57033 Résultats
Classification:
expositions
expositions
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Localisation:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Date:
14 octobre 1983 au 11 décembre 1983
14 octobre 1983 au 11 décembre 1983
Titre:
Les villas de Pline et les éléments classiques dans l'architecture à Montréal
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Les villas de Pline et les éléments classiques dans l'architecture à Montréal
Actions:
Description:
L’exposition révèle trois aspects des villas décrites par l’écrivain romain Pline le Jeune au Ier siècle après J.-C. : l’influence historique directe de ces villas sur l’architecture; l’influence indirecte qu’elles ont exercé sur les architectes en leur offrant un modèle d’étude; et leurs effets sur la tradition classique véhiculée à Montréal. Les villas de Pline et les(...)
Classification:
expositions
expositions
Date:
14 octobre 1983 au
11 décembre 1983
14 octobre 1983 au
11 décembre 1983
Localisation:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0011:017
Description:
Post binder containing notes and sketches related to the following events, locations and/or projects: - Portrait dancing deconstruction on temple; - Trois-Rivières; - In flight: que la fête commence; - Jardin des plantes series; - The garden... ; - In flight series; - German series; - Skyscraper, waterfall, brooks - a construction; - Grain elevators; - Montreal Museum of Contemporary Art; - After the revolution series; - Some place to be somebody; - Sticks and stones ...; - Un dictionnaire... ; - Malewitsch [Malewich] reconstructed; - Parable 12; - London competition. Spine label inscribed: 90-92
DR2012:0011:017
Description:
Post binder containing notes and sketches related to the following events, locations and/or projects: - Portrait dancing deconstruction on temple; - Trois-Rivières; - In flight: que la fête commence; - Jardin des plantes series; - The garden... ; - In flight series; - German series; - Skyscraper, waterfall, brooks - a construction; - Grain elevators; - Montreal Museum of Contemporary Art; - After the revolution series; - Some place to be somebody; - Sticks and stones ...; - Un dictionnaire... ; - Malewitsch [Malewich] reconstructed; - Parable 12; - London competition. Spine label inscribed: 90-92
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:017
Description:
Post binder containing notes and sketches related to the following events, locations and/or projects: - Portrait dancing deconstruction on temple; - Trois-Rivières; - In flight: que la fête commence; - Jardin des plantes series; - The garden... ; - In flight series; - German series; - Skyscraper, waterfall, brooks - a construction; - Grain elevators; - Montreal Museum of Contemporary Art; - After the revolution series; - Some place to be somebody; - Sticks and stones ...; - Un dictionnaire... ; - Malewitsch [Malewich] reconstructed; - Parable 12; - London competition. Spine label inscribed: 90-92
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:017
Description:
Post binder containing notes and sketches related to the following events, locations and/or projects: - Portrait dancing deconstruction on temple; - Trois-Rivières; - In flight: que la fête commence; - Jardin des plantes series; - The garden... ; - In flight series; - German series; - Skyscraper, waterfall, brooks - a construction; - Grain elevators; - Montreal Museum of Contemporary Art; - After the revolution series; - Some place to be somebody; - Sticks and stones ...; - Un dictionnaire... ; - Malewitsch [Malewich] reconstructed; - Parable 12; - London competition. Spine label inscribed: 90-92
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1990-1993
1990-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Breathing Architecture (2012)
Actions:
AP207.S1.2012.PR04
Description:
The project series documents "Breathing Architecture," an installation initially presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a square shaped sheet of plaster placed on a wall giving the impression that a portion of the gallery wall has been lifted to create an opening in order to allow it to breathe. This installation has similarities to Pettena's earlier project "Grass Architecture" for Trigon '72 and "Parete "Branchia"" in 1999. "[...] here the work, which on this occasion takes up the whole of a wall all by itself, has more the significance of a gesture, of a sculpture that retains memories of architecture, and at the same time of the school of conceptual art in which Pettena was also formed." [1] This installation was also later presented at the UMOCA in Salt Lake City, Utah, in 2013, and at the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte, in Meran, in 2017. The project series contains photographs of the first and the second editions of the installation and a drawing. It also contains photographs of the 2017 edition that also shows Pettena's other installation "Paper/Midwestern Ocean" presented in the same exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-breathing-architecture-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH276588
Description:
Binder contains presentation slides for projects filed under, "Education." Includes : Stanford University Biological Sciences Expansion, University of California Biological Sciences Unit 2, North Carolina State University Textile School, Biological Science and Chemistry Building Western Washington University, University of California Clinical Sciences Building, Kwantlen College Surrey Campus, United Arab Emirates University, Washington State University Downtown Campus, University of Arizona Business School, West Mall Complex S.F.U., Central Library Phase 1 U.B.C., Contemporary Art Centre S.F.U.
