dessins
AP178.S2.1992.010
Description:
This sketchbook includes sketches for the the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, for the Visions for Madrid exhibition, and for the Urban plan for Montreuil city center in France. It also contains notes and sketches of furnitures.
September-October 1992
Sketchbook 337: Santiago - Madrid - Marco - Montreil
Actions:
AP178.S2.1992.010
Description:
This sketchbook includes sketches for the the Galician Centre of Contemporary Art in Santiago de Compostela, Spain, for the Visions for Madrid exhibition, and for the Urban plan for Montreuil city center in France. It also contains notes and sketches of furnitures.
dessins
September-October 1992
périodiques
PH2008:0037:006
Description:
Review by Alejandra Villasmil titled "Gordon Matta-Clark" (p. 113) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
May-June 2007
Arte Aldia International: International Magazine of Contemporary Latin American Art
Actions:
PH2008:0037:006
Description:
Review by Alejandra Villasmil titled "Gordon Matta-Clark" (p. 113) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
périodiques
May-June 2007
documents textuels
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
1971
Loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon
Actions:
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
documents textuels
1971
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
between 1983 and 1995?
dessins
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
November 2009-April 2011
Carpenter sketches, Copper House II
Actions:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
dessins
November 2009-April 2011
documents textuels
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
6407 / 3.7 / Stadium / Sound Reinforcement System
Actions:
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
documents textuels
photographies
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
1970s-1990s
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
photographies
1970s-1990s
Projet
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
1992-1993
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Project
1992-1993