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Cet ouvrage constitue l'un des deux premiers titres de la collection ''Des oiseaux'' qui célèbre, à travers le regard de différents artistes, l'immense présence des oiseaux dans un monde où ils sont aujourd'hui fragilisés. Pour accompagner cet ensemble de photographies, l'ornithologue Guilhem Lesaffre met en lumière la relation aux saisons qui est un aspect fondamental de(...)
Pentti Sammallahti: Des oiseaux
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Cet ouvrage constitue l'un des deux premiers titres de la collection ''Des oiseaux'' qui célèbre, à travers le regard de différents artistes, l'immense présence des oiseaux dans un monde où ils sont aujourd'hui fragilisés. Pour accompagner cet ensemble de photographies, l'ornithologue Guilhem Lesaffre met en lumière la relation aux saisons qui est un aspect fondamental de la vie des oiseaux. Là où il existe, l'hiver est une contrainte importante avec laquelle les oiseaux doivent composer et qui induit notamment des stratégies de recherche de nourriture et d'économie d'énergie, ou encore le grégarisme. L'auteur associe ici la vie des oiseaux en hiver avec les images de Pentti Sammallahti.
Monographies photo
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films(...)
Sofia Coppola: Archive 1999-2023
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century.
Monographies photo
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’(...)
Puking rainbows past and future
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’ gathers memories of the now that contain both “then” and “now”. The images are reproduced in transparent foil with the same dimensions as Polaroid film, while the codex binding uses the rainbow colours of the book’s title. Extras include an essay by Sean and illustrations by Tennbo.
Monographies photo
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How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German(...)
Architectural rearguard, Ralf Meyer
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How does twenty-first-century Germany deal with the remaining Fascist architecture of the 1930s and 1940s? Between 2001 and 2006, the German photographer Ralf Meyer created a collection of 130 photographs, taken at 32 locations across the country. The photographs were not intended to be mere reproductions of facades; instead, they were meant to investigate how German citizens deal with the results of the overwhelming historical architecture that surrounds them. Each one of the buildings Meyer sought out was constructed for an ideological purpose: can these implicit messages still be detected in the architecture? What is life like in and around these buildings, now that so much has changed?
Monographies photo
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The British botanist Sir Edward James Salisbury left behind a large collection of glass plate negatives, discovered in an anonymous stack of boxes in the attic of London’s Natural History Museum. Brought to the attention of Chrystel Lebas, for whom walking has always been a part of her objective approach (she brings two cameras, one for quick snapshots and another with(...)
Chrystel Lebas: field studies
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The British botanist Sir Edward James Salisbury left behind a large collection of glass plate negatives, discovered in an anonymous stack of boxes in the attic of London’s Natural History Museum. Brought to the attention of Chrystel Lebas, for whom walking has always been a part of her objective approach (she brings two cameras, one for quick snapshots and another with tripod for panoramic views), they instigated a turning point in her career. This enticingly beautiful, complex book is both an artistic research project and a scientific inquiry. Tracing Salisbury’s footsteps, Lebas observes environmental changes in the British landscape by photographing the same locations a century later.
Monographies photo
Taro Hirano: foreclosure
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Taro Hirano (1973) is a photographer and skater living in Tokyo. Foreclosure is a continuation of his work first published in his photo book Pool from 2005 (Little More), a collection of landscape-style photos of pools in America. Taro always thought pool skating was just one of the old ways of skating, but after encountering a pool skater it changed his(...)
Taro Hirano: foreclosure
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Taro Hirano (1973) is a photographer and skater living in Tokyo. Foreclosure is a continuation of his work first published in his photo book Pool from 2005 (Little More), a collection of landscape-style photos of pools in America. Taro always thought pool skating was just one of the old ways of skating, but after encountering a pool skater it changed his perspective. Taro and Hina Hirano are the founders of No.12 Gallery in Shibuyaku, Tokyo. With contacts made in private life and at work, both in Japan and abroad, they provides an exhibitional space for his friends from various fields of artistic practice.
Monographies photo
Avalanche
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Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's(...)
mars 2010
Avalanche
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Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
An illustrated catalog of American fruits & nuts:U.S.Dept. of Agriculture Pomological Watercolor
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The United States Department of Agriculture Pomological Watercolor Collection encompasses 7,497 botanical watercolor paintings of evolving fruit and nut varieties, alongside specimens introduced by USDA plant explorers from the late 19th and early 20th centuries. Assembled between 1886 and 1942, the collection's remarkable, botanically accurate watercolors were executed(...)
An illustrated catalog of American fruits & nuts:U.S.Dept. of Agriculture Pomological Watercolor
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The United States Department of Agriculture Pomological Watercolor Collection encompasses 7,497 botanical watercolor paintings of evolving fruit and nut varieties, alongside specimens introduced by USDA plant explorers from the late 19th and early 20th centuries. Assembled between 1886 and 1942, the collection's remarkable, botanically accurate watercolors were executed by some 21 professional artists (including nine women). Authored largely before the widespread application of photography, the watercolors were intended to aid accurate identification and examination of fruit varietals, for the nation’s fruit growers. Documenting the transformation of American pomology, the science of fruit breeding and production, and the horticultural innovations accountable for contemporary fruit cultivation and consumption, the USDA’s collection offers fascinating anthropological and horticultural insights concerning the fruits we ecstatically devour, and why.
Jardins
livres
Understanding a photograph
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Understanding a Photograph is arranged chronologically, leading the reader on a thought-provoking journey through selected essays from hallmark works such as “About Looking” and “Another Way of Telling,” as well as previously uncollected pieces written for exhibitions or catalogues that discuss a wide range of artists--from August Sander to Jitka Hanzlová. This collection(...)
Understanding a photograph
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Understanding a Photograph is arranged chronologically, leading the reader on a thought-provoking journey through selected essays from hallmark works such as “About Looking” and “Another Way of Telling,” as well as previously uncollected pieces written for exhibitions or catalogues that discuss a wide range of artists--from August Sander to Jitka Hanzlová. This collection of some 25 texts has been carefully selected by novelist and essayist Geoff Dyer, who has also written a critical study of Berger’s oeuvre.
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novembre 2013
Théorie de la photographie
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The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political, and material conditions, responding with a groundbreaking and genre-defying body of(...)
octobre 2023
Only the young: Expermental art in Korea, 1960s-1970s
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The 1960s and 1970s marked a period of exceptional change in Korea, propelled by rapid urbanization and modernization, and influenced by an authoritarian state at home and a globalizing world beyond. Young artists of the era were not immune to these unprecedented socioeconomic, political, and material conditions, responding with a groundbreaking and genre-defying body of avant-garde art known broadly as ''Experimental art'' (silheom misul). Both as individuals and in collectives, these artists broke definitively with their predecessors, redefining the boundaries of traditional painting and sculpture while embracing innovative and often provocative approaches to materials and process through performance, installation, photography, and video. ''Only the Young: Experimental Art in Korea, 1960s–1970s'' accompanies the first exhibition in North America to examine this influential but understudied period. Featuring incisive new scholarship and lavish photography of works drawn from public and private collections across the globe, the volume also brings together translations of articles, artist manifestos, and other primary sources that offer a firsthand perspective on the ideas and discourses then shaping Korean art. What emerges is the story of how this generation of young Korean artists harnessed the power of art to confront and reimagine an ever-shifting present.