4309 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
Personnes et institutions:
Titre:
Reports, projects descriptions and projects photographs for promotion
Actions:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
Reports, projects descriptions and projects photographs for promotion
Actions:
ARCH257321
Description:
mixed reports: Transit Station and Large Public assembly Facilities, Office Buildings, Science, Technology and Computer Centres, Museum Packet, Mid East Projects, Hotel List, Law Courts, Office buildings and Data Centres, Project Descriptions R-Z, Projects list, Notes AEA Projects, miscellaneous Photographs: miscellaneous unidentified, Yordale Subway Station, The World Bank, Western Washington, Woodside Residence, Robson Sqaure, Witting Place, U.C Irvine, USCD, Vancouver Art Gallery, Wall Street, Westin Bayshore, Wilshire Art Complex, Village Lake Louise, Taos Resort Study Model, SunLife Building, U.B.C Facility Club, University of Victoria, Tokyo international Trade Fair Pavillon, Teck Mining, Sunkin House, Saudi Embassy, Sawaber Housing, Spadina Quay, Songhees Seniors Tower, Shangai Culture, Saskatoon Hospital
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Weavers' Studio
Weavers' Studio
Numéro de référence:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Personnes et institutions:
Date:
1988-1991
1988-1991
Titre:
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Niveau de description archivistique:
Project
Project
Date:
1988-1991
1988-1991
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Localisation:
Vitrines
Vitrines
Date:
26 novembre 2009 au 17 janvier 2010
26 novembre 2009 au 17 janvier 2010
Titre:
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Sur les traces de... la bulle
Actions:
Description:
La bulle constitue une merveille de tension superficielle. Dans son interprétation architecturale, elle peut être comprise comme une prouesse d’ingénierie ou comme la métaphore d’un environnement hermétiquement clos. En ce sens, la bulle apparaît, selon l’architecte Cedric Price, « quelles qu’en soient la forme ou la taille », comme un puissant symbole du futur, ou(...)
Classification:
expositions
expositions
Date:
26 novembre 2009 au
17 janvier 2010
26 novembre 2009 au
17 janvier 2010
Localisation:
Vitrines
Vitrines
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection JJP Oud
Collection JJP Oud
Numéro de référence:
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Personnes et institutions:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Titre:
Collection JJP Oud
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Collection JJP Oud
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Classification:
archives
Niveau de description archivistique:
Collection institutionnelle
archives
Niveau de description archivistique:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
Personnes et institutions:
Date:
1988-1992
1988-1992
Titre:
Habitações em Concepcion Arenal [Housing in Concepción Arenal], Cadiz, Spain (1989)
Actions:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
Habitações em Concepcion Arenal [Housing in Concepción Arenal], Cadiz, Spain (1989)
Actions:
AP178.S1.1989.PR01
Description:
The project series documents the Habitações em Concepcion Arenal in Cádiz, Spain. While the records were held in the office’s archives this project was assigned the number 61/80. The office assigned the date 1989 for this project. The project, located on Calle Concepción Arenal, consisted of two four-storey buildings on adjacent properties interrupted by Calle Botica (referred to as Block A and Block B in the project materials). Above Calle Botica, the two buildings reached toward each other with white visors on their roofs that shaded the street below. The project program described the buildings' use as commercial spaces and dwellings. Both volumes had interior courtyards that allowed natural lighting and cross ventilation for all residences. Towards the street, the buildings' lower façades were made from local stone, in stark contrast to the top façades in white plaster. The interior courtyards were faced in white plaster on all levels. The project is recorded through drawings, photographs, slides and textual records dating from 1988-1992. The drawings include plans, elevations, sections, details, axonometric drawings and sketches, while the slides and photographs mostly show the built project. Textual records include specifications, correspondence, reports on the protection of Cádiz's Old Town, and building programs.
Niveau de description archivistique:
Project
Project
Date:
1988-1992
1988-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Personnes et institutions:
Date:
1945-1975
1945-1975
Titre:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Niveau de description archivistique:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Personnes et institutions:
Date:
1924-1987
1924-1987
Titre:
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Fonds Gardiner & Thornton architects
Actions:
AP084
Résumé:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1924-1987
1924-1987
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
Personnes et institutions:
Date:
circa 2000-2005
circa 2000-2005
Titre:
Working files, project files, and travel documents from Erickson's office
Actions:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
Working files, project files, and travel documents from Erickson's office
Actions:
ARCH276183
Description:
35 files - Group contains subject working files, project files, travel documents and professional organizations. Files are generally organized alphabetically, R-V and include: RAIC Foundation; Royal Canadian Academy of Arts; Reddy Residence; Royal Institute of British Architects; Robson Square 2008, 2010; Robson Revitalization, New Developments and Redemiation; Roy Thompson Hall; Simon Fraser University 40th Anniversary, Gymnasium and Fitness Centre, Housing, Village; St. Paul Project; Shanghai/Keller/Lee; Shanghai Office (agreement); Shimao Nanjing Project; Shunyi Xiang Xie Garden Villa; Squamish Road, Wolfgang Richter; Sustainability - Ecology; Trips 2002-2006; UBC - University Boulevard design Competition; UNA of Canada (September 2006 event); U.S. Architects Practice - Act and Licenses; Vancouver Aids Memorial; Vancouver Arts Awards 2004; Visa and Photos.
Classification:
documents textuels
documents textuels
Date:
circa 2000-2005
circa 2000-2005
Personnes et institutions:
