4666 Résultats
Classification:
expositions
expositions
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Localisation:
Salles principales
Salles principales
Date:
4 novembre 2014 au 19 avril 2015
4 novembre 2014 au 19 avril 2015
Titre:
Des pièces à ne pas manquer
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Des pièces à ne pas manquer
Actions:
Description:
L’exposition Des pièces à ne manquer revendique l’importance de l’acte d’habiter et constitue, pour cette raison, une collection d’espaces domestiques (porches, cuisines, chambres, penderies, salles à manger, cours, jardins, vestibules, séjours, bureaux, coins de détente et salles d’eau) réinventés par deux architectes très différents, Umberto Riva à Milan et Bijoy Jain à(...)
Classification:
expositions
expositions
Date:
4 novembre 2014 au
19 avril 2015
4 novembre 2014 au
19 avril 2015
Localisation:
Salles principales
Salles principales
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:1203:022
Description:
- This photograph was taken from the Praya at Pedder's Wharf. The building on the right is the premises of Jardine Matheson & Co (Warner 1976, pp. 45-46).
PH1984:1203:022
Description:
- This photograph was taken from the Praya at Pedder's Wharf. The building on the right is the premises of Jardine Matheson & Co (Warner 1976, pp. 45-46).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1862 and 1887
between 1862 and 1887
Titre:
View of the Clock Tower and Pedder Street, Hong Kong (now Hong Kong, China)
Actions:
PH1984:1203:022
Description:
- This photograph was taken from the Praya at Pedder's Wharf. The building on the right is the premises of Jardine Matheson & Co (Warner 1976, pp. 45-46).
View of the Clock Tower and Pedder Street, Hong Kong (now Hong Kong, China)
Actions:
PH1984:1203:022
Description:
- This photograph was taken from the Praya at Pedder's Wharf. The building on the right is the premises of Jardine Matheson & Co (Warner 1976, pp. 45-46).
Classification:
photographies
photographies
Date:
between 1862 and 1887
between 1862 and 1887
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
7 mai 1989 au 25 mars 1990
7 mai 1989 au 25 mars 1990
Titre:
Centre Canadien d'Architecture : architecture et paysage
Actions:
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Centre Canadien d'Architecture : architecture et paysage
Actions:
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Classification:
expositions
expositions
Date:
7 mai 1989 au
25 mars 1990
7 mai 1989 au
25 mars 1990
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Personnes et institutions:
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Titre:
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Muséum nationale d'histoire naturelle
CI001.S2.D5
Description:
Charles Rohault de Fleury was architect for the Muséum national d'histoire naturelle from 1833 to 1862. His work for the Muséum is represented in the CCA collection by a diverse group of prints and drawings. In addition to documenting his built and unbuilt projects, the inclusion of prints and drawings of museum and zoo buildings by other architects record, if only partially, the resources available to Charles in designing his buildings. This reference material provides insight into the influences on Charles' work as well as the nature of the design process itself. His built works, with the exception of the 1854 addition to the greenhouses, are illustrated in a book of prints with a brief accompanying text - "Muséum d'histoire naturelle: serres chaudes, galeries de minéralogie, etc. etc." (published 1837) (DR1974:0002:004:001; a second copy is held by the CCA library) (1). While prints are included for the Galerie de minéralogie et de géologie, the monkey house and the reservoirs, the majority of the prints are of the greenhouses (serres chaudes) begun 1833 (2). Known for their technological innovations in iron construction, these greenhouses utilized the first multi-storey load-bearing cast-iron façades for the central pavilions as well as space frame roof structures and prefabricated parts. This structural system is well documented in the prints in the CCA collection. The design was apparently inspired by the English greenhouses - a plate of which are included in the book - that Charles saw on a tour of England. The use of prestressed beams and curved roofs in the lateral wings attest to this influence. Charles' greenhouses, in turn, influenced the design of other greenhouses in Europe especially those at the Jardins Botanique in Liège and Ghent, Belgium (3). Although Joseph Paxton saw the greenhouses in 1833, it is unclear if they had an impact on the design of the Crystal Palace constructed 1850-1851 (4). The innovations of Charles' greenhouses continued to be acknowledged into the 20th century. Giedion in "Space, Time and Architecture", while erroneously attributing them to Rouhault (5)(6), refers to the greenhouses as "the prototype of all large iron-framed conservatories" (7). In addition to the greenhouses for the Muséum, the CCA collection includes three proposals (dated 1841) for a private greenhouse designed by Charles Rohault de Fleury (DR1974:0002:002:008 - DR1974:0002:002:013). The designs utilize the same curved roofs as the wings of the greenhouses at the Muséum combined with classically detailed stonework. An different aspect of Charles' work for the Muséum national d'histoire naturelle is represented in the album of unexecuted proposals -the only design drawings for the Muséum in the collection - for a Galerie de zoologie (DR1974:0002:024:001-079). Building on the typology of his earlier classical Galerie de minéralogie et de géologie (constructed 1833 -1841), the proposals, which date from between 1838 and 1862, illustrate a gradual enrichment of Charles' classical architectural vocabulary (8). They vary in their spatial configurations and façade treatments ranging from austere colonnaded designs with little ornament to more elaborate ones with richly encrusted facades, complex rooflines and more dramatic interior spaces characteristic of the Second Empire. The majority of the proposals consist of preliminary drawings illustrating the essential formal, spatial and ornamental aspects of the building. One proposal, dated January 1846, is substantially more developed than the others; in addition to general plans, sections and elevations, more detailed drawings are included for the layout of spaces, the elaboration of the facades, the configuration of the structure and even the designs for the specimen display cases. It is also worth noting that this album includes several plans outlining Rohault de Fleury's ideas for the overall development of the Muséum national d'histoire naturelle. In 1846, an album of prints of the Museo di fiscia e storia naturelle in Florence (DR1974:0002:005:001-018) was presented to Charles by the Grand Duke of Tuscany in response to his request for tracings of that building. These prints were probably used as reference material for the design of the new Galerie de zoologie described above. The portfolio of record drawings (ca. 1862) of the zoos in Antwerp, Brussels, Marseille and Amsterdam (DR1974:0002:018:001-027) is probably a dummy for a publication on zoological gardens as well as background documentation for the renovation and expansion of the zoo at the Muséum national d'histoire naturelle in Paris. Both drawings of the facilities for the animals and visitors and general plans of the zoological gardens are included. The Paris zoo project was apparently never undertaken. (1) These prints were reused in the "Oeuvre de C. Rohault de Fleury, architecte" (published 1884) (DR1974:0002:029:001-044). (2) Rohault de Fleury's greenhouses were destroyed in the Prussian bombardments of 1870. The greenhouses, which now stand in their place, are similar in layout and appearance to the original design, but their structural system is different. (3) John Hix, 'The Glass House' (Cambridge, Mass.: The MIT Press, 1981), p. 115. (4) Ibid., p. 115. (5) This error has been repeated by other authors including Henry-Russell Hitchcock, 'Architecture: Nineteenth and Twentieth Centuries' (Baltimore, Maryland: Penguin Books, 1968), p. 120. (6) Leonardo Benevolo, 'History of Modern Architecture' Volume 1: The tradition of modern architecture (Cambridge, Mass.: The M.I.T. Press, 1971), p. 22. (7) Sigfried Giedion, 'Space, Time and Architecture; the growth of a new tradition' (Cambridge: Harvard University Press, 1941), p. 181. (8) Barry Bergdoll, "Charles Rohault de Fleury: Part two: Muséum d'Histoire Naturelle and Studies on analogous Constructions in Europe", 'CCA Research Report", n.d., p. 1.
Niveau de description archivistique:
File 5
File 5
Date:
[1837-ca. 1862]
[1837-ca. 1862]
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Localisation:
Salles principales
Salles principales
Date:
26 novembre 2008 au 19 avril 2009
26 novembre 2008 au 19 avril 2009
Titre:
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Classification:
expositions
expositions
Date:
26 novembre 2008 au
19 avril 2009
26 novembre 2008 au
19 avril 2009
Localisation:
Salles principales
Salles principales
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1981:0620:052
Description:
- A hand-written table of contents accompanies album PH1981:0620:001-081. - This photograph was taken from Kellet Island in Hong Kong harbour. East Point, the location of the godowns of Jardine Matheson & Co., is visible at centre left ('Picturing Hong Kong', p. 31, repr.).
PH1981:0620:052
Description:
- A hand-written table of contents accompanies album PH1981:0620:001-081. - This photograph was taken from Kellet Island in Hong Kong harbour. East Point, the location of the godowns of Jardine Matheson & Co., is visible at centre left ('Picturing Hong Kong', p. 31, repr.).
