5111 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Personnes et institutions:
Date:
1949-1960, predominant 1953-1957
1949-1960, predominant 1953-1957
Titre:
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Student Work
Actions:
AP144.S1
Description:
This series documents Cedric Price's student work and includes material from his studies at the University of Cambridge School of Architecture (now known as the Department of Architecture), at St. John's College in Cambridge, England, as well as the Architectural Association School of Architecture in London, including his thesis project for Oldham Town Centre in Oldham, Greater Manchester, England, United Kingdom. Price's professional memberships and lectures from this time are also documented, as well as RIBA examinations. The series also includes other material produced approximately during Price's student years, including artwork and textual materials. Materials in this series was produced between 1949 and 1960, but predominantly between 1953 and 1957. The series contains design development drawings, reference drawings, other drawings, presentation panels, photographic materials, posters, and textual records for various school projects. Price's time at the University of Cambridge is documented through notes, drawinexerciseses and some projects. Materials from the AA School of Architecture are mostly for projects, including an ice rink, the British Transport Commission offices, exhibition halls and restaurants, a wholesale gown showroom and offices, the Eel and Elephant pub and restaurant, and a design for the Auschwitz Memorial competition, entered jointly with Richard Padovan. Other materials show work-for-hire done by Price, such aillustrations,s; designs for letterheads, advertisements and brochures, and architectural sketches. Material relating to the AA School of Architecture's annual student exhibition in 1956, of which Price was director, are also included.
Niveau de description archivistique:
Series
Series
Date:
1949-1960, predominant 1953-1957
1949-1960, predominant 1953-1957
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Futurecasting collection
Futurecasting collection
Numéro de référence:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Personnes et institutions:
Date:
2008-2023
2008-2023
Titre:
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Résumé:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
2008-2023
2008-2023
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Personnes et institutions:
Date:
1949-1965
1949-1965
Titre:
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Niveau de description archivistique:
Sous-série 2
Sous-série 2
Date:
1949-1965
1949-1965
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
Personnes et institutions:
Titre:
Projects
Actions:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
Projects
Actions:
AP163.S1.SS1
Description:
Sub-series documents the student work of Victor Prus at the Liverpool School of Architecture, in England, between 1945 and 1947 and his work as assistant professor at the Polish University College in London, betweeen 1947 and 1950. The sub-series also documents Victor Prus's early professional work as an architect in England, including his partnership with architect George Scolly in Prus and Scolly, Architects, from 1950 to 1952, and his work as Senior Executive Officer for the Festival of Britain, from 1949 to 1951. The sub-series contains conceptual, design development and presentation drawings, including reprographic copies, a few textual records that document some of the projects, photographs and presentation panels.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
19 mars 2009 au 23 août 2009
19 mars 2009 au 23 août 2009
Titre:
Environnement total : Montréal, 1965-1975
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Environnement total : Montréal, 1965-1975
Actions:
Description:
« Aujourd’hui, tout est environnement » déclare, au début des années 1970, un journal montréalais. Au cours de la dernière décennie, le terme « environnement » a dominé le discours et la pratique des artistes, architectes, intellectuels et activistes intervenant dans le domaine social. Les visiteurs de l’Expo 67, cet événement qui a attiré l’attention du monde entier sur(...)
Classification:
expositions
expositions
Date:
19 mars 2009 au
23 août 2009
19 mars 2009 au
23 août 2009
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Personnes et institutions:
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Titre:
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Niveau de description archivistique:
Sub-series 1
Sub-series 1
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Localisation:
Vitrines
Vitrines
Date:
16 février 2012 au 10 juin 2012
16 février 2012 au 10 juin 2012
Titre:
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Sur les traces de… The Suburbs
Actions:
Description:
Nous tendons aujourd’hui à percevoir les banlieues comme informes, vacantes ou non durables, comparées à la densité sociale et à l’activité économique des villes. Sur les traces de… The Suburbs se penche sur la culture suburbaine des cinquante dernières années et présente des images tirées de la Collection du CCA, réalisés par des photographes à la fois attirés et rebutés(...)
Classification:
expositions
expositions
Date:
16 février 2012 au
10 juin 2012
16 février 2012 au
10 juin 2012
Localisation:
Vitrines
Vitrines
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personnes et institutions:
Date:
1995-1997
1995-1997
Titre:
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Classification:
documents textuels
documents textuels
Date:
1995-1997
1995-1997
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Personal and professional correspondence for names U-Z from 1991-1994
Actions:
AP197.S3.005
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from U-Z. The last four folders in this box comprises of loose correspondence organized in chronological order, from 1991-1994; this correspondence is not organized in alphabetical order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Frampton’s participation/involvement in: the “Architecture and legitimacy” conference at the Congress Netherlands Architecture Institute; as part of the International Board of Advisors for the Fundación de Arquitectura Tapatía; in the Chinese translation for the Studies in Tectonic Culture publication; as a visiting professor at the École polytechnique fédérale de Lausanne.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Estación maritima de Salerno, Italy (1999)
Actions:
AP164.S1.1999.D9
Description:
The project series documents the design of the seaport terminal in Salerno, Italy. The design was “about emulating tradional architecture as well as the material and iconographic world of the great vessels and doing it from an environmental sensibility and a compromise to contemporary techniques” (ARCH270975). The firm participated in the international competition and their project was selected for the second round. The firm identified this project as number 122. Documenting this project are conceptual, presentation and design development drawings, project descriptions, maps, and reference, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
