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The world is filling with ever more kinds of media, in ever more contexts and formats. Physical locations are increasingly tagged and digitally augmented. Sensors, processors, and memory are not found only in chic smart phones but also built into everyday objects. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and(...)
avril 2013
Ambient commons: attention in the age of embodied information
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The world is filling with ever more kinds of media, in ever more contexts and formats. Physical locations are increasingly tagged and digitally augmented. Sensors, processors, and memory are not found only in chic smart phones but also built into everyday objects. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and that to notice them can improve other sensibilities. Ambient Commons invites readers to look past current obsessions with smart phones to rethink attention itself, to care for more situated, often inescapable forms of information.
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We see the city, we hear the city, but above all: we smell the city. Scent has unique qualities: ubiquity, persistence, and an unparalleled connection to memory, yet it has gone overlooked in discussions of sensory design. What scents shape the city? How does scent contribute to placemaking? How do we design smell environments in the city? Urban Smellscapes makes a(...)
Urban smellscapes : understanding and designing city smell environments
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We see the city, we hear the city, but above all: we smell the city. Scent has unique qualities: ubiquity, persistence, and an unparalleled connection to memory, yet it has gone overlooked in discussions of sensory design. What scents shape the city? How does scent contribute to placemaking? How do we design smell environments in the city? Urban Smellscapes makes a notable contribution towards the growing body of literature on the senses and design by providing some answers to these questions and contributing towards the wider research agenda regarding how people sensually experience urban environments.
Théorie de l’urbanisme
Helen Verhoeven: part pretty
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she(...)
Helen Verhoeven: part pretty
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she appropriates source material from family archives, newspapers, paparazzi photographs and scenes from films. Using this mix, she creates complex paintings in which different imageries, epochs and psychological conditions clash. This catalogue accompanies the first retrospective exhibition of her work.
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what(...)
Cristina Iglesias / Thomas Struth : constructions of the imagination
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On the occasion of the joint exhibition On Reality by Cristina Iglesias and Thomas Struth, Ivorypress presents Constructions of the Imagination, with an essay by Estrella de Diego. It is an exhibition which, in the words of Estrella de Diego 'raises the essential question of gaze, a subject that is directly applicable to the works of both artists: how should we judge what we see? To what extent is it being reconstructed by our memory or imagination? How can you turn reality on its head based on the story being told?'
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold.(...)
Flaneur issue 05: Fokionos Negri, Athens
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold. As on every stage, the desire for the story is stronger than the need to subdue it to rigid logic. The magazine emerses itself in these fragments until they become our very own memory.
Revues
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xxxvi, 905 pages : illustrations, music ; 24 cm + 1 DVD (4 3/4 in.)
Toronto ; Buffalo : University of Toronto Press, [2006], ©2006
The Jesuits II : cultures, sciences, and the arts, 1540-1773 / edited by John W. O'Malley [and others].
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xxxvi, 905 pages : illustrations, music ; 24 cm + 1 DVD (4 3/4 in.)
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Toronto ; Buffalo : University of Toronto Press, [2006], ©2006
Kanthy Peng: Ground Sea
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Kanthy Peng’s debut artist book, ''Ground Sea'', weaves a visual narrative exploring depression, memory, and loss through 73 photographs. The title takes inspiration from an archaic West Indian term, which anthropologist and feminist Emily Martin used to capture her sensations when observing the Affective Disorder Clinical Rounds, “(Ground-sea is the name) for a swell of(...)
Kanthy Peng: Ground Sea
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Kanthy Peng’s debut artist book, ''Ground Sea'', weaves a visual narrative exploring depression, memory, and loss through 73 photographs. The title takes inspiration from an archaic West Indian term, which anthropologist and feminist Emily Martin used to capture her sensations when observing the Affective Disorder Clinical Rounds, “(Ground-sea is the name) for a swell of the ocean, which occurs in calm weather and without obvious cause, breaking on the shore in heavy roaring billows. A distant storm, out of sight, is often the cause of a ground-sea.” In ''Ground Se'', Peng re-orchestrates photographs spanning over a decade and multiple projects into a new diptych-structured work. The first part, ''Sunset Watchers'', unfolds through black-and-white portraits of three women reenacting a phantom folktale following the 1896 tsunami in Japan—images that also allude to the anxious premonition of those living with depression. Interspersed colored photographs recall Peng’s bodily memory of being bedridden due to illness. The second part, ''Kuafù Chases The Sun'', carries stills from two video works about Peng’s father, who retired from the People’s Liberation Army ten years after his daughter left home. In these images, his body is constantly propelled forward by the cogs of a system, breaking the stagnation of the first part, only to fall into nothingness ultimately.
Monographies photo
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16 unnumbered pages : illustrations ; 21 x 30 cm
Londonderry [Northern Ireland] : Orchard Gallery, 1981.
Looking at a group of buildings in Ireland / Tony Rickaby.
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16 unnumbered pages : illustrations ; 21 x 30 cm
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Londonderry [Northern Ireland] : Orchard Gallery, 1981.
livres
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255 pages : illustrations (some color), plans, portraits ; 23 cm.
Berlin : DOM Publishers, [2016], ©2016
Behind the Iron Curtain : confession of a Soviet architect / Felix Novikov ; foreword by Vladimir Belogolovsky.
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255 pages : illustrations (some color), plans, portraits ; 23 cm.
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Berlin : DOM Publishers, [2016], ©2016
$37.50
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Moving beyond the usual forms endemic to the graphic design canon, "Designing history" studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite(...)
Designing history: Documents and the design of imperative to immutability
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Moving beyond the usual forms endemic to the graphic design canon, "Designing history" studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite their apparent banality, such documents are perhaps graphic design’s most profoundly consequential forms. This book is the revised edition of "Immutable: Designing history" (2022). It includes an extended essay that contextualizes the project as one concerned primarily with prompting a remapping of graphic design’s historical and practical assumptions.
Théorie du design