56712 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications and writings
Publications and writings
Numéro de référence:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Publications and writings
Actions:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Publications and writings
Actions:
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Niveau de description archivistique:
Series
Series
Date:
1947-2008
1947-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Laundry (1969)
Laundry (1969)
Numéro de référence:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1969-2017
circa 1969-2017
Titre:
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1969-2017
circa 1969-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1977-2015
circa 1977-2015
Titre:
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1977-2015
circa 1977-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH267570
Description:
This group consists of minutes of meetings, notes, memorandums, correspondence and related documents about the public art competition for the Palais des Congrès de Montréal. There is a blank registration form for a sculpture competition and a folder about the artwork integration program for the Palais des Congrès. The group also includes sketches and plans (details, sections, elevations and perspectives).
ARCH267570
Description:
This group consists of minutes of meetings, notes, memorandums, correspondence and related documents about the public art competition for the Palais des Congrès de Montréal. There is a blank registration form for a sculpture competition and a folder about the artwork integration program for the Palais des Congrès. The group also includes sketches and plans (details, sections, elevations and perspectives).
Personnes et institutions:
Date:
1980-1982
1980-1982
Titre:
CCM Arts - Concours
Actions:
ARCH267570
Description:
This group consists of minutes of meetings, notes, memorandums, correspondence and related documents about the public art competition for the Palais des Congrès de Montréal. There is a blank registration form for a sculpture competition and a folder about the artwork integration program for the Palais des Congrès. The group also includes sketches and plans (details, sections, elevations and perspectives).
CCM Arts - Concours
Actions:
ARCH267570
Description:
This group consists of minutes of meetings, notes, memorandums, correspondence and related documents about the public art competition for the Palais des Congrès de Montréal. There is a blank registration form for a sculpture competition and a folder about the artwork integration program for the Palais des Congrès. The group also includes sketches and plans (details, sections, elevations and perspectives).
Classification:
documents textuels
documents textuels
Date:
1980-1982
1980-1982
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Personnes et institutions:
Date:
June 1991
June 1991
Titre:
Sketchbook 318: Barcelona Revisão Projecto - Igreja - Santiago - Ceramica - Boavista Paris - Fac. Arq.ra Inter.
Actions:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Sketchbook 318: Barcelona Revisão Projecto - Igreja - Santiago - Ceramica - Boavista Paris - Fac. Arq.ra Inter.
Actions:
AP178.S2.1991.005
Description:
This sketchbook includes sketches and notes for the Housing and Offices Complex on Avenida da Boavista in Porto, Portugal, the FAUP in Porto, the Santa Maria church and parish centre in Marco de Canavezes, and the Galician Centre of Contemporary Art in Santiago de Compostela, Spain. It also contains sketches of furniture and notes for the Requalificação da Avenida D. Afonso Henriques.
Classification:
dessins
dessins
Date:
June 1991
June 1991
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Personnes et institutions:
Date:
February 1993
February 1993
Titre:
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Classification:
dessins
dessins
Date:
February 1993
February 1993
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:102:013
Description:
File containing documents in English and French, including drafts of Melvin Charney's article, "Environmental conjecture: in the jungle of the grand prediction", a complete copy of the fall 1966 issue of Vie des Arts, in which his article « Le monde du pop » appears. Includes photographs of the following artworks: - Untitled, James Rosenquist, 1962 (1 gelatin silver print); - gallery view of a 1964 George Segal exhibition (1 gelatin silver print). Original folder inscribed in graphite: POP ART VIE DES ARTS 1964
DR2012:0012:102:013
Description:
File containing documents in English and French, including drafts of Melvin Charney's article, "Environmental conjecture: in the jungle of the grand prediction", a complete copy of the fall 1966 issue of Vie des Arts, in which his article « Le monde du pop » appears. Includes photographs of the following artworks: - Untitled, James Rosenquist, 1962 (1 gelatin silver print); - gallery view of a 1964 George Segal exhibition (1 gelatin silver print). Original folder inscribed in graphite: POP ART VIE DES ARTS 1964
