4666 Résultats
Classification:
articles
articles
Titre:
Paysages vivants
Paysages vivants
Actions:
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Titre:
Paysages vivants
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Actions:
Paysages vivants
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Actions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1979:0042
Description:
- Ce plan montre un relevé d'arpentage d'une propriété située sur les bords de la rivière du Loiret, paroisse de Saint-Hillaire-Saint-Mesmin (Saint-Hilaire-sur-Mesmin ?), comté de Beaugency, département du Loiret, France. Un relevé d'arpentage précis donne les dimensions de la propriété incluant bâtiments, cours, jardins, prés, vignes, et terrasses.
DR1979:0042
Description:
- Ce plan montre un relevé d'arpentage d'une propriété située sur les bords de la rivière du Loiret, paroisse de Saint-Hillaire-Saint-Mesmin (Saint-Hilaire-sur-Mesmin ?), comté de Beaugency, département du Loiret, France. Un relevé d'arpentage précis donne les dimensions de la propriété incluant bâtiments, cours, jardins, prés, vignes, et terrasses.
Personnes et institutions:
Sujet:
topographique
topographique
Date:
1768
1768
Titre:
Surveyor's plan of the grounds and buildings belonging to Monsieur Jogues de Guedreville, on the Loiret River, France
Actions:
DR1979:0042
Description:
- Ce plan montre un relevé d'arpentage d'une propriété située sur les bords de la rivière du Loiret, paroisse de Saint-Hillaire-Saint-Mesmin (Saint-Hilaire-sur-Mesmin ?), comté de Beaugency, département du Loiret, France. Un relevé d'arpentage précis donne les dimensions de la propriété incluant bâtiments, cours, jardins, prés, vignes, et terrasses.
Surveyor's plan of the grounds and buildings belonging to Monsieur Jogues de Guedreville, on the Loiret River, France
Actions:
DR1979:0042
Description:
- Ce plan montre un relevé d'arpentage d'une propriété située sur les bords de la rivière du Loiret, paroisse de Saint-Hillaire-Saint-Mesmin (Saint-Hilaire-sur-Mesmin ?), comté de Beaugency, département du Loiret, France. Un relevé d'arpentage précis donne les dimensions de la propriété incluant bâtiments, cours, jardins, prés, vignes, et terrasses.
Classification:
dessins
dessins
Date:
1768
1768
Personnes et institutions:
Sujet:
topographique
topographique
Classification:
articles
articles
Titre:
Liste des affaires
Liste des affaires
Actions:
Un projet de Diller + Scofidio pour le livre The American Lawn avec des photos stéréoscopiques de Robert Sansone
Mot(s)-clé(s):
American Lawn, Elizabeth Diller, Ricardo Scofidio, Robert Sansone, disputes judiciaires, surface publique, pelouse
American Lawn, Elizabeth Diller, Ricardo Scofidio, Robert Sansone, disputes judiciaires, surface publique, pelouse
Publié:
10 mars 2025
10 mars 2025
Titre:
Liste des affaires
Un projet de Diller + Scofidio pour le livre The American Lawn avec des photos stéréoscopiques de Robert Sansone
Actions:
Liste des affaires
Un projet de Diller + Scofidio pour le livre The American Lawn avec des photos stéréoscopiques de Robert Sansone
Actions:
Classification:
expositions
expositions
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Date:
16 juin 1998 au 8 novembre 1998
16 juin 1998 au 8 novembre 1998
Titre:
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Surface du quotidien : la pelouse en Amérique
Actions:
Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Classification:
expositions
expositions
Date:
16 juin 1998 au
8 novembre 1998
16 juin 1998 au
8 novembre 1998
Localisation:
Salles principales, salle octogonale et vitrines
Salles principales, salle octogonale et vitrines
Classification:
événements
événements
Titre:
Gilles Clément
Gilles Clément
Actions:
Description:
Dans le cadre de l’exposition Environnement : manières d’agir pour demain (2006), l’ingénieur horticole et paysagiste français Gilles Clément présente ses projets et ses théories. L’exposition propose un changement de perspective où l’environnement devient le point de départ d’une réflexion et non nos exigences d’humains envers ce dernier. Gilles Clément a réalisé de(...)
Dans le cadre de l’exposition Environnement : manières d’agir pour demain (2006), l’ingénieur horticole et paysagiste français Gilles Clément présente ses projets et ses théories. L’exposition propose un changement de perspective où l’environnement devient le point de départ d’une réflexion et non nos exigences d’humains envers ce dernier. Gilles Clément a réalisé de(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
19 octobre 2006
19 octobre 2006
Titre:
Gilles Clément
Actions:
Description:
Dans le cadre de l’exposition Environnement : manières d’agir pour demain (2006), l’ingénieur horticole et paysagiste français Gilles Clément présente ses projets et ses théories. L’exposition propose un changement de perspective où l’environnement devient le point de départ d’une réflexion et non nos exigences d’humains envers ce dernier. Gilles Clément a réalisé de(...)
Gilles Clément
Actions:
Description:
Dans le cadre de l’exposition Environnement : manières d’agir pour demain (2006), l’ingénieur horticole et paysagiste français Gilles Clément présente ses projets et ses théories. L’exposition propose un changement de perspective où l’environnement devient le point de départ d’une réflexion et non nos exigences d’humains envers ce dernier. Gilles Clément a réalisé de(...)
Classification:
événements
événements
Date:
19 octobre 2006
19 octobre 2006
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Titre:
Notes relatives au jardinage
Notes relatives au jardinage
Numéro de référence:
ARCH257513
Description:
Notes de Cormier écrites sur des fiches, coupures de presses, et imprimés au sujet de jardinage.
ARCH257513
Description:
Notes de Cormier écrites sur des fiches, coupures de presses, et imprimés au sujet de jardinage.
Personnes et institutions:
Date:
1946, 1974
1946, 1974
Titre:
Notes relatives au jardinage
Actions:
ARCH257513
Description:
Notes de Cormier écrites sur des fiches, coupures de presses, et imprimés au sujet de jardinage.
Notes relatives au jardinage
Actions:
ARCH257513
Description:
Notes de Cormier écrites sur des fiches, coupures de presses, et imprimés au sujet de jardinage.
Classification:
documents textuels
documents textuels
Date:
1946, 1974
1946, 1974
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Date:
14 mars 2009
14 mars 2009
Titre:
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Confectionner des bombes de semences
Actions:
Description:
L’artiste montréalaise Gina Badger propose un atelier autour de la confection de véritables « bombes de semences », ces boules faites de compost, d’argile, d’eau et de graines que l’on peut lancer en ville pour créer des jardins. L’atelier est présenté en collaboration avec DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). En complément de l’exposition(...)
Classification:
événements
événements
Date:
14 mars 2009
14 mars 2009
Classification:
articles
articles
Titre:
Murs blancs et tuiles noires
Murs blancs et tuiles noires
Actions:
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Titre:
Murs blancs et tuiles noires
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Actions:
Murs blancs et tuiles noires
Taro Cai et Peter Sealy sur la manière dont la photographie de voyage a recadré l'esthétique des jardins chinois
Actions:
Dossier:
Observations actives
Observations actives
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH259770
Description:
Prospectus des cours: École Polytechnique et Montreal Technical Institue, 1945-1974, incluant des brochures relatifs au jardinage, aux voyages, à la littérature technique.
ARCH259770
Description:
Prospectus des cours: École Polytechnique et Montreal Technical Institue, 1945-1974, incluant des brochures relatifs au jardinage, aux voyages, à la littérature technique.
Personnes et institutions:
Date:
1945-1980
1945-1980
Titre:
Prospectus des cours à l'École Polytechnique de Montréal et la Montreal Technical Institute
Actions:
ARCH259770
Description:
Prospectus des cours: École Polytechnique et Montreal Technical Institue, 1945-1974, incluant des brochures relatifs au jardinage, aux voyages, à la littérature technique.
Prospectus des cours à l'École Polytechnique de Montréal et la Montreal Technical Institute
Actions:
ARCH259770
Description:
Prospectus des cours: École Polytechnique et Montreal Technical Institue, 1945-1974, incluant des brochures relatifs au jardinage, aux voyages, à la littérature technique.
Classification:
documents textuels
documents textuels
Date:
1945-1980
1945-1980
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Domestic Commissions
Domestic Commissions
Numéro de référence:
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Personnes et institutions:
Date:
1802-[1840]
1802-[1840]
Titre:
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Domestic Commissions
CI001.S1.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. The austere classicism of Hubert's domestic work reflects the prevailing taste of the day and reveals the strong influence of his teacher, Jean Nicholas Louis Durand. The compostional effect of the houses' façades relies on the shape and rhythm of the fenestration and the geometric division by string courses and occasionally, pilasters. Columns are used infrequently as is decorative stonework. The plans are symmetrical and modular. This approach to design is especially evident in the series of proposals for a country house for comte Treilhard (DR1974:0002:034:001-082) and in a group of unidentified designs for houses (DR1974:0002:035:001-034), all of which illustrate an emphasis on plan in the design process and a distinct approach to the composition of the elevations, both derived from Durand. Hubert's domestic work was also influenced by Palladio (see especially DR1974:0002:038:001-029). The interiors and furniture designed by Hubert are typical of the Empire style (1). The drawings in the CCA collection illustrate the materials, palette and ornamental motifs of the period. The garden structures in Hubert's albums are more fanciful than his houses and are either Rustic, Chinoiserie or classical in style (2). His garden designs follow the contemporary French trend for "jardins anglais" with winding paths and naturalistic placement of the vegetation, sometimes in combination with more formal French gardens (3). One of the most comprehensively documented domestic project by Hubert is the Rohault de Fleury House (12-14 rue d'Aguesseau; 1824). The CCA collection contains an interesting series of preliminary drawings for alternate proposals for this house, a number of highly finished wash drawings (including the interior decorative scheme) for the final scheme (DR1974:0002:011:001-08) and several earlier (ca. 1806) proposals (DR1974:0002:035:001-034). The Domaine de la Vallée album (DR1974:0002:025:001-059) is notable for the range of subject matter included as well as for the insights into the character of a working country estate in the nineteenth century. The proposed modifications encompassed both functional (a bridge, a levee, granaries and stables) and aesthetic improvements, such as ornamental garden temples. The renovation of the house also exhibits both functional and aesthetic improvements. (1) Examples of Hubert's interiors and furniture can be found in albums, DR1974:0002:007:001-068, DR1974:0002:011:001-089, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (2) The best examples of his pavilions are found in album, DR1974:0002:038:001-029 with other examples in albums, DR1974:0002:025:001-059, DR1974:0002:030:001-065 and DR1974:0002:035:001-034. (3) Examples are found in albums, DR1974:0002:035:001-034 and DR1974:0002 :025:001-059. Also of note are drawings, DR1974:0002:007:007 and DR1974:0002:007:068.
Niveau de description archivistique:
File 2
File 2
Date:
1802-[1840]
1802-[1840]
Personnes et institutions:
