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111 pages : color illustrations, plans ; 24 x 30 cm
México, D.F. : Sociedad de Arquitectos Paisajistas de México, ©2010.
Primera Bienal de Arquitectura de Paisaje Mexicana / [editora, Laura Alonso Lutteroth].
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111 pages : color illustrations, plans ; 24 x 30 cm
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México, D.F. : Sociedad de Arquitectos Paisajistas de México, ©2010.
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211 pages : color illustrations, color maps ; 25 cm
Berlin : DOM Publishers, [2020]
Architectural Guide : Norway / Anna Martovitskaya.
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211 pages : color illustrations, color maps ; 25 cm
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Berlin : DOM Publishers, [2020]
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$66.00
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Résumé:
Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
Prior art: Patents and the nature of invention in architecture
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
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mai 2024
Théorie de l’architecture
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1 online resource
[S.l.] : Open Humanities Press, 2021.
Bifurcate : There Is No Alternative / Stiegler, Bernard.
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1 online resource
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[S.l.] : Open Humanities Press, 2021.
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133 pages : illustrations ; 18 cm.
Oxford, United Kingdom : Oxford University Press, 2016., ©2016
Environmental politics : a very short introduction / Andrew Dobson.
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133 pages : illustrations ; 18 cm.
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Oxford, United Kingdom : Oxford University Press, 2016., ©2016
audio
LONGUE DURÉE II Pt. 1.
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1 online resource
[Place of publication not identified] : Disintegrator, 2026.
audio
[Place of publication not identified] : Disintegrator, 2026.
$46.50
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This publication looks closely on transforming existing real estate by promoting creative clusters, starting with specific architectures that are examined using an open-minded approach. What are the economic, political and design mechanisms used to build and legitimise them? What city concept is designed and built in these spaces? Can we identify recurrent features,(...)
avril 2022
Fun mill: The architecture of creative industry in contemporary China
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This publication looks closely on transforming existing real estate by promoting creative clusters, starting with specific architectures that are examined using an open-minded approach. What are the economic, political and design mechanisms used to build and legitimise them? What city concept is designed and built in these spaces? Can we identify recurrent features, general issues, and compositional orders and logic? The book discusses creative clusters as fertile ground for research and action involving the architectural and urban project and outlines several distinctive traits of professional and design practices in China in the last decade. In particular, the book focus on three recurrent methods used by architectural projects to reconfigure space—Collecting icons, Shifting scale, Bounding borders.
archives
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2624 drawings and reprographic copies, 1923 photographs, 958 slides, other materials., Organized by series.
Gene Summers fonds, 1957-2004.
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2624 drawings and reprographic copies, 1923 photographs, 958 slides, other materials., Organized by series.
archives
$70.00
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The human body has a fundamental impact on the organization and interpretation of the world, and the built environment has accordingly been conceptualized in terms of the human body since ancient times, in theory and in practice. From Leonardo da Vinci's Vitruvian Man to Le Corbusier's "Modulor" (Corbusier's attempt to unite the imperial and metric measuring systems(...)
Images of the body in architecture: anthropology and built space
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The human body has a fundamental impact on the organization and interpretation of the world, and the built environment has accordingly been conceptualized in terms of the human body since ancient times, in theory and in practice. From Leonardo da Vinci's Vitruvian Man to Le Corbusier's "Modulor" (Corbusier's attempt to unite the imperial and metric measuring systems through a scale based on the figure of a man with his arm raised), the human body has inspired and confounded attempts to rationally construct the world. Since the 19th century, the findings of the human sciences, like physiology and psychology, have produced new understandings of the body and its relationship to the environment. The contributors to this volume aim to stimulate research in the anthropology of architecture by contributing to a critical history of the body and its cultural constructions.
Théorie de l’architecture
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The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it(...)
Katharina Grosse : wish I had a big studio in the center of the city
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The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it in 2007. The result is a compact reinforced concrete cube containing workrooms, storerooms, an archive, offices and living space. The contributors to this publication use Grosse’s studio as a springboard to explore the relationship between painting and architecture, and the role that studios play in the production of art. Numerous photographs show the raw architecture of the new building and the artist’s appropriation of the space. With contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock and Philip Ursprung.