheim Museum in Bilbao, for example, simply cannot be considered apart from its intended role as a catalyst for the economic revitalization of Bilbao and its ability to attract tourist dollars, regardless of its architectural merits. A built environment intended to seduce consumers is more likely to offer instant gratification than to invite independent thought and reflection. But how harmful, if at all, is this unprecedented commercialization of architecture? Framed with an introduction by Kenneth Frampton, the contributions to "Commodification and spectacle in architecture" stake out a variety of positions in the debate over the extent to which it is possible—or desirable—to escape from, resist, or suggest plausible alternatives to the dominant culture of consumer capitalism. Rejecting any dreamy nostalgia for an idealized present or past in which design is completely divorced from commerce—and, in some cases, celebrating the pleasures of spectacle—the individual essays range from indictments of particular architects and critiques of the profession to broader concerns about what the phenomenon of commodification means for the practice of democracy and the health of society. Bringing together an impressive and varied group of critics and practitioners, "Commodification and spectacle in architecture" will help to sharpen the discussion of how design can respond to our hypercommodified culture.
Classification:
livres
livres
Publication:
novembre 2005, Minneapolis, London
novembre 2005, Minneapolis, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$64.95
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Ce livre a pour principal objectif de démontrer que les intérieurs minimalistes sont bien plus que de vastes étendues blanches. Il ne s'agit pas seulement de «simplicité», il est aussi question d'«émotion», une émotion qui exploite le silence et les aspects essentiels. Une quête des sens instaurée par la subtilité des textures et les vibrations éclatantes des touches(...)
$64.95
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Ce livre a pour principal objectif de démontrer que les intérieurs minimalistes sont bien plus que de vastes étendues blanches. Il ne s'agit pas seulement de «simplicité», il est aussi question d'«émotion», une émotion qui exploite le silence et les aspects essentiels. Une quête des sens instaurée par la subtilité des textures et les vibrations éclatantes des touches(...)
Titre:
Minimalisme et couleur : architecture et intérieurs et meubles
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Ce livre a pour principal objectif de démontrer que les intérieurs minimalistes sont bien plus que de vastes étendues blanches. Il ne s'agit pas seulement de «simplicité», il est aussi question d'«émotion», une émotion qui exploite le silence et les aspects essentiels. Une quête des sens instaurée par la subtilité des textures et les vibrations éclatantes des touches colorées, bien au-delà de la pureté et de la simplicité du blanc.
Minimalisme et couleur : architecture et intérieurs et meubles
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Résumé:
Ce livre a pour principal objectif de démontrer que les intérieurs minimalistes sont bien plus que de vastes étendues blanches. Il ne s'agit pas seulement de «simplicité», il est aussi question d'«émotion», une émotion qui exploite le silence et les aspects essentiels. Une quête des sens instaurée par la subtilité des textures et les vibrations éclatantes des touches colorées, bien au-delà de la pureté et de la simplicité du blanc.
Classification:
livres
livres
Publication:
janvier 2004, Barcelona
janvier 2004, Barcelona
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
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$29.95
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Gordon Atkins practiced architecture in Calgary, Alberta from the early 1960s until the late 1990s. Early in his career he established himself as one of the brightest young architects in Canada. Included in this book is an essay exploring Gordon Atkins'role as an architect, an interview with Atkins that explores in detail his design philosophy, formative training, and(...)
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Gordon Atkins practiced architecture in Calgary, Alberta from the early 1960s until the late 1990s. Early in his career he established himself as one of the brightest young architects in Canada. Included in this book is an essay exploring Gordon Atkins'role as an architect, an interview with Atkins that explores in detail his design philosophy, formative training, and(...)
Titre:
Gordon Atkins : architecture, 1960-95
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Gordon Atkins practiced architecture in Calgary, Alberta from the early 1960s until the late 1990s. Early in his career he established himself as one of the brightest young architects in Canada. Included in this book is an essay exploring Gordon Atkins'role as an architect, an interview with Atkins that explores in detail his design philosophy, formative training, and upbringing.
Gordon Atkins : architecture, 1960-95
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Gordon Atkins practiced architecture in Calgary, Alberta from the early 1960s until the late 1990s. Early in his career he established himself as one of the brightest young architects in Canada. Included in this book is an essay exploring Gordon Atkins'role as an architect, an interview with Atkins that explores in detail his design philosophy, formative training, and upbringing.
Classification:
livres
livres
Publication:
novembre 2004, Calgary
novembre 2004, Calgary
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Prix:
$38.95
(disponible en magasin)
Résumé:
The international architecture symposium "space condition" initiated by Roger Riewe at Graz University of Technology accompanied the exhibition "Latent Utopia" curated by Zaha Hadid and Patrick Schumacher. Renowed contemporary architects, designers and architecture critics were invited to elaborate upon the most important issues concerning architectureof today and(...)
$38.95
(disponible en magasin)
Résumé:
The international architecture symposium "space condition" initiated by Roger Riewe at Graz University of Technology accompanied the exhibition "Latent Utopia" curated by Zaha Hadid and Patrick Schumacher. Renowed contemporary architects, designers and architecture critics were invited to elaborate upon the most important issues concerning architectureof today and(...)
Titre:
Space condition : international architecture symposium
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The international architecture symposium "space condition" initiated by Roger Riewe at Graz University of Technology accompanied the exhibition "Latent Utopia" curated by Zaha Hadid and Patrick Schumacher. Renowed contemporary architects, designers and architecture critics were invited to elaborate upon the most important issues concerning architectureof today and tomorrow. This publication documents the various positions in discussion minutes, pictures and interviews and provides an in-depth insight into current architectural theory discussions.
Space condition : international architecture symposium
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The international architecture symposium "space condition" initiated by Roger Riewe at Graz University of Technology accompanied the exhibition "Latent Utopia" curated by Zaha Hadid and Patrick Schumacher. Renowed contemporary architects, designers and architecture critics were invited to elaborate upon the most important issues concerning architectureof today and tomorrow. This publication documents the various positions in discussion minutes, pictures and interviews and provides an in-depth insight into current architectural theory discussions.
Classification:
livres
livres
Publication:
septembre 2004, Wien, New York
septembre 2004, Wien, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$35.95
(disponible sur commande)
Résumé:
''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme(...)
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''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme(...)
Titre:
Projet et utopie : Architecture et développement capitaliste
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''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme social. La ville devient dans cette optique l'un des sites majeurs de déploiement de la critique sociale, mais aussi de bon nombre d'entreprises avant-gardistes et utopiques : l'espace urbain comme enjeu politique, imbriqué aux rapports de domination et d'aliénation, qu'il s'agit toujours de subvertir.Projet et utopie ou comment l'histoire de l'architecture se fait critique de l'idéologie.
Projet et utopie : Architecture et développement capitaliste
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''Projet et utopie'' est la réédition du classique - paru en français en 1979 - de Manfredo Tafuri (1935-1994), architecte et théoricien de l'urbanisme italien. En s'attachant à appliquer les thèses opéraïstes aux domaines de l'architecture et de l'urbanisme, l'auteur propose une réflexion sur la métropole comme lieu de l'accumulation capitaliste et de l'antagonisme social. La ville devient dans cette optique l'un des sites majeurs de déploiement de la critique sociale, mais aussi de bon nombre d'entreprises avant-gardistes et utopiques : l'espace urbain comme enjeu politique, imbriqué aux rapports de domination et d'aliénation, qu'il s'agit toujours de subvertir.Projet et utopie ou comment l'histoire de l'architecture se fait critique de l'idéologie.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$45.00
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down(...)
Titre:
Architecture from below: An anthology
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
Architecture from below: An anthology
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For the French-Brazilian architect, theorist, and painter Sérgio Ferro, looking at architecture from below means putting the building site and building workers at the centre of architectural enquiry. Instead of new trends or big names, Ferro strives for an approach ‘that enables one to see both head and feet at the same time – the magnanimous ideal and the muck down below’. The process of building rarely features in architectural history and theory. Ferro argues that this persistent dismissal and neglect of building labour is no mere oversight, but instead a structural necessity of capitalist development which serves to deny labour as the source of value, to make capital’s command appear mandatory, and to maintain the profession’s capacity to act ‘on’ and ‘over’ the building site. Written between 1967 and 2019, these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors. They draw on concrete cases in different historical and geographical contexts – from Strasbourg to Brasilia, via Dubai – to disclose how capitalist relations of production have transformed architecture and its relations to artistic practices such as painting and sculpture.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$35.50
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Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Titre:
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
