29656 Résultats
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Numéro de référence:
AP018.S6.007
Description:
This box contains a painting of Parkin, a print by Stanley Cosgrove, two prints of Toronto by Enid Robbie, two unknown architectural artworks, a painting by WF Griffiths, and a poster from a Harry Seidler exhibition.
AP018.S6.007
Description:
This box contains a painting of Parkin, a print by Stanley Cosgrove, two prints of Toronto by Enid Robbie, two unknown architectural artworks, a painting by WF Griffiths, and a poster from a Harry Seidler exhibition.
Personnes et institutions:
Date:
circa 1957-1985
circa 1957-1985
Titre:
Artwork and poster
Actions:
AP018.S6.007
Description:
This box contains a painting of Parkin, a print by Stanley Cosgrove, two prints of Toronto by Enid Robbie, two unknown architectural artworks, a painting by WF Griffiths, and a poster from a Harry Seidler exhibition.
Artwork and poster
Actions:
AP018.S6.007
Description:
This box contains a painting of Parkin, a print by Stanley Cosgrove, two prints of Toronto by Enid Robbie, two unknown architectural artworks, a painting by WF Griffiths, and a poster from a Harry Seidler exhibition.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
circa 1957-1985
circa 1957-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
Personnes et institutions:
Date:
circa 1968
circa 1968
Titre:
Carabinieri [Carabiniers] (1968)
Actions:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
Carabinieri [Carabiniers] (1968)
Actions:
AP207.S1.1968.PR02
Description:
This project series documents Pettena's installation entitled "Carabinieri". The installation consisted of sheets of corrugated cardboard and metal stays assembled to created the three-dimensional letters of the word "Carabinieri". The final product measured about ten meters long by two meters high. It was first built in the courtyard of the Palazzo Comunale in Novara in 1968. "The construction, left out in the open, gradually degraded due to the damp and rain" [1] which made it an installation project, as well as a performance. The installation was recreated for the exhibition "Gianni Pettena. About non conscious architecture" in the Galleria Giovanni Bonelli in Milan, in 2017. This project is the first of a series of three other similar projects. The project series contains photographs of the construction of the word "Carabinieri", photographs of the final installation at the Palazzo Comunale in Novara, and one photograph of the installation at the Gallerie Giovanni Bonelli. It also inlcudes drawings, a plan of the installation, and photographs of a later model of the cardboard word. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 108.
Niveau de description archivistique:
Project
Project
Date:
circa 1968
circa 1968
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Personnes et institutions:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Titre:
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Fonds Catherine Chard Wisnicki
Actions:
AP074
Résumé:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
1983
1983
Titre:
Elevations and plan for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Elevations and plan for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0010
Description:
Elevations and plan for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Classification:
dessins
dessins
Date:
1983
1983
Personnes et institutions:
Classification:
documents textuels
Quantité:
2 textual record(s)
documents textuels
Quantité:
2 textual record(s)
Numéro de référence:
ARCH267528
Description:
This group consists of an amendment to the agreement between the Canadian Corporation for the 1967 World Exhibition, the Labour Council and the Local Union and/or Syndicates, and a tender form for the Expo '67 Stadium in Montréal, Québec.
ARCH267528
Description:
This group consists of an amendment to the agreement between the Canadian Corporation for the 1967 World Exhibition, the Labour Council and the Local Union and/or Syndicates, and a tender form for the Expo '67 Stadium in Montréal, Québec.
Personnes et institutions:
Date:
1965
1965
Titre:
6407 / General inst. Form CCWE
Actions:
ARCH267528
Description:
This group consists of an amendment to the agreement between the Canadian Corporation for the 1967 World Exhibition, the Labour Council and the Local Union and/or Syndicates, and a tender form for the Expo '67 Stadium in Montréal, Québec.
6407 / General inst. Form CCWE
Actions:
ARCH267528
Description:
This group consists of an amendment to the agreement between the Canadian Corporation for the 1967 World Exhibition, the Labour Council and the Local Union and/or Syndicates, and a tender form for the Expo '67 Stadium in Montréal, Québec.
