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This instalment straddles a diverse range of topics and new projects. Near the northern end of the High Line Park, a section of overgrown and neglected land has been transformed into the hottest new place in New York. Vessel, designed by Heatherwick Studio, is now a prominent feature in the public gardens, while The Shed, a massive new arts centre by Diller Scofidio +(...)
C3 401 : vessel and the shed at Hudson Yards
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This instalment straddles a diverse range of topics and new projects. Near the northern end of the High Line Park, a section of overgrown and neglected land has been transformed into the hottest new place in New York. Vessel, designed by Heatherwick Studio, is now a prominent feature in the public gardens, while The Shed, a massive new arts centre by Diller Scofidio + Renfro, will become an adaptable and expandable cultural venue. Also in this issue, new public libraries by ALA Architects and Snøhetta + DIALOG, a feature on architectural insertions, with projects by Herzog & de Meuron and BAAS Arquitectura, and trending school architecture around the world.
Revues
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For the growing number of people looking to embrace an eco-friendly lifestyle without sacrificing high style, "Ecodesign"—now fully revised and updated—is a shopping resource. The latest edition of this sourcebook includes up-to-the-minute listings for more than seven hundred consumer products—from clothing to kitchenware, electronics to furniture—that have a minimal(...)
Eco design : the source book, revised edition
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For the growing number of people looking to embrace an eco-friendly lifestyle without sacrificing high style, "Ecodesign"—now fully revised and updated—is a shopping resource. The latest edition of this sourcebook includes up-to-the-minute listings for more than seven hundred consumer products—from clothing to kitchenware, electronics to furniture—that have a minimal impact on the earth while remaining useful and beautiful. This compendium also directs readers to little known handcrafted objects from artisanal studios. Detailed, illustrated entries describe the products, while an extensive reference section defines new and hybrid materials and provides information on manufacturers, design studios, and green organizations.
Design d’intérieur
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Until now, the book market has primarily dealt with the popular topic of living by the sea with publications that illustrate the location’s aesthetic appeal. This book goes further to focus on the design, constructional, and technical possibilities that permit one to react to the special conditions of locations by the sea. In an introductory section, the author sets(...)
Architecture résidentielle
juillet 2008, Basel, Boston, Berlin
Living by the sea: 25 international examples
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Until now, the book market has primarily dealt with the popular topic of living by the sea with publications that illustrate the location’s aesthetic appeal. This book goes further to focus on the design, constructional, and technical possibilities that permit one to react to the special conditions of locations by the sea. In an introductory section, the author sets forth the principal aspects that fundamentally affect architectural design for this construction task: the geography and geology of the site, climatic conditions, and durability of materials, but also such aesthetic factors as light, landscape, and position, all of which play a special role in approaches to living by the sea. In keeping with this, the following project section, with twenty-five international examples, is organized according to the type of relationship the houses have with the sea: right by the sea, above the sea, or in the sea. The volume uses texts, detailed project information, drawings, and striking photographs to present exemplary design approaches taken by contemporary architects, including Tadao Ando, David Chipperfield, and Steven Holl. Christine Desmoulins is a journalist and architecture critic. She regulary publishes articles in noted architecture journals, including d'Architectures, Construction Moderne, and Abitare, and is the author of numerous books on architecture.
Architecture résidentielle
livres
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
Le Corbusier : the Modulor, Modulor 2
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
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janvier 2000, Basel
Théorie de l’architecture
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This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The(...)
avril 2009, Cambridge, Massachusetts
Guy Debord and the situationist international
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This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI’s profound engagement with the art and cultural politics of their time (1957–1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith. Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI’s writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI’s reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932–1994), the impresario of the SI, especially known for his book "The Society of the Spectacle".
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Embracing one's own traditions is not a backward turn. Instead, it represents the chance to obtain a European identity, which after the erratic attemps at finding form in past decades can now be developed further in a new continuity. The works of Ortner & Ortner exhibit this clearly. Following their Primer of Architecture, Ortner & Ortner new provide a compendium of(...)
Architecture, monographies
janvier 2008, Basel Boston, Berlin
Ortner & Ortner: buildings for European culture
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Embracing one's own traditions is not a backward turn. Instead, it represents the chance to obtain a European identity, which after the erratic attemps at finding form in past decades can now be developed further in a new continuity. The works of Ortner & Ortner exhibit this clearly. Following their Primer of Architecture, Ortner & Ortner new provide a compendium of their buildings and designs for 'European culture'. Presented are projects in three areas: theaters, museums, and libraries. The projects begin with the experimental ventures from the Haus-Rucker-Co era and end cultural buildings that are among the most significant internationally. 'European culture' is an exemplary situation in which the old and new concur in an unparalleled wealth of features and are then reunited in a new blend. A comprehensive text section with contributions by Manuela Hötzl, Ernst Hubeli, Bart Lootsma, Sophie Lovell, and Laurids Ortner focuses on selected projects, grasping the ingredients of this European blend.
Architecture, monographies
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Lewis Baltz: rule without exception / only Exceptions
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of(...)
Robert Frank: Black, white and things
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Inscribed with the quote, “It is only with the heart that one can see rightly / what is essential is invisible to the eye,” by writer and pilot Antoine de Saint-Exupéry, Robert Frank's handcrafted 1952 book, Black White and Things, was made in an edition of three identical copies designed by Werner Zryd, each with a spiral binding containing original photographs of Frank's travels to cities including Paris, New York, Valencia and St. Louis. First reprinted for an exhibition at the National Gallery in Washington, D.C., in 1994, this edition has now been designed in a smaller format by Frank. The three categories “black,” “white” and “things,” are shaped more by mood than subject matter: vastly different images—Frank's first wife reclining with their newborn baby, peasants squatting against a flaking wall in Peru and a business man strolling past a snow-filled tree in London—are all gathered in the “white” section, for example.
Monographies photo
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate(...)
Expositions en cours
novembre 2020
Urbainable: Positions on the european city for the 21st century
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Constant change is what marks the history of the European city. Over centuries, architecture’s reactions to social disruptions?natural disaster, plague, or war?have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Künste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos.
Expositions en cours
Font. the sourcebook
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Font: The Sourcebook is a resource for those interested in the story of type and with that visual communication. The first section of Font: The Sourcebook gives a thorough history of the public word, back to its roots in Egyptian hieroglyphs, describing the mechanics of early printing right up until the digital methods now in use. This comprehensive account includes(...)
Font. the sourcebook
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Font: The Sourcebook is a resource for those interested in the story of type and with that visual communication. The first section of Font: The Sourcebook gives a thorough history of the public word, back to its roots in Egyptian hieroglyphs, describing the mechanics of early printing right up until the digital methods now in use. This comprehensive account includes comment and analysis by some of the world's leading typographers, graphic designers and critics. Contributors include Penguin's David Pearson, Chairman of the Type Directors Club Alex W White, Will Hill, Pentagram's Domenic Lippa, Ed Fella, Peter Bi'lak, Experimental Jetset and more. The second part of Font: The Sourcebook profiles 50 of the most innovative and inspiring fonts in use today, with a short history of their origin, their inspiration and the designer who brought them to life. Each typeface entry is illustrated with an extensive library and examples of the font in use. Font: The Sourcebook is a resource no designer, typographer, artist or aesthete will want to be without.