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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the(...)
Drive : journeys through film, cities and landscapes
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This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde. Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril.
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin(...)
World film locations : Berlin
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
septembre 2012
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
The architecture of the screen
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
World film locations : Venice
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the(...)
World film locations : Vancouver
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages.
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between(...)
septembre 2013
World film locations : Hong Kong
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As in the films of Wong Kar-wai and Johnnie To, readers will drift and dash through the streets of Central to the district’s periphery, almost recklessly, automatically, or for the sheer pleasure of roaming. The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of relationship between location and place and genre innovations in Hong Kong cinema.
World film location : Prague
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Prague, the “Hollywood of the East,” has played an important role in the history of cinema and this publication traverses the city’s topography to examine an internationally diverse range of movies made in the Czech capital. Exploring legendary Prague landmarks as they appear onscreen — including the Charles Bridge, Old Town, Malá Strana, Liechtenstein Palace, Wenceslas(...)
World film location : Prague
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Prague, the “Hollywood of the East,” has played an important role in the history of cinema and this publication traverses the city’s topography to examine an internationally diverse range of movies made in the Czech capital. Exploring legendary Prague landmarks as they appear onscreen — including the Charles Bridge, Old Town, Malá Strana, Liechtenstein Palace, Wenceslas Square, and Prague Castle — the book also discusses the intersection of the capital city and its cinematic representations; Prague and the Czech New Wave; the iconic Barrandov Studios; and the impact of political events such as the Prague Spring, the Soviet Invasion of 1968, and the Velvet Revolution on the city’s film industry.
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This book serves as an introduction to the city for film enthusiasts, visitors, and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization, and child poverty.
septembre 2013
World film locations: São Paulo
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This book serves as an introduction to the city for film enthusiasts, visitors, and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization, and child poverty.