5369 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
Niveau de description archivistique:
Project
Project
Date:
2001-2016
2001-2016
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS5
Description:
This project subseries documents Bloco B for the reconstruction of Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Bloco B was located between Rua Do Carmo and Calçada Sacramento. Bloco B included buildings 12, 13, 14, 15, 16, 17, 18, 19 (Leonel building), 25 and 26. The construction work for the buildings of Bloco B included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, preliminary plans, studies, working drawings, and structural drawings. Textual material includes project documentation, reports, correspondence, and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, the project site, construction work, and model. It is important to note that this subseries includes general documentation for Bloco B, for more specific details, see the individual building subseries for the Leonel building (AP178.S1.1988.PR07.SS6).
AP178.S1.1988.PR07.SS5
Description:
This project subseries documents Bloco B for the reconstruction of Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Bloco B was located between Rua Do Carmo and Calçada Sacramento. Bloco B included buildings 12, 13, 14, 15, 16, 17, 18, 19 (Leonel building), 25 and 26. The construction work for the buildings of Bloco B included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, preliminary plans, studies, working drawings, and structural drawings. Textual material includes project documentation, reports, correspondence, and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, the project site, construction work, and model. It is important to note that this subseries includes general documentation for Bloco B, for more specific details, see the individual building subseries for the Leonel building (AP178.S1.1988.PR07.SS6).
Personnes et institutions:
Date:
circa 1970-2003
circa 1970-2003
Titre:
Bloco B, Reconstrução do Chiado, [Block B, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS5
Description:
This project subseries documents Bloco B for the reconstruction of Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Bloco B was located between Rua Do Carmo and Calçada Sacramento. Bloco B included buildings 12, 13, 14, 15, 16, 17, 18, 19 (Leonel building), 25 and 26. The construction work for the buildings of Bloco B included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, preliminary plans, studies, working drawings, and structural drawings. Textual material includes project documentation, reports, correspondence, and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, the project site, construction work, and model. It is important to note that this subseries includes general documentation for Bloco B, for more specific details, see the individual building subseries for the Leonel building (AP178.S1.1988.PR07.SS6).
Bloco B, Reconstrução do Chiado, [Block B, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS5
Description:
This project subseries documents Bloco B for the reconstruction of Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. Bloco B was located between Rua Do Carmo and Calçada Sacramento. Bloco B included buildings 12, 13, 14, 15, 16, 17, 18, 19 (Leonel building), 25 and 26. The construction work for the buildings of Bloco B included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, preliminary plans, studies, working drawings, and structural drawings. Textual material includes project documentation, reports, correspondence, and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, the project site, construction work, and model. It is important to note that this subseries includes general documentation for Bloco B, for more specific details, see the individual building subseries for the Leonel building (AP178.S1.1988.PR07.SS6).
Niveau de description archivistique:
Project
Project
Date:
circa 1970-2003
circa 1970-2003
Personnes et institutions:
Classification:
articles
articles
Titre:
L'esprit de Cornelia
L'esprit de Cornelia
Actions:
Mot(s)-clé(s):
Cornelia Hahn Oberlander, Martien de Vletter, paysage, terrain de jeux, Robson Square, toits verts, jardin, environnement
Cornelia Hahn Oberlander, Martien de Vletter, paysage, terrain de jeux, Robson Square, toits verts, jardin, environnement
Publié:
25 mai 2021
25 mai 2021
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Personnes et institutions:
Date:
1959-1999
1959-1999
Titre:
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Casa de Chá, Restaurante da Boa Nova [Tea house, Boa Nova restaurant], Leça da Palmeira, Portugal (1958, 1959-1963)
Actions:
AP178.S1.1958.PR01
Description:
This project series documents the Casa de Chá, Restaurante da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 9/50. In the past the office identified the project as number 99. The office assigned the dates 1958-1963 for this project. The coastal site for this project was selected by Portuguese architect Fernando Távora. The project was built after the proposal won an architecture competition held by the municipality of Matosinhos in 1958. Távora initiated the project in collaboration with Francisco Figueiredo, and later handed the project over to Siza. In an interview with Eduardo Souto Moura, Moura recounts that Távora gave the project to Siza and five other aids before leaving on vacation (Juan Rodrigues, Carlos Seoane, et al, “Siza by Siza”). In the 1970s, Siza designed the furniture for this project and also worked on the 1990s restoration and renovation work. The project series consists of sketches, studies, plans, elevations, and details for the Casa de Chá, Restaurante da Boa Nova as well as sketches of the furniture designed by Siza. Photographs, negatives, and slides document the exterior and interior of the built project, as well as the project site. There are also postcards of the built project and photographs taken by photographers Rui Morais de Sousa, Juan Rodriguez, Alvão (Azevedo & Fernandes), Stitchting Wonen, and Charters. Textual documentation includes correspondence from the Câmara Municipal de Matosinhos, including correspondence addressed to Távora, as well as correspondence from Távora and Siza. Also included are notes and project documentation.