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
1867 or after
1867 or after
Titre:
Panoramic view of Hong Kong (now Hong Kong, China) and Hong Kong harbour
Actions:
PH1981:0620:052
Description:
- A hand-written table of contents accompanies album PH1981:0620:001-081. - This photograph was taken from Kellet Island in Hong Kong harbour. East Point, the location of the godowns of Jardine Matheson & Co., is visible at centre left ('Picturing Hong Kong', p. 31, repr.).
Panoramic view of Hong Kong (now Hong Kong, China) and Hong Kong harbour
Actions:
PH1981:0620:052
Description:
- A hand-written table of contents accompanies album PH1981:0620:001-081. - This photograph was taken from Kellet Island in Hong Kong harbour. East Point, the location of the godowns of Jardine Matheson & Co., is visible at centre left ('Picturing Hong Kong', p. 31, repr.).
Classification:
photographies
photographies
Date:
1867 or after
1867 or after
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Date:
early 19th century
early 19th century
Titre:
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris
Actions:
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris
Actions:
DR1974:0002:035:001-034
Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.
Classification:
dessins
dessins
Date:
early 19th century
early 19th century
Personnes et institutions:
Sujet:
architecture, architecture de paysage, design d'intérieur
architecture, architecture de paysage, design d'intérieur
Classification:
dessins
dessins
Numéro de référence:
ARCH270963
Description:
Includes plans and views of sites and buildings from projects by Abalos & Herreros: - Jardines Valdemingómez, Madrid; - Casa Mora, Cádiz; - Aula medioambiental y oficinas, Arico, Tenerife; - Centro universitario en Mérida; - Biblioteca Usera, Madrid; - Es Pil•larí, Mallorca; - Pabellón de gimnasia en el parque del Retiro, Madrid; - Casa González, Madrid; - El mirador: torre mixta en la bahía de Algeciras, Cádiz; - Sala municipal y plaza en Colmenarejo, Madrid; - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid; - La Casa verde, Pozuelo, Madrid.
ARCH270963
Description:
Includes plans and views of sites and buildings from projects by Abalos & Herreros: - Jardines Valdemingómez, Madrid; - Casa Mora, Cádiz; - Aula medioambiental y oficinas, Arico, Tenerife; - Centro universitario en Mérida; - Biblioteca Usera, Madrid; - Es Pil•larí, Mallorca; - Pabellón de gimnasia en el parque del Retiro, Madrid; - Casa González, Madrid; - El mirador: torre mixta en la bahía de Algeciras, Cádiz; - Sala municipal y plaza en Colmenarejo, Madrid; - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid; - La Casa verde, Pozuelo, Madrid.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Portfolio containing a selection of plans and graphic materials for publication
Actions:
ARCH270963
Description:
Includes plans and views of sites and buildings from projects by Abalos & Herreros: - Jardines Valdemingómez, Madrid; - Casa Mora, Cádiz; - Aula medioambiental y oficinas, Arico, Tenerife; - Centro universitario en Mérida; - Biblioteca Usera, Madrid; - Es Pil•larí, Mallorca; - Pabellón de gimnasia en el parque del Retiro, Madrid; - Casa González, Madrid; - El mirador: torre mixta en la bahía de Algeciras, Cádiz; - Sala municipal y plaza en Colmenarejo, Madrid; - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid; - La Casa verde, Pozuelo, Madrid.
Portfolio containing a selection of plans and graphic materials for publication
Actions:
ARCH270963
Description:
Includes plans and views of sites and buildings from projects by Abalos & Herreros: - Jardines Valdemingómez, Madrid; - Casa Mora, Cádiz; - Aula medioambiental y oficinas, Arico, Tenerife; - Centro universitario en Mérida; - Biblioteca Usera, Madrid; - Es Pil•larí, Mallorca; - Pabellón de gimnasia en el parque del Retiro, Madrid; - Casa González, Madrid; - El mirador: torre mixta en la bahía de Algeciras, Cádiz; - Sala municipal y plaza en Colmenarejo, Madrid; - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid; - La Casa verde, Pozuelo, Madrid.
Classification:
dessins
dessins
Date:
1995-2000
1995-2000
Personnes et institutions:
Numéro de référence:
PH1978:0040.05
Description:
Fifth of a series of five illustrated volumes, this album contains mounted plates, engravings and maps, and depicts lighthouses in France. Album (Tome 5) is titled as follows: Les Travaux Publics de la France. Route et ponts - chemins de fer - rivières et canaux/ ports de mer - phares et balises/ par/ MM. F. Lucas et V. Fournié - Ed. Collignon - H. de Lagrené/ Voisin Bey - E. Allard/ ouvrage publié sous les auspices/ du Ministère des Travaux Publics et sous la direction de/ M. Léonce Reynaud/ Inspecteur général des Ponts et Chaussées/ Tome Cinquième: Phares et Balises/ par/E. Allard/ Ingénieur en Chef des Ponts et Chaussées/ avec 50 planches phototypées, 200 gravures et une carte en chromolithographie/ Paris/ J. Rothschild, Éditeur 13 rue des Saints-Pères, 13 M DCCC LXXXIII and the album is divided as follows: Phares et Balises Introduction Première partie Historique des phares - Chapitre premier. Phares de l'Antiquité - Chapitre II. Phares de l'époque moderne Deuxième partie Description des phares et balises - Chapitre premier. Tours et édifices des phares - Chapitre II. Appareils d'éclairage - Chapitre III. Balisage - Chapitre IV. Renseignements statistiques - Explication des planches - Table des matières The plates are listed as follows: I Phare de Dunkerque II Phare de Calais III Phare du Cap Gris-Nez IV Phares de la Canche V Phare de L'Ailly VI Phares de la Hève VII Salle des machines des phares électriques de Lattève VIII Phare de Honfleur IX Phare de Trouville X Phare de Barfleur XI Phare du Grand-Jardin XII Phare du Cap Fréhel XIII Phare des Roches-Douvres XIV Phare du Pan de Bréhat XV Phare des Héaux de Bréhat XVI Phare de La Croix XVII Phare de La Corne XVIII Phare de Ploumanac'h XIX Phare des Triagoz XX Phare de l'Ile Louët XXI Phare de l'Ile Vierge XXII Phare du Stiff XXIII Phare de Créac'h, Ile d'Ouessant XXIV Phare de Kermorvan XXV Phare de la Pointe St-Mathieu XXVI Phare du Petit-Minou XXVII Phare de Portzic XXVIII Feux de Port à Brest XXIX Phare de l'Ile de Sein XXX Feu de la Falaise du Raz de Sein XXXI Phare de Penmarc'h XXXII Feux de port de Douélan XXXIII Phare des Baleines XXXIV Phare de La Rochelle et Ponton de feu flottant XXXV Phare de Chassiron XXXVI Phare de la Palmyre XXXVII Phare de St-Pierre de Royan XXXVIII Phare du Chay, à Royan XXXIX Phare de St-Georges XLII Phare de Richard XLIII et XVIV Phares des Dunes de Hourtin XLV Phare d'Arcachon XLVI Phare de St-Jean-de-Luz XLVII Phare de Cette XLVIII Phares de l'entrée du Grau d'Aigues-Mortes XVIX Phare de l'Espiguette L Bec de lampe à cinq mèches
PH1978:0040.05
Description:
Fifth of a series of five illustrated volumes, this album contains mounted plates, engravings and maps, and depicts lighthouses in France. Album (Tome 5) is titled as follows: Les Travaux Publics de la France. Route et ponts - chemins de fer - rivières et canaux/ ports de mer - phares et balises/ par/ MM. F. Lucas et V. Fournié - Ed. Collignon - H. de Lagrené/ Voisin Bey - E. Allard/ ouvrage publié sous les auspices/ du Ministère des Travaux Publics et sous la direction de/ M. Léonce Reynaud/ Inspecteur général des Ponts et Chaussées/ Tome Cinquième: Phares et Balises/ par/E. Allard/ Ingénieur en Chef des Ponts et Chaussées/ avec 50 planches phototypées, 200 gravures et une carte en chromolithographie/ Paris/ J. Rothschild, Éditeur 13 rue des Saints-Pères, 13 M DCCC LXXXIII and the album is divided as follows: Phares et Balises Introduction Première partie Historique des phares - Chapitre premier. Phares de l'Antiquité - Chapitre II. Phares de l'époque moderne Deuxième partie Description des phares et balises - Chapitre premier. Tours et édifices des phares - Chapitre