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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation(...)
Syntax of landscape : the landscape architecture of Peter Latz and partners
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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation and the revealing of chronological layers of a site are the focus of design. The firm’s current projects include the design of large-scale street and park environments on the Plateau de Kirchberg in the European City of Luxembourg, the Parco Dora in Turin, Italy, and the conversion of a disused waste disposal site in Ayalon Park near Tel Aviv, Israel. Peter Latz teaches at the Technical University) in Munich-Weihenstephan and has held guest professorships at the University of Pennsylvania and Harvard University. Udo Weilacher is dean of the Fakultät für Architektur und Landschaft (School of Architecture and Landscape) at Hanover University.
Jardins
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Seeds is about Darwin’s natural selection and how it has been overtaken by high-tech plant breeding which in essence accelerates evolution. The book focuses on new food crops that are resistant to pests and diseases, and are bred to contribute significantly to our future food supply. This evokes quintessential questions. Who is actually in charge on this planet? Nature?(...)
Seeds : on the origin of food crops
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Seeds is about Darwin’s natural selection and how it has been overtaken by high-tech plant breeding which in essence accelerates evolution. The book focuses on new food crops that are resistant to pests and diseases, and are bred to contribute significantly to our future food supply. This evokes quintessential questions. Who is actually in charge on this planet? Nature? Human beings? A god? Should humans stop interfering with evolution and go back to the authenticity of small-scale farms and city farming? Or rather, is it humanity’s duty to steer evolution so that we can create enough food to feed the booming world population?
Monographies photo
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season, Hans van der Meer set out to take a series of football photographs that avoided the clichéd traditions of modern sports photography. In an attempt to record the game in its original form — a field, two goals and 22 players — he sought matches at the bottom end of the amateur leagues, the opposite end of the scale to the Champions' League. And he avoided the(...)
European fields : the landscape of lower league football
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season, Hans van der Meer set out to take a series of football photographs that avoided the clichéd traditions of modern sports photography. In an attempt to record the game in its original form — a field, two goals and 22 players — he sought matches at the bottom end of the amateur leagues, the opposite end of the scale to the Champions' League. And he avoided the enclosed environment of the stadium and tight telescopic details and hyperbole of action photography.
Monographies photo
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre,(...)
Architectes canadiens
octobre 2010
Full spectrum : the architecture of Jeremy Sturgess
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre, and Calgarys most recent downtown LRT stations. This publication provides a comprehensive and multifaceted examination of Sturgesss architecture and urban design, and assesses his contribution to Canadian architecture generally and Calgary architecture in particular. Editor Geoffrey Simmins has gathered perspectives from a number of individuals with whom Sturgess has enjoyed long-term professional relationships - an artist, an urban designer, an architect colleague, an architectural critic, and a journalist. Along with reflections on Sturgesss personality, philosophy, and creative growth, these contributors provide in-depth discussions of a number of Sturgesss most celebrated projects. Simmins himself has drawn on Sturgesss papers and several personal interviews to craft an insightful introduction to the volume. Illustrated with architectural line drawings and with photos by photographer Robert Lemermeyer.
Architectes canadiens
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''Part of a city: The work of Neave Brown Architect'' explores the ethos and ideas of the Anglo-American architect Neave Brown (1929-2018), winner of the RIBA Gold Medal 2017. Part of a City gets its title from Brown’s Gold Medal acceptance speech, when he observed: ''We weren’t making housing, we were making part of a city.'' The book brings together his writing and(...)
Architecture, monographies
décembre 2022
Part of a city: The work of Neave Brown Architect
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''Part of a city: The work of Neave Brown Architect'' explores the ethos and ideas of the Anglo-American architect Neave Brown (1929-2018), winner of the RIBA Gold Medal 2017. Part of a City gets its title from Brown’s Gold Medal acceptance speech, when he observed: ''We weren’t making housing, we were making part of a city.'' The book brings together his writing and design projects, including his celebrated large-scale urban housing work for Camden Council, and the later projects in Italy and The Netherlands, the latter undertaken in private practise with David Porter. Part of a City re-presents original critiques from the 1960s and 1970s by prominent figures such as Reyner Banham, Bob Maxwell, Christopher Woodward and Ed Jones, with new writing by architects and critics including Kenneth Frampton, Jonathan Sergsion, Simon Henley, Paul Karakuservic and Peter Barber.
Architecture, monographies
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful(...)
The photographs of Joan Leigh Fermor
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful recorder of the London Blitz. But the true scale of her achievement was only realized after her death, when a treasure trove of photographs was discovered documenting the landscape and culture of Greece between 1945 and 1960. Through Leigh Fermor’s fundamentally democratic lens, we meet Cretan shepherds, Meteoran monastics, and Macedonian bear tamers. She brings the same intimate eye to architecture, while showing just as much facility in the panoramas of landscape—all clearly animated by a love of Greece.
Monographies photo
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Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of(...)
Revolutionary beauty: the radical photomontages of John Heartfield
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Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of interwar Europe, exposing the cultural politics of the crucial historical moment that witnessed the consolidation of National Socialism. In this period of radicalization and mass mobilization, the medium of photomontage—the cut-and-paste assemblage of photograph and text—offered a way to deconstruct the visual world and galvanize beholders on a mass scale.
Monographies photo
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In "Dwelling in resistance", Chelsea Schelly examines four alternative U.S. communities-"The Farm," "Twin Oaks," "Dancing Rabbit," and "Earthships"-where electricity, water, heat, waste, food, and transportation practices differ markedly from those of the vast majority of Americans. Schelly portrays a wide range of residential living alternatives utilizing renewable,(...)
Dwelling in resistance: living with alternative technologies in America
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In "Dwelling in resistance", Chelsea Schelly examines four alternative U.S. communities-"The Farm," "Twin Oaks," "Dancing Rabbit," and "Earthships"-where electricity, water, heat, waste, food, and transportation practices differ markedly from those of the vast majority of Americans. Schelly portrays a wide range of residential living alternatives utilizing renewable, small-scale, de-centralized technologies. These technologies considerably change how individuals and communities interact with the material world, their natural environment, and one another. Using in depth interviews and compelling ethnographic observations, the book offers an insightful look at different communities' practices and principles and their successful endeavors in sustainability and self-sufficiency.
L'humain et la ville
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The Pan Am Building and the reaction to it signalled the end of an era. Begun when the modernist aesthetic and the architectural star system ruled architectural theory and practice, the completed building became a symbol of modernism's fall from grace. In “The Pan Am Building and the Shattering of the Modernist Dream”, Meredith Clausen tells the story as both history and(...)
décembre 2004, Cambridge, Mass.
The Pan Am building and the shattering of the modernist dream
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The Pan Am Building and the reaction to it signalled the end of an era. Begun when the modernist aesthetic and the architectural star system ruled architectural theory and practice, the completed building became a symbol of modernism's fall from grace. In “The Pan Am Building and the Shattering of the Modernist Dream”, Meredith Clausen tells the story as both history and cautionary tale -- a case study of how not to plan and execute a large-scale urban project that seems especially relevant in light of the World Trade Center and the ongoing discussions over what should be built in its place. The Pan Am Building was despised by many as soon as the plans were announced in 1958. The star power of the celebrity architects -- those deans of modernism, Walter Gropius and Pietro Belluschi -- overrode critics' objections. When construction was completed in 1963, it became more than an architectural question; this "mute, massive, over-scaled octagonal slab," as Clausen describes it, built over Grand Central Terminal, blocked the view down Park Avenue, created deep shadows where there had been sunlight, and poured 25,000 office workers on the sidewalks each morning and evening. As Clausen tells it, the story of the building -- which was undistinguished architecturally but important because of its location and its moment in history -- encompasses the end of modernism's social idealism, the decline of Gropius's and Belluschi's reputations, the victory of private interests over public good, the revival of architectural criticism in the press (both Ada Louise Huxtable and Jane Jacobs emerged as prominent and influential critics), the birth of the historic preservation movement, and the changing culture and politics of New York City.
livres
décembre 2004, Cambridge, Mass.
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using(...)
Plant life: the entangled politics of afforestation
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In "Plant life", Rosetta S. Elkin explores the procedures of afforestation, the large-scale planting of trees in otherwise treeless environments, including grasslands, prairies, and drylands. Elkin reveals that planting a tree can either be one of the ultimate offerings to thriving on this planet, or one of the most extreme perversions of human agency over it. Using three supracontinental case studies-scientific forestry in the American prairies, colonial control in Africa's Sahelian grasslands, and Chinese efforts to control and administer territory-Elkin explores the political implications of plant life as a tool of environmentalism. By exposing the human tendency to fix or solve environmental matters by exploiting other organisms, this work exposes the relationship between human and plant life, revealing that afforestation is not an ecological act: rather, it is deliberately political and distressingly social.
L'écologie de l'architecure