6897 Résultats
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
Personnes et institutions:
Date:
1920-1939
1920-1939
Titre:
Views of Cologne before World War II, Cologne, Germany
Actions:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
Views of Cologne before World War II, Cologne, Germany
Actions:
PH1984:0713:001-034
Description:
Volume consists of 34 black-and-white mounted photographic prints of views of the architecture and landscape of Cologne before the Second World War. 2 cover pages containing text in Germany prelude the photographs. Pages are unbound.
Classification:
photographies
photographies
Date:
1920-1939
1920-1939
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
Personnes et institutions:
Date:
1972-1976
1972-1976
Titre:
Press clippings and reference material possible related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology".
Actions:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
Press clippings and reference material possible related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology".
Actions:
DR2012:0015:024:002
Description:
File containing documents in English (predominant) and French, including reference materials, and photographs. Possibly related to Louis Martin's 2013 book, "On architecture: Melvin Charney: a critical anthology". Original folder inscribed in graphite: IMAGES – ANTHOLOGY LM
Classification:
documents textuels
documents textuels
Date:
1972-1976
1972-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
Personnes et institutions:
Date:
1990-1991
1990-1991
Titre:
Bar L'oeuf - Brasserie Holder
Actions:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
Bar L'oeuf - Brasserie Holder
Actions:
AP066.S2.D26
Description:
Le dossier documente la rénovation du Bar l'oeuf- Brasserie Holder situé au 3816 boulevard Saint-Laurent, à Montréal, Québec. Le budget aloué pour ce projet était de 350 000$ et la superficie est de 660 m2. Aussi, le projet s'est mérité le Prix d'excellence de l'OAQ, Mention en architecture 1992, catégorie "bâtiment commercial". Le dossier contient des dessins et des documents photographiques. Description du projet par l'architecte: "Transformation d'une quincaillerie en un bar-causerie "à l'européenne" qui, après quelques mois d'exploitation, sera modifié en restaurant. Le bâtiment voit son volume et sa superficie presque doublés. Cette dernière passant de quelque 340 m2 à 660 m2." ARQ: Architecture-Québec, nº 70, janvier 1993, p. 24.
Niveau de description archivistique:
Projet
Projet
Date:
1990-1991
1990-1991
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Mies en Amérique
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Localisation:
Salles principales
Salles principales
Date:
17 octobre 2001 au 20 janvier 2002
17 octobre 2001 au 20 janvier 2002
Titre:
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Classification:
expositions
expositions
Date:
17 octobre 2001 au
20 janvier 2002
17 octobre 2001 au
20 janvier 2002
Localisation:
Salles principales
Salles principales
Classification:
événements
événements
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
23 avril 2009
23 avril 2009
Titre:
L'enseignement de... Niagara Falls
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
L'enseignement de... Niagara Falls
Actions:
Description:
Barbara Penner, historienne de l’architecture, retrace l’évolution des Chutes du Niagara, de leur statut de destination phare pour jeunes mariés au XIXe siècle à celui d’icône postindustrielle kitsch, avant de redevenir la destination par excellence des jeunes mariés. Le photographe Alec Soth, dont les travaux constituent l’amorce de cette causerie présentée par Barbara(...)
Classification:
événements
événements
Date:
23 avril 2009
23 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2013-2015
2013-2015
Titre:
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2013-2015
2013-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
Personnes et institutions:
Date:
1959 - 1960
1959 - 1960
Titre:
Saint Gabriel's Church - Renovation
Actions:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
Saint Gabriel's Church - Renovation
Actions:
AP108.S1.D6
Description:
This project series documents renovations to Saint Gabriel’s Church in Montréal, Québec. The project, which was nominated for a Massey medal for architecture in 1961, was carried out between 1959 – 1960. The project records consist of panels, drawings, photographs, and textual records.
Niveau de description archivistique:
File 6
File 6
Date:
1959 - 1960
1959 - 1960
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
Numéro de référence:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1989
1989
Titre:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0095
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Classification:
photographies
photographies
Date:
1989
1989
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Titre:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
Numéro de référence:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1989
1989
Titre:
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
Actions:
PH1989:0103
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
Classification:
photographies
photographies
Date:
1989
1989
Personnes et institutions:
Sujet:
architecture
architecture
