44178 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH253825
Description:
correspondence with Ministry in-charge of public works, memos, clippings, project management proposal, draft copies of report, data, research notes
ARCH253825
Description:
correspondence with Ministry in-charge of public works, memos, clippings, project management proposal, draft copies of report, data, research notes
Personnes et institutions:
Date:
1968-1969
1968-1969
Titre:
Maiquetia Airport Promotion 1968
Actions:
ARCH253825
Description:
correspondence with Ministry in-charge of public works, memos, clippings, project management proposal, draft copies of report, data, research notes
Maiquetia Airport Promotion 1968
Actions:
ARCH253825
Description:
correspondence with Ministry in-charge of public works, memos, clippings, project management proposal, draft copies of report, data, research notes
Classification:
documents textuels
documents textuels
Date:
1968-1969
1968-1969
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2004:1348
Description:
annotated sketches; these sketches are reproduced in 'Cedric Price: Works II' (p. 11) with the caption "looking at shopping, US"
DR2004:1348
Description:
annotated sketches; these sketches are reproduced in 'Cedric Price: Works II' (p. 11) with the caption "looking at shopping, US"
Personnes et institutions:
Titre:
Annotated sketches
Actions:
DR2004:1348
Description:
annotated sketches; these sketches are reproduced in 'Cedric Price: Works II' (p. 11) with the caption "looking at shopping, US"
Annotated sketches
Actions:
DR2004:1348
Description:
annotated sketches; these sketches are reproduced in 'Cedric Price: Works II' (p. 11) with the caption "looking at shopping, US"
Classification:
dessins
dessins
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH3131
Description:
Détails de la plate-forme pour les trois dômes de la salle des pas perdus, détail de l'appui de la fenêtre no 23 / Union Architectural Iron Works, Montréal et atelier non identifié.
ARCH3131
Description:
Détails de la plate-forme pour les trois dômes de la salle des pas perdus, détail de l'appui de la fenêtre no 23 / Union Architectural Iron Works, Montréal et atelier non identifié.
Personnes et institutions:
Date:
circa 1920
circa 1920
Titre:
Details de la salle des pas perdus et détails de fenêtres
Actions:
ARCH3131
Description:
Détails de la plate-forme pour les trois dômes de la salle des pas perdus, détail de l'appui de la fenêtre no 23 / Union Architectural Iron Works, Montréal et atelier non identifié.
Details de la salle des pas perdus et détails de fenêtres
Actions:
ARCH3131
Description:
Détails de la plate-forme pour les trois dômes de la salle des pas perdus, détail de l'appui de la fenêtre no 23 / Union Architectural Iron Works, Montréal et atelier non identifié.
Classification:
dessins
dessins
Date:
circa 1920
circa 1920
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269095
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
ARCH269095
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
Personnes et institutions:
Date:
between 1950 and 1966
between 1950 and 1966
Titre:
Photographs of everyday life in Chandigarh, India
Actions:
ARCH269095
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
Photographs of everyday life in Chandigarh, India
Actions:
ARCH269095
Description:
Épreuves commandées par Jacqueline Jeanneret. Prints commissioned by Jacqueline Jeanneret.
Classification:
photographies
photographies
Date:
between 1950 and 1966
between 1950 and 1966
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Photographic material
Photographic material
Numéro de référence:
AP165.S4
Description:
Professional photographs of works and promotional photographic material showing images of works (toys, prototypes, models, built works) and of installations, and Hoberman's portraits, not dated and 1998, 2000. Material relates also to events Disney and LA Party, 1992; The Toy Fair, 1993; Iris Dome model in progress, 1993; Building MOMA exhibition, 1994, RCCL Icosaedron, 2000; Expo pre-installation at Liberty Science Centre, 2000.
AP165.S4
Description:
Professional photographs of works and promotional photographic material showing images of works (toys, prototypes, models, built works) and of installations, and Hoberman's portraits, not dated and 1998, 2000. Material relates also to events Disney and LA Party, 1992; The Toy Fair, 1993; Iris Dome model in progress, 1993; Building MOMA exhibition, 1994, RCCL Icosaedron, 2000; Expo pre-installation at Liberty Science Centre, 2000.
Personnes et institutions:
Date:
1977-2003, predominant 1989-2003
1977-2003, predominant 1989-2003
Titre:
Photographic material
Actions:
AP165.S4
Description:
Professional photographs of works and promotional photographic material showing images of works (toys, prototypes, models, built works) and of installations, and Hoberman's portraits, not dated and 1998, 2000. Material relates also to events Disney and LA Party, 1992; The Toy Fair, 1993; Iris Dome model in progress, 1993; Building MOMA exhibition, 1994, RCCL Icosaedron, 2000; Expo pre-installation at Liberty Science Centre, 2000.
Photographic material
Actions:
AP165.S4
Description:
Professional photographs of works and promotional photographic material showing images of works (toys, prototypes, models, built works) and of installations, and Hoberman's portraits, not dated and 1998, 2000. Material relates also to events Disney and LA Party, 1992; The Toy Fair, 1993; Iris Dome model in progress, 1993; Building MOMA exhibition, 1994, RCCL Icosaedron, 2000; Expo pre-installation at Liberty Science Centre, 2000.
Niveau de description archivistique:
Series 4
Series 4
Date:
1977-2003, predominant 1989-2003
1977-2003, predominant 1989-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Niveau de description archivistique:
File 108
File 108
Date:
1994-1995
1994-1995
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
En 1973, à la suite des grèves ayant paralysé le secteur de la construction en Grande-Bretagne au début des années 1970, Alistair McAlpine passe à Cedric Price la commande d’un programme conceptuel ayant pour objectif d’augmenter la productivité et d’améliorer les relations de travail au sein de son entreprise, la Sir Robert McAlpine Sons. Le projet de Price a pris la(...)
En 1973, à la suite des grèves ayant paralysé le secteur de la construction en Grande-Bretagne au début des années 1970, Alistair McAlpine passe à Cedric Price la commande d’un programme conceptuel ayant pour objectif d’augmenter la productivité et d’améliorer les relations de travail au sein de son entreprise, la Sir Robert McAlpine Sons. Le projet de Price a pris la(...)
Date:
9 février 2017 au 14 mai 2017
9 février 2017 au 14 mai 2017
Titre:
Et si on parlait de bonheur sur le chantier?
Actions:
Description:
En 1973, à la suite des grèves ayant paralysé le secteur de la construction en Grande-Bretagne au début des années 1970, Alistair McAlpine passe à Cedric Price la commande d’un programme conceptuel ayant pour objectif d’augmenter la productivité et d’améliorer les relations de travail au sein de son entreprise, la Sir Robert McAlpine Sons. Le projet de Price a pris la(...)
Et si on parlait de bonheur sur le chantier?
Actions:
Description:
En 1973, à la suite des grèves ayant paralysé le secteur de la construction en Grande-Bretagne au début des années 1970, Alistair McAlpine passe à Cedric Price la commande d’un programme conceptuel ayant pour objectif d’augmenter la productivité et d’améliorer les relations de travail au sein de son entreprise, la Sir Robert McAlpine Sons. Le projet de Price a pris la(...)
Classification:
expositions
expositions
Date:
9 février 2017 au
14 mai 2017
9 février 2017 au
14 mai 2017
Classification:
événements
événements
Actions:
Description:
En complément de l’exposition L’architecte, autrement, Todd Rouhe et Rachel Himmelfarb, de la firme common room, présentent leur processus de travail en collaboration : « Cette question – Quel est le problème? – anime la méthode de travail de common room. Elle définit le processus de recherche, d’expérience, d’interaction et de communication qui non seulement influence(...)
En complément de l’exposition L’architecte, autrement, Todd Rouhe et Rachel Himmelfarb, de la firme common room, présentent leur processus de travail en collaboration : « Cette question – Quel est le problème? – anime la méthode de travail de common room. Elle définit le processus de recherche, d’expérience, d’interaction et de communication qui non seulement influence(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
19 novembre 2015
19 novembre 2015
Titre:
common room : Quel est le problème?
Actions:
Description:
En complément de l’exposition L’architecte, autrement, Todd Rouhe et Rachel Himmelfarb, de la firme common room, présentent leur processus de travail en collaboration : « Cette question – Quel est le problème? – anime la méthode de travail de common room. Elle définit le processus de recherche, d’expérience, d’interaction et de communication qui non seulement influence(...)
common room : Quel est le problème?
Actions:
Description:
En complément de l’exposition L’architecte, autrement, Todd Rouhe et Rachel Himmelfarb, de la firme common room, présentent leur processus de travail en collaboration : « Cette question – Quel est le problème? – anime la méthode de travail de common room. Elle définit le processus de recherche, d’expérience, d’interaction et de communication qui non seulement influence(...)
Classification:
événements
événements
Date:
19 novembre 2015
19 novembre 2015
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
événements
événements
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
22 juin 2017, 18h
22 juin 2017, 18h
Titre:
Séminaire de chercheur en résidence : Adam Morton
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Séminaire de chercheur en résidence : Adam Morton
Actions:
Description:
Le chercheur en résidence Adam Morton présente sa recherche: Sous le capitalisme, comment l’espace est-il organisé dans notre vie quotidienne, dans les rues que nous marchons, les monuments que nous visitons et les endroits où nous nous trouvons? Ce séminaire présente comment l’espace de l’État moderne au Mexique est constitué dans la perspective d’une économie politique(...)
Classification:
événements
événements
Date:
22 juin 2017
18h
22 juin 2017
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Personnes et institutions:
Date:
1983-1992
1983-1992
Titre:
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02
Description:
This project documents Rose’s involvement with the design phase of the Old Port of Montreal Master Plan, Montréal, Québec and consists mainly of sketches, studies and presentation drawings for the redevelopment project with very few as built or architectural plans. The project materials reflect a Romantic design aesthetic and landscape development through numerous architectural design drawings for public amenities such as park benches, pedestrian walkways, various lighting sources, pavilions and fountains. This project also includes some of Rose’s submissions to the Faubourg Quebec development project which ran concurrent with the Old Port project. For the redevelopment of the Old Port of Montréal, Master Plan, Rose worked with the following firms: Cardinal Hardy e Associes, Chan Krieger & Associates, and Jodoin Lamarre Pratt. Rose was awarded a Progressive Architecture Urban Design Award (1992) and a Prix d’excellence for Urban Design from the Ordre des architectes du Québec (1993) for the realization of this urban project. The textual records in this project include budgets, correspondence, consultation documents, and intra office communiques as well as extensive research material on the history of the Old Port of Montreal including reproductions of historical photographs. The photographs in this project largely reflect the condition of the Old Port and Rue de la Commune prior to redevelopment and were used for reference and in presentation materials.
Niveau de description archivistique:
Project
Project
Date:
1983-1992
1983-1992
Personnes et institutions:
