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« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la(...)
Less is Enough : Sur l'architecture et l'ascétisme
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« Less is more », dit le dicton moderniste. Mais est-ce bien le cas ? À une époque où l'on nous exhorte sans cesse à faire « plus avec moins », pouvons-nous encore romantiser les prétentions du minimalisme ? Le propos d'Aureli s'exprime dans toute son actualité, alors que presque dix ans se sont écoulés depuis sa première publication : il offre un regard critique sur la pratique architecturale et sur les questions fondamentales de la discipline, que ce soit dans le passé ou pour notre avenir, en démasquant habilement l'hypocrisie du capitalisme latent qui esthétise l'ascétisme, tout en continuant de regarder avec espoir la possibilité de conserver l'idée du « less » comme point de départ. Il se veut donc le témoin d'une époque où le cadre théorique et critique de l'architecture nécessitent une profonde reconfiguration.
Théorie de l’architecture
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Shigeru Ban Architects has innovated in wood for over 35 years, creating inspiring spaces that have a positive impact on building inhabitants, communities, and the environment. The firm has built over 65 wood and mass timber projects, from prefabricated plywood houses to parametrically modeled glulam gridshells. This volume presents the trajectory of 45 works from concept(...)
Shigeru Ban: Timber in architecture
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Shigeru Ban Architects has innovated in wood for over 35 years, creating inspiring spaces that have a positive impact on building inhabitants, communities, and the environment. The firm has built over 65 wood and mass timber projects, from prefabricated plywood houses to parametrically modeled glulam gridshells. This volume presents the trajectory of 45 works from concept through construction, demonstrating the challenges and merits of wood buildings through essays, technical drawings, and photographs. Featured projects include the Centre Pompidou-Metz, the Aspen Art Museum, the Mt. Fuij World Heritage Centre, and Swatch/Omega Campus, as well as current works.
Architecture, monographies
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail,(...)
Adolf Loos : architecture 1903-1932
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work : the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.
Architecture, monographies
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The harnessing of solar energy via photovoltaic (i.e. solar electrical) technology has become one of the world's highest priorities, as dwindling oil resources compel nations all over the world to reconsider their energy policies. Soon, many countries will be able to produce as much as 25 percent of their electricity through photovoltaics--that is, if architecture can(...)
Energizing architecture: design and photovoltaics
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The harnessing of solar energy via photovoltaic (i.e. solar electrical) technology has become one of the world's highest priorities, as dwindling oil resources compel nations all over the world to reconsider their energy policies. Soon, many countries will be able to produce as much as 25 percent of their electricity through photovoltaics--that is, if architecture can rise to the challenge and integrate its visual and design language with that of photovoltaic systems. This challenge has already been tackled in a huge variety of projects, and Energizing Architecture presents the full range of possible photovoltaic modules, using realized buildings as examples. Intended for planners, architects and anybody concerned with the field of environmental design, it provides an index of all relevant materials, and demonstrates that the integration of photovoltaics into architectural practice can be achieved with aesthetically pleasing results.
Architecture écologique
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Mechudzu is a book which represents questions, not answers. The work of Bryan Cantley, and his firm, Form:uLA, based in Los Angeles, is intended to be confounding – a practice that is a theory, a theory of practice, practice as theory. Cantley’s work is part of the permanent collection of the San Francisco Museum of Modern Art. Other exhibits of note include a featured(...)
Mechudzu: new rhetorics for architecture
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Mechudzu is a book which represents questions, not answers. The work of Bryan Cantley, and his firm, Form:uLA, based in Los Angeles, is intended to be confounding – a practice that is a theory, a theory of practice, practice as theory. Cantley’s work is part of the permanent collection of the San Francisco Museum of Modern Art. Other exhibits of note include a featured exhibition at the Form Zero Bookstore / Gallery in Los Angeles and solo exhibitions “Enantiomorph Inversion Factor” at the Architecture Gallery at Cal Poly Pomona and “Wool and H2O” at the UCLA School of Architecture. This book documents Cantley’s work with illustrations combined with essays by acknowledged experts as there are Aaron Betsky, Dora Epstein Jones, Ruth Keffer, Wes Jones + Doug Jackson and Neil Spiller.
Architecture, monographies
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A skateboarding school in Kabul; a children's community center in south-west Chicago; project row houses in Houston; an open-air library in Salbke-Magdeburg, Germany; colorful murals in the favelas of Rio de Janeiro: what difference do civic architectural projects like these make to the daily lives of the people who use them? In Testify! The Consequences of(...)
Testify!: the consequences of architecture
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A skateboarding school in Kabul; a children's community center in south-west Chicago; project row houses in Houston; an open-air library in Salbke-Magdeburg, Germany; colorful murals in the favelas of Rio de Janeiro: what difference do civic architectural projects like these make to the daily lives of the people who use them? In Testify! The Consequences of Architecture, editor Lukas Feireiss gathers 30 examples of community-centered architectural projects from all five continents, to demonstrate as explicitly as possible how architecture can transform the quality of our lives. This is architecture that reveals unexpected possibilities for growing food in urban environments, for creating healthy and sustainable environments, nourishing social networks and establishing real estate value based on new revenue models. Each project is presented with full-color illustrations, texts that concisely analyze the project in terms of context, mission and realization, and an interview with a community member who makes regular use of, or occupies, the relevant building.
Théorie de l’architecture
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Presents new and inspiring apartment interiors in a diverse range of styles designed by leading international architects.
21st Century Architecture: apartment living
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Presents new and inspiring apartment interiors in a diverse range of styles designed by leading international architects.
Architecture résidentielle
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of(...)
Talking architecture: interviews with architects
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of perspectives on contemporary architecture and the architects' roles in shaping the state of the art today. Each interview focuses on the unique contributions of its subject and is accompanied by images of their most important works. With a no-holds-barred approach the author obtains interesting details about their ideas on architecture in general, from where they get their inspiration to what formative experiences led them to become architects in the first place. Updated with new images, this informative, accessible, and endlessly fascinating collection offers a chance to compare, contrast, and get to know the architects that are shaping the world we live in.
Théorie de l’architecture
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La désobéissance inventive, ou la nécessité de faire autrement. C'est ce que recommande Nicolas Michelin, architecte urbaniste, dans ces nouveaux textes. C'est-à-dire sortir de la routine, contourner les objectifs réglementaires incertains ou absurdes, éviter les alibis environnementaux douteux, pour échapper au carcan qui uniformise la production architecturale actuelle.(...)
Attitudes ; propos sur l'architecture, la ville, l'environnement
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La désobéissance inventive, ou la nécessité de faire autrement. C'est ce que recommande Nicolas Michelin, architecte urbaniste, dans ces nouveaux textes. C'est-à-dire sortir de la routine, contourner les objectifs réglementaires incertains ou absurdes, éviter les alibis environnementaux douteux, pour échapper au carcan qui uniformise la production architecturale actuelle. Mais, Nicolas Michelin fait soudain un pas de côté. De manière inattendue, il livre quatre courtes fictions qui entraînent le lecteur dans d'étranges univers, incursions dans des mondes parallèles où l'architecture apparaît toujours en filigrane. À partir de constructions ou de paysages réels, il glisse vers des hallucinations dans des temporalités et des spatialités étrangement subverties. Puis, il mène trois conversations avec des interlocuteurs proches de son mode de pensée. Il échange avec ses deux associés sur la pratique de l'agence sur la double échelle, de l'urbanisme et de l'architecture. Il partage sa parole avec un artiste, à propos de la Renaissance, et s'interroge avec deux architectes plus jeunes sur la notion d'engagement. Au fil de ces textes, il explicite sa position d'architecte et sa vision de ce métier politique.
Théorie de l’architecture
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This publication is a monography on Alvar Aalto, one of the key exponents of Modernism and the International Style. He began his career in the 1920s with buildings in the Nordic Classical style, but was drawn to International Modernism by the end of the decade. Aalto's Paimio Sanatorium (1929-1933) can be counted as a masterwork of the period in the global context. In the(...)
Alvar Aalto: architecture to read
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This publication is a monography on Alvar Aalto, one of the key exponents of Modernism and the International Style. He began his career in the 1920s with buildings in the Nordic Classical style, but was drawn to International Modernism by the end of the decade. Aalto's Paimio Sanatorium (1929-1933) can be counted as a masterwork of the period in the global context. In the mid-1930s, Aalto broke away from the Modernist group known as CIAM to develop his own vocabulary of form in a more complex direction and he created the free-form approach to design for which his architecture became world famous.
Architecture, monographies