II. Appareils d'éclairage - Chapitre III. Balisage - Chapitre IV. Renseignements statistiques - Explication des planches - Table des matières The plates are listed as follows: I Phare de Dunkerque II Phare de Calais III Phare du Cap Gris-Nez IV Phares de la Canche V Phare de L'Ailly VI Phares de la Hève VII Salle des machines des phares électriques de Lattève VIII Phare de Honfleur IX Phare de Trouville X Phare de Barfleur XI Phare du Grand-Jardin XII Phare du Cap Fréhel XIII Phare des Roches-Douvres XIV Phare du Pan de Bréhat XV Phare des Héaux de Bréhat XVI Phare de La Croix XVII Phare de La Corne XVIII Phare de Ploumanac'h XIX Phare des Triagoz XX Phare de l'Ile Louët XXI Phare de l'Ile Vierge XXII Phare du Stiff XXIII Phare de Créac'h, Ile d'Ouessant XXIV Phare de Kermorvan XXV Phare de la Pointe St-Mathieu XXVI Phare du Petit-Minou XXVII Phare de Portzic XXVIII Feux de Port à Brest XXIX Phare de l'Ile de Sein XXX Feu de la Falaise du Raz de Sein XXXI Phare de Penmarc'h XXXII Feux de port de Douélan XXXIII Phare des Baleines XXXIV Phare de La Rochelle et Ponton de feu flottant XXXV Phare de Chassiron XXXVI Phare de la Palmyre XXXVII Phare de St-Pierre de Royan XXXVIII Phare du Chay, à Royan XXXIX Phare de St-Georges XLII Phare de Richard XLIII et XVIV Phares des Dunes de Hourtin XLV Phare d'Arcachon XLVI Phare de St-Jean-de-Luz XLVII Phare de Cette XLVIII Phares de l'entrée du Grau d'Aigues-Mortes XVIX Phare de l'Espiguette L Bec de lampe à cinq mèches
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Date:
between 1876-1883
between 1876-1883
Titre:
Les Travaux Publics de la France. Tome 5. Phares et Balises
Actions:
PH1978:0040.05
Description:
Fifth of a series of five illustrated volumes, this album contains mounted plates, engravings and maps, and depicts lighthouses in France. Album (Tome 5) is titled as follows: Les Travaux Publics de la France. Route et ponts - chemins de fer - rivières et canaux/ ports de mer - phares et balises/ par/ MM. F. Lucas et V. Fournié - Ed. Collignon - H. de Lagrené/ Voisin Bey - E. Allard/ ouvrage publié sous les auspices/ du Ministère des Travaux Publics et sous la direction de/ M. Léonce Reynaud/ Inspecteur général des Ponts et Chaussées/ Tome Cinquième: Phares et Balises/ par/E. Allard/ Ingénieur en Chef des Ponts et Chaussées/ avec 50 planches phototypées, 200 gravures et une carte en chromolithographie/ Paris/ J. Rothschild, Éditeur 13 rue des Saints-Pères, 13 M DCCC LXXXIII and the album is divided as follows: Phares et Balises Introduction Première partie Historique des phares - Chapitre premier. Phares de l'Antiquité - Chapitre II. Phares de l'époque moderne Deuxième partie Description des phares et balises - Chapitre premier. Tours et édifices des phares - Chapitre II. Appareils d'éclairage - Chapitre III. Balisage - Chapitre IV. Renseignements statistiques - Explication des planches - Table des matières The plates are listed as follows: I Phare de Dunkerque II Phare de Calais III Phare du Cap Gris-Nez IV Phares de la Canche V Phare de L'Ailly VI Phares de la Hève VII Salle des machines des phares électriques de Lattève VIII Phare de Honfleur IX Phare de Trouville X Phare de Barfleur XI Phare du Grand-Jardin XII Phare du Cap Fréhel XIII Phare des Roches-Douvres XIV Phare du Pan de Bréhat XV Phare des Héaux de Bréhat XVI Phare de La Croix XVII Phare de La Corne XVIII Phare de Ploumanac'h XIX Phare des Triagoz XX Phare de l'Ile Louët XXI Phare de l'Ile Vierge XXII Phare du Stiff XXIII Phare de Créac'h, Ile d'Ouessant XXIV Phare de Kermorvan XXV Phare de la Pointe St-Mathieu XXVI Phare du Petit-Minou XXVII Phare de Portzic XXVIII Feux de Port à Brest XXIX Phare de l'Ile de Sein XXX Feu de la Falaise du Raz de Sein XXXI Phare de Penmarc'h XXXII Feux de port de Douélan XXXIII Phare des Baleines XXXIV Phare de La Rochelle et Ponton de feu flottant XXXV Phare de Chassiron XXXVI Phare de la Palmyre XXXVII Phare de St-Pierre de Royan XXXVIII Phare du Chay, à Royan XXXIX Phare de St-Georges XLII Phare de Richard XLIII et XVIV Phares des Dunes de Hourtin XLV Phare d'Arcachon XLVI Phare de St-Jean-de-Luz XLVII Phare de Cette XLVIII Phares de l'entrée du Grau d'Aigues-Mortes XVIX Phare de l'Espiguette L Bec de lampe à cinq mèches
Les Travaux Publics de la France. Tome 5. Phares et Balises
Actions:
PH1978:0040.05
Description:
Fifth of a series of five illustrated volumes, this album contains mounted plates, engravings and maps, and depicts lighthouses in France. Album (Tome 5) is titled as follows: Les Travaux Publics de la France. Route et ponts - chemins de fer - rivières et canaux/ ports de mer - phares et balises/ par/ MM. F. Lucas et V. Fournié - Ed. Collignon - H. de Lagrené/ Voisin Bey - E. Allard/ ouvrage publié sous les auspices/ du Ministère des Travaux Publics et sous la direction de/ M. Léonce Reynaud/ Inspecteur général des Ponts et Chaussées/ Tome Cinquième: Phares et Balises/ par/E. Allard/ Ingénieur en Chef des Ponts et Chaussées/ avec 50 planches phototypées, 200 gravures et une carte en chromolithographie/ Paris/ J. Rothschild, Éditeur 13 rue des Saints-Pères, 13 M DCCC LXXXIII and the album is divided as follows: Phares et Balises Introduction Première partie Historique des phares - Chapitre premier. Phares de l'Antiquité - Chapitre II. Phares de l'époque moderne Deuxième partie Description des phares et balises - Chapitre premier. Tours et édifices des phares - Chapitre II. Appareils d'éclairage - Chapitre III. Balisage - Chapitre IV. Renseignements statistiques - Explication des planches - Table des matières The plates are listed as follows: I Phare de Dunkerque II Phare de Calais III Phare du Cap Gris-Nez IV Phares de la Canche V Phare de L'Ailly VI Phares de la Hève VII Salle des machines des phares électriques de Lattève VIII Phare de Honfleur IX Phare de Trouville X Phare de Barfleur XI Phare du Grand-Jardin XII Phare du Cap Fréhel XIII Phare des Roches-Douvres XIV Phare du Pan de Bréhat XV Phare des Héaux de Bréhat XVI Phare de La Croix XVII Phare de La Corne XVIII Phare de Ploumanac'h XIX Phare des Triagoz XX Phare de l'Ile Louët XXI Phare de l'Ile Vierge XXII Phare du Stiff XXIII Phare de Créac'h, Ile d'Ouessant XXIV Phare de Kermorvan XXV Phare de la Pointe St-Mathieu XXVI Phare du Petit-Minou XXVII Phare de Portzic XXVIII Feux de Port à Brest XXIX Phare de l'Ile de Sein XXX Feu de la Falaise du Raz de Sein XXXI Phare de Penmarc'h XXXII Feux de port de Douélan XXXIII Phare des Baleines XXXIV Phare de La Rochelle et Ponton de feu flottant XXXV Phare de Chassiron XXXVI Phare de la Palmyre XXXVII Phare de St-Pierre de Royan XXXVIII Phare du Chay, à Royan XXXIX Phare de St-Georges XLII Phare de Richard XLIII et XVIV Phares des Dunes de Hourtin XLV Phare d'Arcachon XLVI Phare de St-Jean-de-Luz XLVII Phare de Cette XLVIII Phares de l'entrée du Grau d'Aigues-Mortes XVIX Phare de l'Espiguette L Bec de lampe à cinq mèches
Date:
between 1876-1883
between 1876-1883
Personnes et institutions:
Sujet:
ingénierie
ingénierie
Classification:
photographies
photographies
Numéro de référence:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
Personnes et institutions:
Date:
between 1999 and 2001
between 1999 and 2001
Titre:
Ring binder with photographic materials related to six projects by Abalos & Herreros
Actions:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
Ring binder with photographic materials related to six projects by Abalos & Herreros
Actions:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
Classification:
photographies
photographies
Date:
between 1999 and 2001
between 1999 and 2001
Personnes et institutions:
