vidéo
Description:
1 videocassette (14 min., 20 sec.) : sound, color ; 1/2 in.
London, Ont. : Producers Post, [1990]
The power of wind / Boundary Layer Wind Tunnel Laboratory, University of Western Ontario.
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Description:
1 videocassette (14 min., 20 sec.) : sound, color ; 1/2 in.
vidéo
London, Ont. : Producers Post, [1990]
vidéo
Description:
1 videocassette (VHS) (52 min.) : sound, black and white ; 1/2 in. videocassette
Paris : Vidéo La Sept : Les Films d'Ici, ©1991.
Paris, roman d'une ville / un film de Stan Neumann ; d'apres les travaux de François Loyer.
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1 videocassette (VHS) (52 min.) : sound, black and white ; 1/2 in. videocassette
vidéo
Paris : Vidéo La Sept : Les Films d'Ici, ©1991.
livres
Description:
pages cm
Basel ; Boston : Birkhäuser, ©2002.
Material world : innovative structures and finishes for interiors / [compiled and written by Edwin van Onna].
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pages cm
livres
Basel ; Boston : Birkhäuser, ©2002.
livres
Junglist.
Description:
1 online resource (150 p.)
New York : Watkins Media, 2021.
livres
New York : Watkins Media, 2021.
$95.00
(disponible sur commande)
Résumé:
Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
Bernhard Leitner: sounds spaces. notation sketchbook.
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$95.00
(disponible sur commande)
Résumé:
Bernhard Leitner (born 1938) uses sound to create intimate spaces in which one can physically experience the movement of sound. He integrates media-based art into his architecture, using exhibition visitors as resonating bodies and playing with their acoustic perceptions. This publication is the first to survey Leitner’s visionary sketchbooks.
Acoustique
audio
How to "Not to Die".
Description:
1 online resource.
[Place of publication not identified] : The Funambulist, 2014.
audio
[Place of publication not identified] : The Funambulist, 2014.
audio
Description:
1 audiocassette (approximately 60 min.), 2 audio discs (approximately 60 min.) ; 12 cm consultation copy
[1991]
Inauguration de l'exposition : Architecture potentielle : jeux de construction de la collection du CCA = Exhibition opening : Potential Architecture : Construction Toys from the CCA Collection
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1 audiocassette (approximately 60 min.), 2 audio discs (approximately 60 min.) ; 12 cm consultation copy
audio
[1991]
vidéo
Description:
1 videocassette (30 min.) : sound, color ; 1/2 in.
Norfolk, Va. : Chrysler Museum, ©1991.
An enduring interest : the photographs of Alexander Gardner / produced, written, and directed by Brooks Johnson.
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1 videocassette (30 min.) : sound, color ; 1/2 in.
vidéo
Norfolk, Va. : Chrysler Museum, ©1991.
$37.95
(disponible sur commande)
Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of(...)
The order of sounds: a sonorous archipelago
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$37.95
(disponible sur commande)
Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of sounds", François J. Bonnet makes a compelling case for the irreducible heterogeneity of ‘sound’, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the ‘soundscape’ and ‘reduced listening’ demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound ‘itself’, nor an ‘ocean of sound’ in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Acoustique
vidéo
Description:
1 streaming video file (33 sec.) : sound, colour
[Montréal] : CCA, [2012]
Alexandra Lange draws an ideal critic.
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1 streaming video file (33 sec.) : sound, colour
vidéo
[Montréal] : CCA, [2012]