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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan(...)
Seeing things: from Shakespeare to Pixar
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Théorie/ philosophie
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Lola Álvarez Bravo was a pioneer of photomontage and a leading figure--along with Frida Kahlo, Tina Modotti, Diego Rivera and others--in Mexico's post-revolution cultural renaissance. This publication 100 photographs and includes her well-known portraits of Kahlo and Rivera as well as photographs only recently discovered in the González Rendón archive. The selection not(...)
Lola Álvarez Bravo and the photography of an era
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Lola Álvarez Bravo was a pioneer of photomontage and a leading figure--along with Frida Kahlo, Tina Modotti, Diego Rivera and others--in Mexico's post-revolution cultural renaissance. This publication 100 photographs and includes her well-known portraits of Kahlo and Rivera as well as photographs only recently discovered in the González Rendón archive. The selection not only demonstrates the great richness of the material contained in the archive, but also throws new light on Álvarez Bravo's working methods and provides a deeper understanding of the complexity of her career.
Monographies photo
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have(...)
Women artists: the Linda Nochlin reader
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
Théorie de l’art
Alexander Rodchenko, design
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This book gives an introduction to the life and work of this versatile Russian artist Alexander Mikhailovich Rodchenko. He was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first(...)
novembre 2009
Alexander Rodchenko, design
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This book gives an introduction to the life and work of this versatile Russian artist Alexander Mikhailovich Rodchenko. He was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko's radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko's graphic work in the form of book jackets, posters and advertising. Abbemuseumr is Visiting Professor at The Courtauld Institute of Art in London.
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236 pages : chiefly color illustrations ; 37 cm
New York : Collins Publishers in association with I. Shapiro, 1987.
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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236 pages : chiefly color illustrations ; 37 cm
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New York : Collins Publishers in association with I. Shapiro, 1987.
The future of the image
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In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière argues that contemporary theorists of the image are suffering(...)
The future of the image
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In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière argues that contemporary theorists of the image are suffering from religious tendencies. He suggests that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution will always embrace egalitarian ideals.
Théorie de l’art
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Young people ambitious to change the world and unhinge the rules holding it together, enjoying poking fun at it a little, respectfully but bravely, even daring to bring about 'revolution', but 'without anybody actually noticing', as the master Bruno Munari would have pointed out with a smile. And as our King Midas of communication and design, who would really be at home(...)
How to break the rules of brand design in 10+8 easy exercises
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Young people ambitious to change the world and unhinge the rules holding it together, enjoying poking fun at it a little, respectfully but bravely, even daring to bring about 'revolution', but 'without anybody actually noticing', as the master Bruno Munari would have pointed out with a smile. And as our King Midas of communication and design, who would really be at home here with these people, would have said, the healthy rule that now needs to be applied much more often and with greater clarity is that of breaking them (the rules) in order to move beyond them.
Théorie du design
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Charles-Joseph Minard's remarkable flow map of Napoleon's 1812 march into Russia, made famous by Edward Tufte, is considered to be one of the most magnificent data graphics ever produced. ''The Minard System'' explores the nineteenth-century civil engineer's career and the story behind this masterpiece of multivariate data, as well as sixty of Minard's other statistical(...)
novembre 2018
The Minard system: the complete statistical graphics of Charles-Joseph Minard
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Charles-Joseph Minard's remarkable flow map of Napoleon's 1812 march into Russia, made famous by Edward Tufte, is considered to be one of the most magnificent data graphics ever produced. ''The Minard System'' explores the nineteenth-century civil engineer's career and the story behind this masterpiece of multivariate data, as well as sixty of Minard's other statistical graphics reflecting social and economic changes of the Industrial Revolution in Europe and around the world. These drawings are from the collection of the École Nationale des Ponts et Chaussées in Paris and have never before been published in their entirety.
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch.(...)
Romantic Paris: histories of a cultural landscape, 1800 - 1850
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The cultural legacy of Romantic Paris includes a museum that shelters fragments rescued from the rubble of the Revolution and the display of masterpieces open to one and all that we visit today as the Louvre. Old neighbourhoods were renewed with gleaming arcades of iron and glass prefiguring contemporary shopping malls, and entire neighbourhoods were built from scratch. Marrinan plots the zigzag trajectory of the monuments, spaces, and habits of a city that both looks back to the past and forward in time with all the optimism, self-doubts, and creative energy of a culture poised at the threshold of modernity.
Théorie de l’architecture
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The desire for color photos has prevailed over the world of photography from the very beginning. What were the early techniques? And when did color become accessible to everyone? The Albertina’s unique collection sheds light on the complex topic of historical color photos. Photography’s various coloring processes opened up a radiant new cosmos. This publication(...)
True colors: Color in photography from 1848-1955
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The desire for color photos has prevailed over the world of photography from the very beginning. What were the early techniques? And when did color become accessible to everyone? The Albertina’s unique collection sheds light on the complex topic of historical color photos. Photography’s various coloring processes opened up a radiant new cosmos. This publication includes works ranging from early colorized one-offs to the emergence of mass-produced color photographs on a positive-negative basis. The numerous techniques, many of them little-known, and the resulting diverse applications reveal a revolution across our entire visual culture.
Photographie- collections