29356 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
Personnes et institutions:
Date:
1971
1971
Titre:
Loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon
Actions:
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
Loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon
Actions:
ARCH270067
Description:
Group consists of a loan contract between Jacqueline Jeanneret and the École des Beaux-Arts de Besançon for an exhibition of photographs of Chandigarh, in 1971. The group also includes a list of photographs and documentation about Chandigarh and Le Corbusier.
Classification:
documents textuels
documents textuels
Date:
1971
1971
Personnes et institutions:
Numéro de référence:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
between 1983 and 1995
between 1983 and 1995
Titre:
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Four: Pascal's Sphere
Actions:
DR2019:0018
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995
between 1983 and 1995
Personnes et institutions:
Actions:
Numéro de référence:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
between 1983 and 1995
between 1983 and 1995
Titre:
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995
between 1983 and 1995
Personnes et institutions:
Numéro de référence:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Personnes et institutions:
Date:
between 1983 and 1995?
between 1983 and 1995?
Titre:
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Two: Six Hundred Leagues of Stone
Actions:
DR2019:0020
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995?
between 1983 and 1995?
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Personnes et institutions:
Date:
November 2009-April 2011
November 2009-April 2011
Titre:
Carpenter sketches, Copper House II
Actions:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Carpenter sketches, Copper House II
Actions:
ARCH278270
Description:
Reproductions of digital scans from notebooks containing detail drawings and calculations (ARCH276525). The drawings were printed by the CCA for the exhibition Rooms You May Have Missed, held at the CCA November 4, 2014-April 19, 2015.
Classification:
dessins
dessins
Date:
November 2009-April 2011
November 2009-April 2011
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
Personnes et institutions:
Titre:
6407 / 3.7 / Stadium / Sound Reinforcement System
Actions:
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
6407 / 3.7 / Stadium / Sound Reinforcement System
Actions:
ARCH267425
Description:
This group consists of a plan (site plan showing seating), correspondence and related documents for the Expo'67 Stadium in Montréal, Québec. There is also a brochure with instructions about noise control by the Canadian Corporation for the 1967 World Exhibition.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
Personnes et institutions:
Date:
1970s-1990s
1970s-1990s
Titre:
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
References slides used as teaching material
Actions:
AP207.S4.017
Description:
Includes reference slides on designs by Memphis' groups (including Ettore Sotsass Senior), Studio Alchimia's work (including Ettore Sotsass Senior), and Alessandro Mendini's works, and views of an exhibition entitled "Arte Austriaca 1960-1984" in Bologna in 1984.
Classification:
photographies
photographies
Date:
1970s-1990s
1970s-1990s
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:099:019
Description:
File containing documents in English, including correspondence and notes between Melvin Charney and staff at the Marianne Deson Gallery regarding representation and the possibility of an exhibition at the gallery. Original folder inscribed in graphite: MARIANNE DESON GALLERY / CHICAGO
DR2012:0012:099:019
Description:
File containing documents in English, including correspondence and notes between Melvin Charney and staff at the Marianne Deson Gallery regarding representation and the possibility of an exhibition at the gallery. Original folder inscribed in graphite: MARIANNE DESON GALLERY / CHICAGO
Personnes et institutions:
Date:
1984-1986
1984-1986
Titre:
Correspondence of Melvin Charney with the Marianne Deson Gallery
Actions:
DR2012:0012:099:019
Description:
File containing documents in English, including correspondence and notes between Melvin Charney and staff at the Marianne Deson Gallery regarding representation and the possibility of an exhibition at the gallery. Original folder inscribed in graphite: MARIANNE DESON GALLERY / CHICAGO
Correspondence of Melvin Charney with the Marianne Deson Gallery
Actions:
DR2012:0012:099:019
Description:
File containing documents in English, including correspondence and notes between Melvin Charney and staff at the Marianne Deson Gallery regarding representation and the possibility of an exhibition at the gallery. Original folder inscribed in graphite: MARIANNE DESON GALLERY / CHICAGO
Classification:
documents textuels
documents textuels
Date:
1984-1986
1984-1986
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
Personnes et institutions:
Date:
ca. 1999
ca. 1999
Titre:
Photographs for the WetGRID in Nantes, France
Actions:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
Photographs for the WetGRID in Nantes, France
Actions:
AP173.S2.1999.D2.002
Description:
Group consists of 248 slides of photographs of models, design development drawings, predominantly 3D renderings from digital files, photographs of the exhibition installation in construction and the completed installation. Stored in a binder with the orginial divider entitled "NANTES".
Classification:
photographies
photographies
Date:
ca. 1999
ca. 1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1992.PR04
Description:
This project series documents the Helsenki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsenki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Museu de Arte Contemporânea para Helsínquia [Helsenki Museum of Contemporary Art], Helsenki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsenki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsenki Museum of Contemporary Art], Helsenki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsenki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1992-1993
1992-1993
Personnes et institutions:
