3245 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
Personnes et institutions:
Date:
1971-1989
1971-1989
Titre:
House VI, Cornwall, Connecticut
Actions:
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
House VI, Cornwall, Connecticut
Actions:
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
Niveau de description archivistique:
File 14
File 14
Date:
1971-1989
1971-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Personnes et institutions:
Date:
1970-1973
1970-1973
Titre:
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Niveau de description archivistique:
File 13
File 13
Date:
1970-1973
1970-1973
Personnes et institutions:
Classification:
événements
événements
Titre:
Images parlantes
Images parlantes
Actions:
Description:
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
Date:
13 octobre 2016, 18h
13 octobre 2016, 18h
Titre:
Images parlantes
Actions:
Description:
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
Images parlantes
Actions:
Description:
Sophie Dars et Carlo Menon, Stefano Graziani et Yasufumi Nakamori présentent des stratégies pour réinventer et employer des formats visuels tels le reportage photo, le roman photo et l’exposition de photos. L’événement s’inscrit dans le cadre d’un projet de recherche en cours au CCA portant sur la relation entre architecture et photographie, soutenu par la fondation(...)
Classification:
événements
événements
Date:
13 octobre 2016
18h
13 octobre 2016
18h
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Personnes et institutions:
Date:
1986-1990
1986-1990
Titre:
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Victoria University Hotel, Toronto (1987-1988)
Actions:
AP056.S1.1987.PR06.SS1
Description:
This project series documents the design of the Victoria University Hotel in Toronto from 1987-1988. The office identified the project numbers as 18723 and 18725. This project, headed by Bruce Kuwabara, consisted of a proposed nine floor hotel with 22,000 square metres of space. Located at the corner of Charles Street and St. Thomas Streets, the hotel contained a lobby, bar, restaurant, kitchen, and meeting rooms on the ground floor, with a mezzanine for additional meeting rooms directly above it. The other floors were proposed to hold between 274-320 rooms, including a penthouse with its own bar, kitchen and meeting rooms. Three levels of underground parking were also proposed, holding between 183-220 vehicles. The L-shaped building integrated old houses that already existed along Charles Street, into its facade. Houses along St. Thomas Street were to be left as separate buildings, with the L shape wrapping around them. This project was never realized. The project is recorded through drawings and a project model dating from 1986-1990. The drawings include sketches, surveys and area plans, floor plans, elevations, perspectives, sections and details. This project was designed simultaneously with the Victoria University Student Housing across the street (see project subseries AP056.S1.1987.PR06.SS2). These two projects have been arranged in two subseries because their project numbers and the site plans and surveys for each project overlap. The housing project was assigned the project number 19723, the same number as materials for this hotel project. It may be that the architects separated the two projects later on, assigning a second project number, 18725, to this hotel project. These two project subseries should be viewed together.
Niveau de description archivistique:
Project
Project
Date:
1986-1990
1986-1990
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Personnes et institutions:
Date:
1997-2000
1997-2000
Titre:
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Documents d’archives de Kivi Sotamaa pour les projets de OCEAN North
Actions:
AP198
Résumé:
The Kivi Sotamaa OCEAN North project records, 1997-2000, consist of born-digital files, drawings, photographs, and physical models that document two projects by the OCEAN North collective: Jyväskylä Music and Arts Centre (competition, 1997) and Tölöö Football Stadium (competition, 1997). The archive also includes born-digital reference materials on 14 projects from the collective, including the two projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1997-2000
1997-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Personnes et institutions:
Date:
2004-2009
2004-2009
Titre:
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Niveau de description archivistique:
Project
Project
Date:
2004-2009
2004-2009
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.018
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from N-S. The largest portion of the box consists of drafts on Patkau Architects; various articles, drafts and notes on Renzo Piano; and drafts and correspondence for the introduction to "Six Arquitectos." Other subjects and architects explored include: photography; Monica Pidgeon; Peter Pran; the predicament of environmental design; reciprocal regionalism; reflections on the oppositions of architecture and building; reflections on Perspecta; the role of education; Sartor Resartos; Raj Rewal; Rogelio Salmona; and Carlo Scarpa.
AP197.S1.SS9.018
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from N-S. The largest portion of the box consists of drafts on Patkau Architects; various articles, drafts and notes on Renzo Piano; and drafts and correspondence for the introduction to "Six Arquitectos." Other subjects and architects explored include: photography; Monica Pidgeon; Peter Pran; the predicament of environmental design; reciprocal regionalism; reflections on the oppositions of architecture and building; reflections on Perspecta; the role of education; Sartor Resartos; Raj Rewal; Rogelio Salmona; and Carlo Scarpa.
Personnes et institutions:
Date:
circa 1975-2015
circa 1975-2015
Titre:
Kenneth Frampton writings (N-S)
Actions:
AP197.S1.SS9.018
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from N-S. The largest portion of the box consists of drafts on Patkau Architects; various articles, drafts and notes on Renzo Piano; and drafts and correspondence for the introduction to "Six Arquitectos." Other subjects and architects explored include: photography; Monica Pidgeon; Peter Pran; the predicament of environmental design; reciprocal regionalism; reflections on the oppositions of architecture and building; reflections on Perspecta; the role of education; Sartor Resartos; Raj Rewal; Rogelio Salmona; and Carlo Scarpa.
Kenneth Frampton writings (N-S)
Actions:
AP197.S1.SS9.018
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from N-S. The largest portion of the box consists of drafts on Patkau Architects; various articles, drafts and notes on Renzo Piano; and drafts and correspondence for the introduction to "Six Arquitectos." Other subjects and architects explored include: photography; Monica Pidgeon; Peter Pran; the predicament of environmental design; reciprocal regionalism; reflections on the oppositions of architecture and building; reflections on Perspecta; the role of education; Sartor Resartos; Raj Rewal; Rogelio Salmona; and Carlo Scarpa.
Classification:
documents textuels
documents textuels
Date:
circa 1975-2015
circa 1975-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Personnes et institutions:
Date:
1990-1994
1990-1994
Titre:
Rebstockpark Master Plan
Actions:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Rebstockpark Master Plan
Actions:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Niveau de description archivistique:
File 90
File 90
Date:
1990-1994
1990-1994
Personnes et institutions:
