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The story of the development of artificial light in the 19th century is not only a history of its technology but a revelation of how that technology helped forge modern consciousness. The range of subjects includes the political symbolism of streetlamps, the rise of nightlife and the shop window, and the importance of the salon in the bourgeois culture.
Disenchanted night : the industrialization of light in the nineteenth century
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The story of the development of artificial light in the 19th century is not only a history of its technology but a revelation of how that technology helped forge modern consciousness. The range of subjects includes the political symbolism of streetlamps, the rise of nightlife and the shop window, and the importance of the salon in the bourgeois culture.
Théorie de l’architecture
On the body
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In this classic essay, renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came to constitute a distinctively modern view of the world. The work of an original thinker at the height of her powers, it remains a thought-provoking and compelling read.
On the body
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In this classic essay, renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came to constitute a distinctively modern view of the world. The work of an original thinker at the height of her powers, it remains a thought-provoking and compelling read.
Théorie de l’art
$31.95
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As 21st-century companies realize they'll need to be green to compete, sustainable ideas are spreading like wildfire throughout all fields of modern business. In The Green Workplace, Leigh Stringer shows companies on the cusp of radically transforming their practices how to bring together diverse teams and establish new organizational governance for creative(...)
août 2009
The green workplace: sustainable strategies that benefit employees, the environment, and the bottom line
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As 21st-century companies realize they'll need to be green to compete, sustainable ideas are spreading like wildfire throughout all fields of modern business. In The Green Workplace, Leigh Stringer shows companies on the cusp of radically transforming their practices how to bring together diverse teams and establish new organizational governance for creative problem-solving in greening their workplace.
c3 398 : courthouses
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Courts of law are projections of civic power into the built environment. States have traditionally expressed themselves with monumentality, with its implications of permanence, but modern government aspires to transparency, which society also expects. Five projects demonstrate how architects address these tensions, among them the Paris Courthouse by Renzo Piano Building(...)
c3 398 : courthouses
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Courts of law are projections of civic power into the built environment. States have traditionally expressed themselves with monumentality, with its implications of permanence, but modern government aspires to transparency, which society also expects. Five projects demonstrate how architects address these tensions, among them the Paris Courthouse by Renzo Piano Building Workshop and the Palace of Justice in Córdoba by Mecanoo + AYESA. In addition, five recently completed cultural warehouses by KOKO Architects, Franklin Azzi, and others show how various design strategies can be implemented in the conversion of industrial buildings to other functions.
Revues
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An array of contributors, including poets, journalists, teachers, historians, wanderers, drinkers, photographers, and foodies, offer a selection of personal and subjective readings of the city since the late ’70s. These essays chart a variety of literal and metaphorical explorations through modern and postmodern London, showing how it works, and how it fails to work; what(...)
London from punk to Blair, second edition
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An array of contributors, including poets, journalists, teachers, historians, wanderers, drinkers, photographers, and foodies, offer a selection of personal and subjective readings of the city since the late ’70s. These essays chart a variety of literal and metaphorical explorations through modern and postmodern London, showing how it works, and how it fails to work; what makes it vibrant, and what makes it seedy. This revised edition includes a new introduction by editor Joe Kerr that brings the book up to date and gives the essays context for the post-recession world.
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Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that "Beauty is the promise of happiness" to the spaces we inhabit daily. Why should we(...)
The architecture of happiness
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Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that "Beauty is the promise of happiness" to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity.
Théorie de l’architecture
livres
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In 1936, Herman Miller Inc. founder D. J. De Pree committed Herman Miller to "modern" furniture. The rest is history: their continuing collaboration with some of the giants of modern design has made Herman Miller synonymous with quality in design. Herman Miller examines the company's powerful contributions by looking at the problems that design can solve and how creative(...)
Herman Miller : the purpose of design
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In 1936, Herman Miller Inc. founder D. J. De Pree committed Herman Miller to "modern" furniture. The rest is history: their continuing collaboration with some of the giants of modern design has made Herman Miller synonymous with quality in design. Herman Miller examines the company's powerful contributions by looking at the problems that design can solve and how creative thinking can benefit the world. Aside from having produced icons of modern furniture, Herman Miller has revolutionized office systems and furniture in the workplace. A definitive history of design and the company’s work since its founding, Herman Miller features the legendary designs of Charles and Ray Eames, George Nelson, Isamu Noguchi, Gilbert Rohde, Bill Stumpf, Don Chadwick, and many more. It is a must-read for collectors, designers, professionals, students, and anyone with an interest in design.
livres
novembre 2004, New York
Design, monographies
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"City of Play" shows how play is built into the very fabric of the modern city. From playgrounds to theme parks, skittle alleys to swimming pools, to the countless uncontrolled spaces which the urban habitat affords play is by no means just a childhood affair. A myriad essentially unproductive playful pursuits have, through time, modelled the modern city and landscape.(...)
City of play: an architectural and urban history of recreation and leisure
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"City of Play" shows how play is built into the very fabric of the modern city. From playgrounds to theme parks, skittle alleys to swimming pools, to the countless uncontrolled spaces which the urban habitat affords play is by no means just a childhood affair. A myriad essentially unproductive playful pursuits have, through time, modelled the modern city and landscape. Architect and scholar Rodrigo Pérez de Arces erudite, original, and often surprising study explores a curiously neglected dimension of architectural design and practice: ludic space. It is an architectural history of the playground from the hippodrome to the Situationist city of space released from productive ends in the pursuit of leisure. The ludic imagination impregnated modernist ideals, and what begins with the playground ends with a re-consideration of the whole sweep of the modern movement through the filter of leisure and play.
Théorie de l’urbanisme
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised(...)
Paolo Portoghesi, architect
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The architecture of Paolo Portoghesi is careful to the diversity of sites, sensitive to the needs and desires of those who live with it, and always thick with references to tradition and the various fields of artistic expression and knowledge. This book shows how he has taken up the challenge posed by the question of how man and the city relate and how he has raised the ethical legacy of modern architecture by envisioning a future that can oppose the wave of consumerism and social competition. Portoghesi firmly believes in the new wave of Geo-architecture: an architecture that takes on the responsibility to help human society to forge a new alliance with nature.
Architecture, monographies
Art's properties
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In this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American(...)
Art's properties
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In this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American museums, noting that the Louvre, the first modern museum, was built on looted works and faced demands for restitution and repatriation early in its history. Joselit argues that the property values of white supremacy underlie the ideology of possessive individualism animating modern art, and he considers issues of identity and proprietary authorship.
Théorie de l’art