ARCH276588
Description:
Binder contains presentation slides for projects filed under, "Education." Includes : Stanford University Biological Sciences Expansion, University of California Biological Sciences Unit 2, North Carolina State University Textile School, Biological Science and Chemistry Building Western Washington University, University of California Clinical Sciences Building, Kwantlen College Surrey Campus, United Arab Emirates University, Washington State University Downtown Campus, University of Arizona Business School, West Mall Complex S.F.U., Central Library Phase 1 U.B.C., Contemporary Art Centre S.F.U.
Personnes et institutions:
Date:
1985-1991
1985-1991
Titre:
Presentation slides for various educational buildings projects
Actions:
ARCH276588
Description:
Binder contains presentation slides for projects filed under, "Education." Includes : Stanford University Biological Sciences Expansion, University of California Biological Sciences Unit 2, North Carolina State University Textile School, Biological Science and Chemistry Building Western Washington University, University of California Clinical Sciences Building, Kwantlen College Surrey Campus, United Arab Emirates University, Washington State University Downtown Campus, University of Arizona Business School, West Mall Complex S.F.U., Central Library Phase 1 U.B.C., Contemporary Art Centre S.F.U.
Presentation slides for various educational buildings projects
Actions:
ARCH276588
Description:
Binder contains presentation slides for projects filed under, "Education." Includes : Stanford University Biological Sciences Expansion, University of California Biological Sciences Unit 2, North Carolina State University Textile School, Biological Science and Chemistry Building Western Washington University, University of California Clinical Sciences Building, Kwantlen College Surrey Campus, United Arab Emirates University, Washington State University Downtown Campus, University of Arizona Business School, West Mall Complex S.F.U., Central Library Phase 1 U.B.C., Contemporary Art Centre S.F.U.
Classification:
photographies
photographies
Date:
1985-1991
1985-1991
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Numéro de référence:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Personnes et institutions:
Date:
1946-2020
1946-2020
Titre:
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Résumé:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1946-2020
1946-2020
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256322
Description:
"Pavillon du Japon / Le pavillon du Japon allie le passé au présent sous le thème: "Le Japon en progrès"[.] On y sert le thé dans un décor de plantes tropicales et de jeux d'eau. / Japanese Pavilion at Expo 67 / This modern interpretation of traditional Japanese architecture contains exhibits of the life, art, and industry of Japan. Three exhibit buildings at descending levels lead down to a Japanese garden and restaurant. The pavilion is on the Ile Sainte-Helene riverbank facing the Montreal skyline."--Description.
ARCH256322
Description:
"Pavillon du Japon / Le pavillon du Japon allie le passé au présent sous le thème: "Le Japon en progrès"[.] On y sert le thé dans un décor de plantes tropicales et de jeux d'eau. / Japanese Pavilion at Expo 67 / This modern interpretation of traditional Japanese architecture contains exhibits of the life, art, and industry of Japan. Three exhibit buildings at descending levels lead down to a Japanese garden and restaurant. The pavilion is on the Ile Sainte-Helene riverbank facing the Montreal skyline."--Description.
Personnes et institutions:
Date:
1967
1967
Titre:
Night view of the Pavilion of Japan, Expo 67, Montréal, Québec
Actions:
ARCH256322
Description:
"Pavillon du Japon / Le pavillon du Japon allie le passé au présent sous le thème: "Le Japon en progrès"[.] On y sert le thé dans un décor de plantes tropicales et de jeux d'eau. / Japanese Pavilion at Expo 67 / This modern interpretation of traditional Japanese architecture contains exhibits of the life, art, and industry of Japan. Three exhibit buildings at descending levels lead down to a Japanese garden and restaurant. The pavilion is on the Ile Sainte-Helene riverbank facing the Montreal skyline."--Description.
Night view of the Pavilion of Japan, Expo 67, Montréal, Québec
Actions:
ARCH256322
Description:
"Pavillon du Japon / Le pavillon du Japon allie le passé au présent sous le thème: "Le Japon en progrès"[.] On y sert le thé dans un décor de plantes tropicales et de jeux d'eau. / Japanese Pavilion at Expo 67 / This modern interpretation of traditional Japanese architecture contains exhibits of the life, art, and industry of Japan. Three exhibit buildings at descending levels lead down to a Japanese garden and restaurant. The pavilion is on the Ile Sainte-Helene riverbank facing the Montreal skyline."--Description.
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
dessins
dessins
![Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s](/img-collection/yhlqF2gHeRgyaFHuQPZYmznRFwY=/500x294/9335.jpg)
Numéro de référence:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
contracted 20 September 1862
contracted 20 September 1862
Titre:
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Classification:
dessins
dessins
Date:
contracted 20 September 1862
contracted 20 September 1862
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
périodiques, photographies
périodiques, photographies
Titre:
Periodicals
Periodicals
Numéro de référence:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Personnes et institutions:
Date:
circa 1957-2015
circa 1957-2015
Titre:
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Classification:
périodiques, photographies
périodiques, photographies
Date:
circa 1957-2015
circa 1957-2015
Personnes et institutions:
Classification:
expositions
expositions
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Localisation:
Salles principales
Salles principales
Date:
12 mai 2015 au 4 octobre 2015
12 mai 2015 au 4 octobre 2015
Titre:
Le processus du SAAL : Le logement au Portugal de 1974 à 1976-
Actions:
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Le processus du SAAL : Le logement au Portugal de 1974 à 1976-
Actions:
Description:
Issu de la révolution portugaise du 25 avril 1974, le SAAL ― Serviço Ambulatório de Apoio Local (Service ambulant de soutien local) ― fut une expérience architecturale et politique pionnière conçue afin d’adresser le manque de logement et les conditions de vie pauvres de nombreuses villes portugaises. On ne peut pas parler d’un seul SAAL : ses initiatives et résultats(...)
Classification:
expositions
expositions
Date:
12 mai 2015 au
4 octobre 2015
12 mai 2015 au
4 octobre 2015
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Description:
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977 fait état de la relation entre les livres illustrés de l’artiste Edward Ruscha et des architectes Robert Venturi et Denise Scott Brown qui portent sur l’architecture et l’urbanisme du quotidien à Los Angeles et Las Vegas durant les années 1960 et 1970. Every Building on the Sunset Strip, de Ruscha, et(...)
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977 fait état de la relation entre les livres illustrés de l’artiste Edward Ruscha et des architectes Robert Venturi et Denise Scott Brown qui portent sur l’architecture et l’urbanisme du quotidien à Los Angeles et Las Vegas durant les années 1960 et 1970. Every Building on the Sunset Strip, de Ruscha, et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
31 mars 2004 au 30 mai 2004
31 mars 2004 au 30 mai 2004
Titre:
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977
Actions:
Description:
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977 fait état de la relation entre les livres illustrés de l’artiste Edward Ruscha et des architectes Robert Venturi et Denise Scott Brown qui portent sur l’architecture et l’urbanisme du quotidien à Los Angeles et Las Vegas durant les années 1960 et 1970. Every Building on the Sunset Strip, de Ruscha, et(...)
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977
Actions:
Description:
Les enseignements de… Ruscha et Venturi Scott Brown, 1962-1977 fait état de la relation entre les livres illustrés de l’artiste Edward Ruscha et des architectes Robert Venturi et Denise Scott Brown qui portent sur l’architecture et l’urbanisme du quotidien à Los Angeles et Las Vegas durant les années 1960 et 1970. Every Building on the Sunset Strip, de Ruscha, et(...)
Classification:
expositions
expositions
Date:
31 mars 2004 au
30 mai 2004
31 mars 2004 au
30 mai 2004
Localisation:
Salle octogonale
Salle octogonale