Classification:
documents textuels
Quantité:
2 textual record(s)
documents textuels
Quantité:
2 textual record(s)
Date:
1965
1965
Personnes et institutions:
Classification:
périodiques
périodiques
Titre:
Metropolis
Metropolis
Numéro de référence:
PH2008:0037:001
Description:
Article titled "The Full Matta-Clark" (p. 36) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
PH2008:0037:001
Description:
Article titled "The Full Matta-Clark" (p. 36) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Personnes et institutions:
Date:
February 2007
February 2007
Titre:
Metropolis
Actions:
PH2008:0037:001
Description:
Article titled "The Full Matta-Clark" (p. 36) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Metropolis
Actions:
PH2008:0037:001
Description:
Article titled "The Full Matta-Clark" (p. 36) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Classification:
périodiques
périodiques
Date:
February 2007
February 2007
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
PH2006:0287
Description:
File is a bound group of clippings and articles relating to the "Gordon Matta-Clark" exhibition held at the Musée d'art contemporain de Montréal between 22 January and 2 April 1989. File contains textual records.
PH2006:0287
Description:
File is a bound group of clippings and articles relating to the "Gordon Matta-Clark" exhibition held at the Musée d'art contemporain de Montréal between 22 January and 2 April 1989. File contains textual records.
Personnes et institutions:
Date:
22 January - 2 April 1989
22 January - 2 April 1989
Titre:
Review de Press: Gordon Matta-Clark
Actions:
PH2006:0287
Description:
File is a bound group of clippings and articles relating to the "Gordon Matta-Clark" exhibition held at the Musée d'art contemporain de Montréal between 22 January and 2 April 1989. File contains textual records.
Review de Press: Gordon Matta-Clark
Actions:
PH2006:0287
Description:
File is a bound group of clippings and articles relating to the "Gordon Matta-Clark" exhibition held at the Musée d'art contemporain de Montréal between 22 January and 2 April 1989. File contains textual records.
Classification:
documents textuels
documents textuels
Date:
22 January - 2 April 1989
22 January - 2 April 1989
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Personnes et institutions:
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Titre:
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Niveau de description archivistique:
Series
Series
Date:
1903-2003, predominant 1960-2000
1903-2003, predominant 1960-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
Personnes et institutions:
Date:
1970-1998
1970-1998
Titre:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook
Actions:
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook
Actions:
DR2004:1450
Description:
Mag box cont. File 'X15/CP/AJ', 'X15 drafts' Bound notebook, Mag box file 'X15 Roy Landau', File X15 (AA), File X15 (exhibition? AA/CP Works II), File 'X15' Originals for 'A Summertime Breeze' homemade publication by CP, Binder X15 (1991-93), Binder 'X15 / 1993-1998', File X15 'Reclamation 88: International Conference / Exhibition on the role of land reclamation in economic regeneration' CP Design, in Organising Committee, 'CP/AJ Special Issue', File 'X15 Canada / 4.11.97'
Classification:
documents textuels
documents textuels
Date:
1970-1998
1970-1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Hejduk
Hejduk
Numéro de référence:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Personnes et institutions:
Date:
1972-1980
1972-1980
Titre:
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Hejduk
Actions:
ARCH153754
Description:
Various documents relating to the exhibition catalogue, "John Hejduk, 7 Houses : January 22 to February 16, 1980" / introduction by Peter Eisenman. -- New York, N.Y. : Institute for Architecture and Urban Studies, [1979] Transcript of a conversation between John Hejduk and PDE; October13, 1977; "Nine Square House" Hejduk; 17 December 1979 (essay: "In My Father's House Are Many Mansions") Photocopy : Eisenman's preface, Galley Transcripts of a conversation between Wall and Hejduk : In perspective (no date) Typewritten manuscript : "The Destruction of the Box" Class discussion at Cooper Union; February 11 1976 (Mr. Rosaro, PDE, Chris, Wilcox, Rick, Blitz Brochure: John Hejduk: 3 + 1, 1976 1 exhibition catalogue: Projects/John Hejduk, architect: an exhibition at the Foundation Le Corbusier, Paris, October 1972 Folder Country: John Hejduk Interview, John Hejduk - Reima Pietila, Finnish Architect, Helsinki Interview, John Hejduk - Donald Wall, Professor; School of Architecture, New Jersey Institute of Technology & Nancy Ferrara, Experimental Psychologist Statement, John Hejduk Exhibition; January 22 - February 16 1980 Letter to PDE from Prof. P. Sanders, November 2 1979
Classification:
documents textuels
documents textuels
Date:
1972-1980
1972-1980
Personnes et institutions:
