29356 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
Personnes et institutions:
Date:
1952-c.1970
1952-c.1970
Titre:
Photographs of models for miscellaneous buildings and installation in Chandigarh, India
Actions:
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
Photographs of models for miscellaneous buildings and installation in Chandigarh, India
Actions:
ARCH280814
Description:
Group consists of photographs of models for various buildings and installations in Chandigarh, India. There are photographs of a model for a temporary exhibition pavilion, a model of a layout plan of the Museum and Art Gallery, a model for the Museum of Knowledge (unrealized) all designed by Le Corbusier.
Classification:
photographies
photographies
Date:
1952-c.1970
1952-c.1970
Personnes et institutions:
Classification:
périodiques
périodiques
Titre:
Vogue Italia
Vogue Italia
Numéro de référence:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Personnes et institutions:
Date:
May 2007
May 2007
Titre:
Vogue Italia
Actions:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Vogue Italia
Actions:
PH2008:0037:012
Description:
Article by Mariuccia Casadio titled "Regesto" (pp. 180-185) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, as well as Gordon Matta-Clark projects.
Classification:
périodiques
périodiques
Date:
May 2007
May 2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Personnes et institutions:
Date:
2005-2015
2005-2015
Titre:
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Document d’archives des projets de R&Sie(n)
Actions:
AP193
Résumé:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2005-2015
2005-2015
Personnes et institutions:
Classification:
dessins
Quantité:
13 drawing(s)
dessins
Quantité:
13 drawing(s)
Titre:
Plans Level 22 000 (1:200)
Plans Level 22 000 (1:200)
Numéro de référence:
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
Personnes et institutions:
Titre:
Plans Level 22 000 (1:200)
Actions:
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
Plans Level 22 000 (1:200)
Actions:
ARCH262393
Description:
Halle Viger (1) print and (1) coloured print and (2) overlays and (7) loose sketches Along north (Viger) and west (Bleury) walls - of striped epoxy terrazzo floors and entrances to exhibition halls (1) overlay on 5 foot long print (1) coloured print
Classification:
dessins
Quantité:
13 drawing(s)
dessins
Quantité:
13 drawing(s)
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Personnes et institutions:
Date:
October 1981
October 1981
Titre:
Sketchbook 94: Teixeira - Berlim - Ovar
Actions:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Sketchbook 94: Teixeira - Berlim - Ovar
Actions:
AP178.S2.1981.010
Description:
This sketchbook includes notes regarding Berlin projects for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA), and mention Brigitte Fleck. Also included are sketches for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany and sketches for Casa Avelino Duarte in Ovar, Portugal.
Classification:
dessins
dessins
Date:
October 1981
October 1981
Personnes et institutions:
Classification:
dessins
Quantité:
34 flat(s)
dessins
Quantité:
34 flat(s)
Numéro de référence:
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
Personnes et institutions:
Titre:
Floor plans, partial floor plans for guest room floors, seating plans
Actions:
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
Floor plans, partial floor plans for guest room floors, seating plans
Actions:
ARCH195542
Description:
Floor plans, partial floor plans for guest room floors; seating plans for ballrooms and Grand Avenue Bar; floor plans for basement, ground floor, terrace, sub-basement, Galeria and exhibition hall; sections and plans for Biltmore Ballroom addition; perspective view of Biltmore Hotel.
Classification:
dessins
Quantité:
34 flat(s)
dessins
Quantité:
34 flat(s)
Personnes et institutions:
Classification:
expositions
expositions
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Date:
15 novembre 2017 au 1 avril 2018
15 novembre 2017 au 1 avril 2018
Titre:
L’université à l’antenne : diffuser l’architecture moderne
Actions:
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
L’université à l’antenne : diffuser l’architecture moderne
Actions:
Description:
Cette exposition abordera le cours d’art de troisième année universitaire « A305: History of Architecture and Design, 1890-1939 » offert par la Open University par l’entremise de programmes télévisuels et radiophoniques diffusés entre 1975 et 1982. Au-delà de ses nombreuses innovations en matière d’enseignement supérieur, l’Open University, fondée en 1969 et ayant son(...)
Classification:
expositions
expositions
Date:
15 novembre 2017 au
1 avril 2018
15 novembre 2017 au
1 avril 2018
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
Personnes et institutions:
Date:
1999
1999
Titre:
Groups to Involve/Inform
Actions:
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
Groups to Involve/Inform
Actions:
ARCH252258
Description:
-Lists of groups to involve/groups to inform -Information on and correspondence with groups to involve in planning the IFCCA Prize exhibition and colloquium -Correspondence with groups to inform about the IFCCA Prize and related events -Correspondence with people asking to be involved in IFCCA Prize and related events
Classification:
documents textuels
documents textuels
Date:
1999
1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Applausi [Applause] (1968)
Applausi [Applause] (1968)
Numéro de référence:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
Personnes et institutions:
Titre:
Sketches, drawings, a map, photographs, correspondence
Actions:
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
Sketches, drawings, a map, photographs, correspondence
Actions:
AP142.S1.D186.P3
Description:
sketches, drawings, a map, photographs, correspondence, architects' statements, proposals, building programmes, specifications, regulations, estimates, calculations, administrative records, a technical report, brochures, leaflets, clippings, labels for drawings, agendas, notes, exhibition layouts, Triennale catalogues, lists of exhibited works, and lists of participants in the Triennale
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
