2653 Résultats
Classification:
livres
livres
Titre:
Antifascist architecture / Andrew Santa Lucia and Daniel Jonas Roche ; illustrated by Lane Rick.
Antifascist architecture / Andrew Santa Lucia and Daniel Jonas Roche ; illustrated by Lane Rick.
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Description:
256 pages : halftone illustrations ; 22 cm
- Bibliothèque study room new acquisitions 324496 | 324496 | 1 | Prêt externe
Description:
256 pages : halftone illustrations ; 22 cm
Auteur:
Sujet:
- Architecture History.,
- Architects Political activity.,
- Architecture Political aspects.,
- Architecture and society.,
- Architecture Histoire.,
- Architectes Activité politique.,
- Architecture Aspect politique.,
- Architecture et société.
Publication:
Zurich : Park Books AG, [2025], ©2025
Zurich : Park Books AG, [2025], ©2025
Titre:
Antifascist architecture / Andrew Santa Lucia and Daniel Jonas Roche ; illustrated by Lane Rick.
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Description:
256 pages : halftone illustrations ; 22 cm
Antifascist architecture / Andrew Santa Lucia and Daniel Jonas Roche ; illustrated by Lane Rick.
Actions:
Exemplaires:
- Bibliothèque study room new acquisitions 324496 | 324496 | 1 | Prêt externe
Description:
256 pages : halftone illustrations ; 22 cm
Classification:
livres
livres
Publication:
Zurich : Park Books AG, [2025], ©2025
Zurich : Park Books AG, [2025], ©2025
Auteur:
Sujet:
- Architecture History.,
- Architects Political activity.,
- Architecture Political aspects.,
- Architecture and society.,
- Architecture Histoire.,
- Architectes Activité politique.,
- Architecture Aspect politique.,
- Architecture et société.
Classification:
livres
livres
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Description:
lviii, 248 pages : illustrations ; 24 cm.
Description:
lviii, 248 pages : illustrations ; 24 cm.
Auteur:
- Cacciari, Massimo,,
- Essays. Selections. English,
- Sartarelli, Stephen, 1954-,
- Lombardo, Patrizia,
Sujet:
- Architecture, Modern 20th century Philosophy.,
- Negativity (Philosophy),
- Architecture 20e siècle Philosophie.,
- Négativité (Philosophie),
- Architecture, Modern Philosophy,
- Bouwkunst.,
- Filosofische aspecten.,
- Architectuurtheorieën.,
- Nihilisme.,
- Architecture Philosophie.,
- Architecture 20e siècle États-Unis.,
- Architecture Modernism,
- Bibliografie.,
- Insertions (Provenance),
- Annotations.,
- Annotations (Provenance)
Publication:
New Haven : Yale University Press, [1993]
New Haven : Yale University Press, [1993]
Titre:
Architecture and nihilism : on the philosophy of modern architecture / Massimo Cacciari ; translated by Stephen Sartarelli ; introduction by Patrizia Lombardo.
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Description:
lviii, 248 pages : illustrations ; 24 cm.
Architecture and nihilism : on the philosophy of modern architecture / Massimo Cacciari ; translated by Stephen Sartarelli ; introduction by Patrizia Lombardo.
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Description:
lviii, 248 pages : illustrations ; 24 cm.
Classification:
livres
livres
Publication:
New Haven : Yale University Press, [1993]
New Haven : Yale University Press, [1993]
Auteur:
- Cacciari, Massimo,,
- Essays. Selections. English,
- Sartarelli, Stephen, 1954-,
- Lombardo, Patrizia,
Sujet:
- Architecture, Modern 20th century Philosophy.,
- Negativity (Philosophy),
- Architecture 20e siècle Philosophie.,
- Négativité (Philosophie),
- Architecture, Modern Philosophy,
- Bouwkunst.,
- Filosofische aspecten.,
- Architectuurtheorieën.,
- Nihilisme.,
- Architecture Philosophie.,
- Architecture 20e siècle États-Unis.,
- Architecture Modernism,
- Bibliografie.,
- Insertions (Provenance),
- Annotations.,
- Annotations (Provenance)
Classification:
livres
livres
Exemplaires:
Description:
214 pages : chiefly illustrations (some color) ; 26 cm
Description:
214 pages : chiefly illustrations (some color) ; 26 cm
Auteur:
Sujet:
- Birkerts, Gunnar Criticism and interpretation.,
- Birkerts, Gunnar, 1925-,
- Birkerts, Gunnar.,
- Birkerts, Gunnar, (1925- ...),
- Architecture United States History 20th century.,
- Architecture États-Unis Histoire 20e siècle.,
- Architecture.,
- Architecture 20e siècle États-Unis.,
- United States.,
- Criticism, interpretation, etc.,
- History.
Publication:
Washington, D.C. : American Institute of Architects Press, ©1989.
Washington, D.C. : American Institute of Architects Press, ©1989.
Titre:
The architecture of Gunnar Birkerts / text by Kay Kaiser.
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Description:
214 pages : chiefly illustrations (some color) ; 26 cm
The architecture of Gunnar Birkerts / text by Kay Kaiser.
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Description:
214 pages : chiefly illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
Washington, D.C. : American Institute of Architects Press, ©1989.
Washington, D.C. : American Institute of Architects Press, ©1989.
Auteur:
Sujet:
- Birkerts, Gunnar Criticism and interpretation.,
- Birkerts, Gunnar, 1925-,
- Birkerts, Gunnar.,
- Birkerts, Gunnar, (1925- ...),
- Architecture United States History 20th century.,
- Architecture États-Unis Histoire 20e siècle.,
- Architecture.,
- Architecture 20e siècle États-Unis.,
- United States.,
- Criticism, interpretation, etc.,
- History.
Classification:
livres
livres
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Description:
125 pages : illustrations ; 22 cm.
Description:
125 pages : illustrations ; 22 cm.
Auteur:
Sujet:
- Art, Czech.,
- Art, Modern 20th century.,
- Art, Modern.,
- Art tchèque.,
- Art 20e siècle.,
- Künstler,
- Tschechien,
- Interviews.
Publication:
Zurich : JRP/Ringier ; Dijon : In co-edition with Les presses du réel, ©2014.
Zurich : JRP/Ringier ; Dijon : In co-edition with Les presses du réel, ©2014.
Titre:
The Czech files / Hans Ulrich Obrist ; [edited by Lionel Bovier, Vít Havránek and Hans Ulrich Obrist].
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Description:
125 pages : illustrations ; 22 cm.
The Czech files / Hans Ulrich Obrist ; [edited by Lionel Bovier, Vít Havránek and Hans Ulrich Obrist].
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Description:
125 pages : illustrations ; 22 cm.
Classification:
livres
livres
Publication:
Zurich : JRP/Ringier ; Dijon : In co-edition with Les presses du réel, ©2014.
Zurich : JRP/Ringier ; Dijon : In co-edition with Les presses du réel, ©2014.
Auteur:
Sujet:
- Art, Czech.,
- Art, Modern 20th century.,
- Art, Modern.,
- Art tchèque.,
- Art 20e siècle.,
- Künstler,
- Tschechien,
- Interviews.
Classification:
livres
livres
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Description:
118 pages : illustrations (chiefly color), plans ; 17 cm
Description:
118 pages : illustrations (chiefly color), plans ; 17 cm
Auteur:
- Lämmler, Rahel,,
- Ulrich Müther Schalenbauten in Magdeburg. English,
- Wagner, Michael, 1953-,
- Müther-Archiv.
Sujet:
- Müther, Ulrich Criticism and interpretation.,
- Müther, Ulrich,
- Architecture Germany Mecklenburg-Vorpommern 20th century.,
- Shells (Engineering),
- Shells, Concrete.,
- Architecture Allemagne Mecklembourg-Poméranie-Occidentale 20e siècle.,
- Coques (Ingénierie),
- Coques en béton armé.,
- shell structures.,
- Architecture,
- Arkitektur Tyskland Mecklenburg-Vorpommern 1900-talet.,
- Germany Mecklenburg-Vorpommern,
- Criticism, interpretation, etc.
Publication:
Sulgen : Niggli, [2010], ©2010
Sulgen : Niggli, [2010], ©2010
Titre:
Ulrich Müther shell structures in Mecklenburg-Western Pomerania / Rahel Lämmler and Michael Wagner ; in collaboration with the Müther Archive of the Collge of Wismar ; [translation German/English, Geoffrey Steinherz, Lynnette Widder].
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Description:
118 pages : illustrations (chiefly color), plans ; 17 cm
Ulrich Müther shell structures in Mecklenburg-Western Pomerania / Rahel Lämmler and Michael Wagner ; in collaboration with the Müther Archive of the Collge of Wismar ; [translation German/English, Geoffrey Steinherz, Lynnette Widder].
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Description:
118 pages : illustrations (chiefly color), plans ; 17 cm
Classification:
livres
livres
Publication:
Sulgen : Niggli, [2010], ©2010
Sulgen : Niggli, [2010], ©2010
Auteur:
- Lämmler, Rahel,,
- Ulrich Müther Schalenbauten in Magdeburg. English,
- Wagner, Michael, 1953-,
- Müther-Archiv.
Sujet:
- Müther, Ulrich Criticism and interpretation.,
- Müther, Ulrich,
- Architecture Germany Mecklenburg-Vorpommern 20th century.,
- Shells (Engineering),
- Shells, Concrete.,
- Architecture Allemagne Mecklembourg-Poméranie-Occidentale 20e siècle.,
- Coques (Ingénierie),
- Coques en béton armé.,
- shell structures.,
- Architecture,
- Arkitektur Tyskland Mecklenburg-Vorpommern 1900-talet.,
- Germany Mecklenburg-Vorpommern,
- Criticism, interpretation, etc.
Classification:
livres
livres
Titre:
From a nation torn : decolonizing art and representation in France, 1945-1962 / Hannah Feldman.
From a nation torn : decolonizing art and representation in France, 1945-1962 / Hannah Feldman.
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Description:
xvi, 317 pages : illustrations (some color) ; 27 cm.
Description:
xvi, 317 pages : illustrations (some color) ; 27 cm.
Auteur:
Sujet:
- Art Political aspects France History 20th century.,
- Art and state France History 20th century.,
- Decolonization Social aspects France History 20th century.,
- Art Aspect politique France Histoire 20e siècle.,
- Art Politique gouvernementale France Histoire 20e siècle.,
- Décolonisation Aspect social France Histoire 20e siècle.,
- Art and Design.,
- Art and state.,
- Art Political aspects.,
- Decolonization Social aspects.,
- Entkolonialisierung,
- Kunst,
- France.,
- Frankreich,
- History.
Publication:
Durham ; London : Duke University Press, 2014.
Durham ; London : Duke University Press, 2014.
Titre:
From a nation torn : decolonizing art and representation in France, 1945-1962 / Hannah Feldman.
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Description:
xvi, 317 pages : illustrations (some color) ; 27 cm.
From a nation torn : decolonizing art and representation in France, 1945-1962 / Hannah Feldman.
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Description:
xvi, 317 pages : illustrations (some color) ; 27 cm.
Classification:
livres
livres
Publication:
Durham ; London : Duke University Press, 2014.
Durham ; London : Duke University Press, 2014.
Auteur:
Sujet:
- Art Political aspects France History 20th century.,
- Art and state France History 20th century.,
- Decolonization Social aspects France History 20th century.,
- Art Aspect politique France Histoire 20e siècle.,
- Art Politique gouvernementale France Histoire 20e siècle.,
- Décolonisation Aspect social France Histoire 20e siècle.,
- Art and Design.,
- Art and state.,
- Art Political aspects.,
- Decolonization Social aspects.,
- Entkolonialisierung,
- Kunst,
- France.,
- Frankreich,
- History.
Classification:
livres
livres
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Description:
lii, 569 pages : illustrations ; 24 cm
Description:
lii, 569 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Conceptual art.,
- Art conceptuel.,
- Conceptual.,
- Concept-art,
- Aufsatzsammlung,
- Conceptuele kunst.,
- Arte conceitual.,
- Crítica de arte.,
- Geschichte 1966-1977.,
- Anthologies.
Publication:
Cambridge, Mass. : MIT Press, ©1999.
Cambridge, Mass. : MIT Press, ©1999.
Titre:
Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson.
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Description:
lii, 569 pages : illustrations ; 24 cm
Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson.
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Description:
lii, 569 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©1999.
Cambridge, Mass. : MIT Press, ©1999.
Auteur:
Sujet:
- Conceptual art.,
- Art conceptuel.,
- Conceptual.,
- Concept-art,
- Aufsatzsammlung,
- Conceptuele kunst.,
- Arte conceitual.,
- Crítica de arte.,
- Geschichte 1966-1977.,
- Anthologies.
Classification:
livres
livres
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Description:
268 pages : illustrations ; 24 cm.
Description:
268 pages : illustrations ; 24 cm.