Personnes et institutions:
Date:
1962-1966
1962-1966
Titre:
Drafts of article "Environmental conjecture: in the jungle of the grand prediction" and serial "Vie des Arts" with article "Le monde du pop"
Actions:
DR2012:0012:102:013
Description:
File containing documents in English and French, including drafts of Melvin Charney's article, "Environmental conjecture: in the jungle of the grand prediction", a complete copy of the fall 1966 issue of Vie des Arts, in which his article « Le monde du pop » appears. Includes photographs of the following artworks: - Untitled, James Rosenquist, 1962 (1 gelatin silver print); - gallery view of a 1964 George Segal exhibition (1 gelatin silver print). Original folder inscribed in graphite: POP ART VIE DES ARTS 1964
Drafts of article "Environmental conjecture: in the jungle of the grand prediction" and serial "Vie des Arts" with article "Le monde du pop"
Actions:
DR2012:0012:102:013
Description:
File containing documents in English and French, including drafts of Melvin Charney's article, "Environmental conjecture: in the jungle of the grand prediction", a complete copy of the fall 1966 issue of Vie des Arts, in which his article « Le monde du pop » appears. Includes photographs of the following artworks: - Untitled, James Rosenquist, 1962 (1 gelatin silver print); - gallery view of a 1964 George Segal exhibition (1 gelatin silver print). Original folder inscribed in graphite: POP ART VIE DES ARTS 1964
Classification:
documents textuels
documents textuels
Date:
1962-1966
1962-1966
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PH2006:0285
Description:
Thesis submitted by Sian Gibby in partial fulfillment of the requirements of the Master of Science in the Department of Architecture and Interior Design of the College of Design, Art, Architecture, and Planning. Accompany the thesis is a letter from Sian Gibby to Jane Crawford, dated 9 January 1992, and an article titled "Gordon Matta-Clark's Building Dissections" by Donald Wall.
PH2006:0285
Description:
Thesis submitted by Sian Gibby in partial fulfillment of the requirements of the Master of Science in the Department of Architecture and Interior Design of the College of Design, Art, Architecture, and Planning. Accompany the thesis is a letter from Sian Gibby to Jane Crawford, dated 9 January 1992, and an article titled "Gordon Matta-Clark's Building Dissections" by Donald Wall.
Personnes et institutions:
Date:
1990
1990
Titre:
An Architecture of Fear
Actions:
PH2006:0285
Description:
Thesis submitted by Sian Gibby in partial fulfillment of the requirements of the Master of Science in the Department of Architecture and Interior Design of the College of Design, Art, Architecture, and Planning. Accompany the thesis is a letter from Sian Gibby to Jane Crawford, dated 9 January 1992, and an article titled "Gordon Matta-Clark's Building Dissections" by Donald Wall.
An Architecture of Fear
Actions:
PH2006:0285
Description:
Thesis submitted by Sian Gibby in partial fulfillment of the requirements of the Master of Science in the Department of Architecture and Interior Design of the College of Design, Art, Architecture, and Planning. Accompany the thesis is a letter from Sian Gibby to Jane Crawford, dated 9 January 1992, and an article titled "Gordon Matta-Clark's Building Dissections" by Donald Wall.
Classification:
documents textuels
documents textuels
Date:
1990
1990
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Personnes et institutions:
Date:
1990-1997
1990-1997
Titre:
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Reviews, Announcements, Catalogues 1990-97
Actions:
PHCON2002:0016:008
Description:
Binder documents exhibitions from 1991 to 1997 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, and articles. A number of reviews are for the major 1992-1993 exhibition "Gordon Matta-Clark", organized by IVAM Centre Julio Gonzalez in Valencia, Spain, which traveled to London, United Kingdom, and Marseilles, France as well as the 1997 exhibition "Reorganizing Structure by Drawings Through It: Zeichnung bei Gordon Matta-Clark" organized by the Generali Foundation in Vienna, Austria at P.S. 1 Contemporary Art Center in New York City, the Museum of Contemporary Art in Barcelona, Spain and the Westfälisches Landesmuseum für Kunst und Kulturgeschichte in Münster, Germany. Also contained in the binder is correspondence and information relating to the Gordon Matta-Clark Trust, which awarded fellowships to artists. Binder contains photographs and textual records.
Date:
1990-1997
1990-1997
Personnes et institutions:
