583 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ray Affleck
Fonds Ray Affleck
Numéro de référence:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Personnes et institutions:
Date:
1952-1989
1952-1989
Titre:
Fonds Ray Affleck
Actions:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Fonds Ray Affleck
Actions:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1952-1989
1952-1989
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personnes et institutions:
Date:
1999
1999
Titre:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Paul-Philippe Cret
Fonds Paul-Philippe Cret
Numéro de référence:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Personnes et institutions:
Date:
circa 1907-1950
circa 1907-1950
Titre:
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1907-1950
circa 1907-1950
Personnes et institutions:
Classification:
expositions
expositions
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
9 mars 2005 au 22 mai 2005
9 mars 2005 au 22 mai 2005
Titre:
Dieter Appelt : Forth Bridge – cinéma. Espace métrique
Actions:
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Dieter Appelt : Forth Bridge – cinéma. Espace métrique
Actions:
Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Classification:
expositions
expositions
Date:
9 mars 2005 au
22 mai 2005
9 mars 2005 au
22 mai 2005
Localisation:
Salle octogonale
Salle octogonale
Classification:
événements
événements
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
27 septembre 2007
27 septembre 2007
Classification:
événements
événements
Date:
27 septembre 2007
27 septembre 2007
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
expositions
expositions
Titre:
Naoya Hatakeyama : Échelles
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
27 septembre 2007 au 3 février 2008
27 septembre 2007 au 3 février 2008
Titre:
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Classification:
expositions
expositions
Date:
27 septembre 2007 au
3 février 2008
27 septembre 2007 au
3 février 2008
Localisation:
Salle octogonale
Salle octogonale
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personnes et institutions:
Date:
1958-1984
1958-1984
Titre:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Classification:
documents textuels
documents textuels
Date:
1958-1984
1958-1984
Personnes et institutions:
Classification:
événements
événements
Titre:
Sustainable?
Sustainable?
Actions:
Description:
Sustainable? est un colloque international réunissant des personnes de diverses disciplines pour explorer les questions de développement durable reliées à l’architecture. Organisés par l’architecte et chercheur Iñaki Àbalos, le colloque et la table ronde situent historiquement l’engagement de l’architecture envers le développement durable, et mettent en place un programme(...)
Sustainable? est un colloque international réunissant des personnes de diverses disciplines pour explorer les questions de développement durable reliées à l’architecture. Organisés par l’architecte et chercheur Iñaki Àbalos, le colloque et la table ronde situent historiquement l’engagement de l’architecture envers le développement durable, et mettent en place un programme(...)
Localisation:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
16 juin 2007 au 17 juin 2007
16 juin 2007 au 17 juin 2007
Titre:
Sustainable?
Actions:
Description:
Sustainable? est un colloque international réunissant des personnes de diverses disciplines pour explorer les questions de développement durable reliées à l’architecture. Organisés par l’architecte et chercheur Iñaki Àbalos, le colloque et la table ronde situent historiquement l’engagement de l’architecture envers le développement durable, et mettent en place un programme(...)
Sustainable?
Actions:
Description:
Sustainable? est un colloque international réunissant des personnes de diverses disciplines pour explorer les questions de développement durable reliées à l’architecture. Organisés par l’architecte et chercheur Iñaki Àbalos, le colloque et la table ronde situent historiquement l’engagement de l’architecture envers le développement durable, et mettent en place un programme(...)
Classification:
événements
événements
Date:
16 juin 2007 au
17 juin 2007
16 juin 2007 au
17 juin 2007
Localisation:
Paul Desmarais Theatre
Paul Desmarais Theatre
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
John C. Parkin fonds
John C. Parkin fonds
Numéro de référence:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Personnes et institutions:
Date:
1929-1987
1929-1987
Titre:
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
John C. Parkin fonds
Actions:
AP018
Résumé:
The John C. Parkin fonds documents the professional career of Toronto-based architect John C. Parkin (1922-1988) at his firms John B. Parkin Associates and Parkin Architects Planners. Most materials in this fonds record 347 architectural projects covering the years 1947-1987. John C. Parkin’s professional involvement in the arts and architecture, his firms’ activities, and his professional achievements are also recorded.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1929-1987
1929-1987
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