Auteur:
Sujet:
- Architecture and society History 20th century.,
- Joint occupancy of buildings.,
- Architecture Technological innovations.,
- Multipurpose buildings.,
- Architecture et société Histoire 20e siècle.,
- Immeubles à usages multiples.,
- Architecture Innovations.,
- ARCHITECTURE / Criticism.,
- ARCHITECTURE / History / General.,
- Architecture and society,
- Architektur,
- Gesellschaft,
- Aufsatzsammlung,
- Architectuurtheorieën.,
- Postmodernisme.,
- Arquitetura moderna.,
- Architecture, Modern 20th century Technological innovations.,
- Architecture Aspect social.,
- Architecture Modernism,
- History
Publication:
Cambridge, Mass. : MIT Press, ©1994.
Cambridge, Mass. : MIT Press, ©1994.
Titre:
Architecture and disjunction / Bernard Tschumi.
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Description:
268 pages : illustrations ; 24 cm.
Architecture and disjunction / Bernard Tschumi.
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Description:
268 pages : illustrations ; 24 cm.
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©1994.
Cambridge, Mass. : MIT Press, ©1994.
Auteur:
Sujet:
- Architecture and society History 20th century.,
- Joint occupancy of buildings.,
- Architecture Technological innovations.,
- Multipurpose buildings.,
- Architecture et société Histoire 20e siècle.,
- Immeubles à usages multiples.,
- Architecture Innovations.,
- ARCHITECTURE / Criticism.,
- ARCHITECTURE / History / General.,
- Architecture and society,
- Architektur,
- Gesellschaft,
- Aufsatzsammlung,
- Architectuurtheorieën.,
- Postmodernisme.,
- Arquitetura moderna.,
- Architecture, Modern 20th century Technological innovations.,
- Architecture Aspect social.,
- Architecture Modernism,
- History
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Prix:
$123.00
(disponible sur commande)
Résumé:
Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the(...)
$123.00
(disponible sur commande)
Résumé:
Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the(...)
Titre:
Blue dream and the legacy of modernism in the Hamptons. Diller + Scofidio + Renfro
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Prix:
$123.00
(disponible sur commande)
Résumé:
Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the legacy of modernist architecture and art in the Hamptons. Goldberger offers insight into the complex process by which an architectural idea generated a work that stands as the most striking addition of our time to the roster of architecturally ambitious modernist houses on Long Island. As he notes, "There are relatively few books devoted to the architecture of a single house, but what is clear if you read any of them is that they are stories about clients as much as about architects." So it is with ''Blue dream.'' The Taubmans were inspired by the avant-garde spirit of artists and architects who settled and worked in the Hamptons and set out to create a house like no other, a house whose complex curving forms could only be built using the composite material used to make fighter jets. Iwan Baan's photographic portfolio documents ''Blue dream'' across four seasons. Goldberger’s text is illustrated with images of earlier modernist houses that inspired the project, as well as documentation of the design process involved in the making of ''Blue dream'' itself.
Blue dream and the legacy of modernism in the Hamptons. Diller + Scofidio + Renfro
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Prix:
$123.00
(disponible sur commande)
Résumé:
Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the legacy of modernist architecture and art in the Hamptons. Goldberger offers insight into the complex process by which an architectural idea generated a work that stands as the most striking addition of our time to the roster of architecturally ambitious modernist houses on Long Island. As he notes, "There are relatively few books devoted to the architecture of a single house, but what is clear if you read any of them is that they are stories about clients as much as about architects." So it is with ''Blue dream.'' The Taubmans were inspired by the avant-garde spirit of artists and architects who settled and worked in the Hamptons and set out to create a house like no other, a house whose complex curving forms could only be built using the composite material used to make fighter jets. Iwan Baan's photographic portfolio documents ''Blue dream'' across four seasons. Goldberger’s text is illustrated with images of earlier modernist houses that inspired the project, as well as documentation of the design process involved in the making of ''Blue dream'' itself.
Sujet:
Architecture, monographies
Architecture, monographies
Titre:
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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Prix:
$50.00
(disponible sur commande)
Résumé:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
$50.00
(disponible sur commande)
Résumé:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
Publication:
avril 2007, Charlottesville, London
avril 2007, Charlottesville, London
Titre:
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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Prix:
$50.00
(disponible sur commande)
Résumé:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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Prix:
$50.00
(disponible sur commande)
Résumé:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.