Niveau de description archivistique:
Project
Project
Date:
1959-1999
1959-1999
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0184:001-011
Description:
- This portfolio includes three views of the Tsarevitch Dmitry Palace, three views of the Kremlin, and one view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral), the Voskresensky Monastery (Resurrection Monastery), the churches of the Voskresensky Monastery (Resurrection Monastery), Saint Dimitry on the Blood Church, and Uglich Municipal School. These views also show the Municipal Duma, the Merchant Rows, Uspenya Bogoroditsy Church (Assumption of Our Lady Church), and a second view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral). The views of the Tsarevitch Dmitry Palace show the palace before and after the restoration of 1892 and an interior view of the Antiquities Museum showing icons and other objects (PH1979:0184:0011).
PH1979:0184:001-011
Description:
- This portfolio includes three views of the Tsarevitch Dmitry Palace, three views of the Kremlin, and one view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral), the Voskresensky Monastery (Resurrection Monastery), the churches of the Voskresensky Monastery (Resurrection Monastery), Saint Dimitry on the Blood Church, and Uglich Municipal School. These views also show the Municipal Duma, the Merchant Rows, Uspenya Bogoroditsy Church (Assumption of Our Lady Church), and a second view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral). The views of the Tsarevitch Dmitry Palace show the palace before and after the restoration of 1892 and an interior view of the Antiquities Museum showing icons and other objects (PH1979:0184:0011).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
after 1892
after 1892
Titre:
Portfolio of views of religious and civic architecture, Uglich, Russia
Actions:
PH1979:0184:001-011
Description:
- This portfolio includes three views of the Tsarevitch Dmitry Palace, three views of the Kremlin, and one view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral), the Voskresensky Monastery (Resurrection Monastery), the churches of the Voskresensky Monastery (Resurrection Monastery), Saint Dimitry on the Blood Church, and Uglich Municipal School. These views also show the Municipal Duma, the Merchant Rows, Uspenya Bogoroditsy Church (Assumption of Our Lady Church), and a second view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral). The views of the Tsarevitch Dmitry Palace show the palace before and after the restoration of 1892 and an interior view of the Antiquities Museum showing icons and other objects (PH1979:0184:0011).
Portfolio of views of religious and civic architecture, Uglich, Russia
Actions:
PH1979:0184:001-011
Description:
- This portfolio includes three views of the Tsarevitch Dmitry Palace, three views of the Kremlin, and one view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral), the Voskresensky Monastery (Resurrection Monastery), the churches of the Voskresensky Monastery (Resurrection Monastery), Saint Dimitry on the Blood Church, and Uglich Municipal School. These views also show the Municipal Duma, the Merchant Rows, Uspenya Bogoroditsy Church (Assumption of Our Lady Church), and a second view of the Spaso-Preobrazhensky Cathedral (Salvation-Transfiguration Cathedral). The views of the Tsarevitch Dmitry Palace show the palace before and after the restoration of 1892 and an interior view of the Antiquities Museum showing icons and other objects (PH1979:0184:0011).
Classification:
photographies
photographies
Date:
after 1892
after 1892
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Personnes et institutions:
Date:
1994-2014
1994-2014
Titre:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Niveau de description archivistique:
Project
Project
Date:
1994-2014
1994-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
2003-2011
2003-2011
Titre:
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Museum of Anthropology Renewal, University of British Columbia, Vancouver, British Columbia (2004-2007)
Actions:
AP075.S1.2004.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of the Museum of Anthropology, at the University of British Columbia, Vancouver. This project series concerns work on the Museum grounds starting from 2005 to the early 2010s. It includes restorations work and consultations for maintenance of the grounds, various additions, including the addition of a plaza and a turnaround (also identified as a bus loop in the fonds documents) or modifications for events held on site. It also includes the installation of the Yosef Wosk Reflecting Pool, a permanent reflecting pond in 2009-2010. The pond was initially included in Oberlander original landscape design of 1975. It has since been temporarly filled in three occasions. The permanent pond was officially opened in 2010. The project series contains predominantly working drawings, such as site plans, landscape plans, planting plans, irrigation plans, and grading plans, and a few design development drawings, such as sketches, studies and details, including for the bus loop and the new plaza. The drawings for this project aslo includes sets of plans of the building used as reference. The project is also documented through textual records, including correspondence with clients, consultants and contractors, meetings notes and minutes, specifications, schematic design report and documentation. The project series also contains photographs, including digital photographs of the interior and exterior of the Museum and of the lanscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
2003-2011
2003-2011
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
Localisation:
Salles principales
Salles principales
Date:
26 mai 1999 au 31 octobre 1999
26 mai 1999 au 31 octobre 1999
Titre:
Carlo Scarpa, architecte : composer avec l’histoire
Actions:
Description:
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
Carlo Scarpa, architecte : composer avec l’histoire
Actions:
Description:
L’exposition se concentre sur un aspect déterminant et actuel de l’œuvre de Scarpa : l’approche originale qu’il utilisait pour composer avec les strates historiques qui forment le tissu d’une ville ou d’un bâtiment. En se concentrant sur l’habileté avec laquelle Scarpa pouvait développer une nouvelle œuvre à l’intérieur même, et souvent à partir, de fragments disparates(...)
Classification:
expositions
expositions
Date:
26 mai 1999 au
31 octobre 1999
26 mai 1999 au
31 octobre 1999
Localisation:
Salles principales
Salles principales
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
