Credos IV
$30.00
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Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown,(...)
février 2022
Credos IV
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$30.00
(disponible en magasin)
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''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival ''Art in the Open'' in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays. ''Credos IV'' is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
Useful Photography #015
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The global pandemic forced many people to set up an office at home. For this edition of ‘Useful Photography’, Marlies Swinkels researched the websites of real estate agents across Europe and collected images of the corner of the room usually reserved for remote working. It is a space where the view is often not as important as the background, which is of course what the(...)
Useful Photography #015
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The global pandemic forced many people to set up an office at home. For this edition of ‘Useful Photography’, Marlies Swinkels researched the websites of real estate agents across Europe and collected images of the corner of the room usually reserved for remote working. It is a space where the view is often not as important as the background, which is of course what the outside world sees during the endless Zoom and Teams sessions. From sharing a room with exercise equipment or the washer and dryer to a small table next to the bed, a desk in a closet or attic storage space, or even setting up in the kid’s bedroom, the future workplace is not quite what we imagined it to be.
Revues
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With this book, author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and(...)
Force: What it means to push and pull, slip and grip, start and stop
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With this book, author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and relief, achievement and defeat. Petroski draws from a variety of disciplines to make the case that force—represented especially by our sense of touch—is a unifying principle that pervades our lives. In the wake of a prolonged global pandemic that increasingly cautioned us about contact with the physical world, Petroski offers a new perspective on the importance of the sensation and power of touch.
Théorie du design
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This book documents the experiences of Montrealers past and present, creating a portrait of the storied city unlike any other. Drawn from the celebrated column in Maisonneuve magazine, this anthology features Canadian writers chronicling a quintessential part of local life. Narrated with the intimacy of journal entries, each letter bridges the playful and profound. In(...)
Letters from Montréal: Tales of an exceptional city
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This book documents the experiences of Montrealers past and present, creating a portrait of the storied city unlike any other. Drawn from the celebrated column in Maisonneuve magazine, this anthology features Canadian writers chronicling a quintessential part of local life. Narrated with the intimacy of journal entries, each letter bridges the playful and profound. In early dispatches, Melissa Bull ditches a boyfriend over pétanque in Parc Laurier; Sean Michaels watches Arcade Fire lose Battle of the Bands; Deborah Ostrovsky frets over the sublime sophistication of the Plateau’s French children. More recently, Ziya Jones spends a summer herding sheep through Parc du Pélican; Eva Crocker performs in a “fake orgasm choir” at the Rialto Theatre; and André Picard takes a pause from the pandemic by running up Mount Royal.
Architecture de Montréal
Alex Webb: Dislocations
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"Dislocations" presents a contemporary update of Alex Webb’s long out-of-print and highly sought title, first published in 1998 as an experiment in alternative book making. This newly reimagined edition brings together pictures from the many disparate locations over Webb’s oeuvre, meditating on the act of photography as a form of dislocation in itself. Webb returned(...)
Alex Webb: Dislocations
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"Dislocations" presents a contemporary update of Alex Webb’s long out-of-print and highly sought title, first published in 1998 as an experiment in alternative book making. This newly reimagined edition brings together pictures from the many disparate locations over Webb’s oeuvre, meditating on the act of photography as a form of dislocation in itself. Webb returned to the idea of dislocation during the pandemic, looking at images produced in the twenty years since the original publication—as well as looking back at that first edition. "Dislocations" expands a prized limited edition with unpublished images that speak to today’s sense of displacement. As a series of pictures that would have been impossible to create in a world dominated by closed borders and disrupted travel, it continues to resonate as the world resets.
Monographies photo
Richard Misrach: Cargo
$115.00
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of(...)
Richard Misrach: Cargo
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$115.00
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.
Monographies photo
The parameters of our cage
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and(...)
The parameters of our cage
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and growing unrest, reaches to the heart of contemporary America. In amongst their exchanges of personal histories and shared influences – from Ralph Ellison’s The Invisible Man and André 3000, to Robert Frank’s The Americans and Rilke’s 'Letters to a Young Poet' – developed a searing investigation of the redemptive power of art and the imagination, justice and accountability, life inside America’s prisons, and the astonishing capacity of empathy and curiosity to bring two people together.
Théorie de la photographie
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Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive(...)
octobre 2021
Interventions and adaptive reuse: a decade of responsible practice
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Adaptive reuse is a design practice where changes in the building structure go along with new programs and functions. Many concerns of the day that are the hallmark of current social discourse can equally be communicated through the vocabulary of design and reuse. Six common themes mirroring those of society in the new millennium are discernable in the current adaptive reuse practice: appropriation, ecology, equity, memory & redemption, identity and authenticity. Selected articles from the ''IntAR Interventions and Adaptive Reuse Journal'' of the last ten years speak to the social issues of the recent decade. The introductory essay positions shifting norms of working from home or remote learning in the light of their revision through adaptive reuse, for example the post-pandemic repercussions on office towers and the classroom.
Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it,(...)
Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it, the selected contour, a text by its author and photographs of the prototype taken by Maxime Delvaux and printed in silver. 'Objects of Fascination' explores digital technology and craftsmanship through found forms. It can be seen as a collection of personal worldviews by an emerging generation of architects, as much as an attempt to give a physical form to the multiplicity of our collective cultural background.
Design industriel
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''Sensing Earth'' states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems. Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic(...)
Théorie de l’art
octobre 2023
Sensing earth: Cultural quests across a heated globe
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''Sensing Earth'' states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems. Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic deprivation. Artists faced with these crises are looking for ways to articulate the ongoing emergencies and explore possible ways out. However, the arts and culture are caught in a double bind. Artists and cultural initiatives need circulation to let ideas intersect and create meaningful connections. However, this globalized system also contributes to the planet’s ecological decline: by countless journeys from one biennale, international residency, touring exhibition, and networking event to the next. After the Covid-19 pandemic ‘business as usual’ seems to prevail.
Théorie de l’art