2723 Résultats
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21 unnumbered pages : illustrations, plans ; 22 cm
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21 unnumbered pages : illustrations, plans ; 22 cm
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[Place of publication not identified] : [Gosudarstvennyĭ komitet po grazhdanskomu stroitelʹstvu i architekture pri Gosstroe SSSR], [1968]
[Place of publication not identified] : [Gosudarstvennyĭ komitet po grazhdanskomu stroitelʹstvu i architekture pri Gosstroe SSSR], [1968]
Titre:
Индустриализация школьного строительства во Франции / В.К. Степанов. Industrializat︠s︡ii︠a︡ shkolʹnogo stroitelʹstva vo Frant︠s︡ii / V.K. Stepanov.
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21 unnumbered pages : illustrations, plans ; 22 cm
Индустриализация школьного строительства во Франции / В.К. Степанов. Industrializat︠s︡ii︠a︡ shkolʹnogo stroitelʹstva vo Frant︠s︡ii / V.K. Stepanov.
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21 unnumbered pages : illustrations, plans ; 22 cm
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livres
livres
Publication:
[Place of publication not identified] : [Gosudarstvennyĭ komitet po grazhdanskomu stroitelʹstvu i architekture pri Gosstroe SSSR], [1968]
[Place of publication not identified] : [Gosudarstvennyĭ komitet po grazhdanskomu stroitelʹstvu i architekture pri Gosstroe SSSR], [1968]
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livres
livres
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$75.00
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Résumé:
''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural(...)
$75.00
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural(...)
Titre:
Raising the curtain: Operatic modernism in the Soviet Republics
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$75.00
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural collectives led by women, Nijole Buciute (1930-2010) and Oxana Tkachuk (b. 1933) respectively. Drawing upon the close relation of operatic environments to national imaginaries, the book expands the stories of the theatres’ creation into an interrogation of the national condition in the Soviet non-Russian republics. Lithuania and Belarus exemplify the broad range of Soviet national scenarios, presenting two polar extremes of the paths taken: Lithuania was the first republic to leave the Soviet Union in 1990, while Belarus retained its reputation as the “last Soviet republic” well into the 21st century. ''Raising the Curtain'' puts centre stage the involvement of architecture of Soviet modernism with the geopolitical transformations of the era, offering an intimate look at the tectonic shifts which still reverberate across the globe.
Raising the curtain: Operatic modernism in the Soviet Republics
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$75.00
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Résumé:
''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural collectives led by women, Nijole Buciute (1930-2010) and Oxana Tkachuk (b. 1933) respectively. Drawing upon the close relation of operatic environments to national imaginaries, the book expands the stories of the theatres’ creation into an interrogation of the national condition in the Soviet non-Russian republics. Lithuania and Belarus exemplify the broad range of Soviet national scenarios, presenting two polar extremes of the paths taken: Lithuania was the first republic to leave the Soviet Union in 1990, while Belarus retained its reputation as the “last Soviet republic” well into the 21st century. ''Raising the Curtain'' puts centre stage the involvement of architecture of Soviet modernism with the geopolitical transformations of the era, offering an intimate look at the tectonic shifts which still reverberate across the globe.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Modernisme
Modernisme
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livres
livres
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$60.00
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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet(...)
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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet(...)
Titre:
Frank Herfort: imperial pomp: post-soviet high-rise
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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet memorials. They express a longing for lost greatness and the ambition to go one better. Contextual contradictions however add another completely different grace note: the Russian residential buildings and faded idylls around the new constructions introduce a second level of meaning to the images, which poses questions and raises enigmas.
Frank Herfort: imperial pomp: post-soviet high-rise
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Frank Herfort travelled all over Russia for a photographic project that lasted several years, following the ideas of architectural photography and taking pictures of skyscrapers that had been quickly built after the collapse of the Soviet Union. The force and magnitude of these buildings appears bizarre, pompous and exotic; equally they evoke larger-than-life Soviet memorials. They express a longing for lost greatness and the ambition to go one better. Contextual contradictions however add another completely different grace note: the Russian residential buildings and faded idylls around the new constructions introduce a second level of meaning to the images, which poses questions and raises enigmas.
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livres
livres
Publication:
septembre 2013
septembre 2013
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Monographies photo
Monographies photo
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Description:
49 pages : illustrations ; 20 cm
Description:
49 pages : illustrations ; 20 cm
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Publication:
Moskva : Stroĭizdat, 1984.
Moskva : Stroĭizdat, 1984.
Titre:
Rekomendat︠s︡ii po proektirovanii︠u︡ mezhshkolʹnykh uchebno-proizvodstvennykh kombinatov (UPK) gorodskogo tipa / T︠S︡NIIĖP uchebnykh zdaniĭ.
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49 pages : illustrations ; 20 cm
Rekomendat︠s︡ii po proektirovanii︠u︡ mezhshkolʹnykh uchebno-proizvodstvennykh kombinatov (UPK) gorodskogo tipa / T︠S︡NIIĖP uchebnykh zdaniĭ.
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49 pages : illustrations ; 20 cm
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livres
livres
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Moskva : Stroĭizdat, 1984.
Moskva : Stroĭizdat, 1984.
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livres
livres
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Сокровища Русского Севера / А.В. Ополовников. Sokrovishcha Russkogo Severa / A.V. Opolovnikov.
Сокровища Русского Севера / А.В. Ополовников. Sokrovishcha Russkogo Severa / A.V. Opolovnikov.
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366 pages : illustrations (some color) ; 29 cm
Description:
366 pages : illustrations (some color) ; 29 cm
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Moskva : Stroĭizdat, 1989.
Moskva : Stroĭizdat, 1989.
Titre:
Сокровища Русского Севера / А.В. Ополовников. Sokrovishcha Russkogo Severa / A.V. Opolovnikov.
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366 pages : illustrations (some color) ; 29 cm
Сокровища Русского Севера / А.В. Ополовников. Sokrovishcha Russkogo Severa / A.V. Opolovnikov.
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366 pages : illustrations (some color) ; 29 cm
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livres
livres
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Moskva : Stroĭizdat, 1989.
Moskva : Stroĭizdat, 1989.
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Classification:
périodiques
périodiques
Titre:
Stroitelʹnai︠a︡ gazeta.
Stroitelʹnai︠a︡ gazeta.
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volumes
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volumes
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Moscow : T︠S︡K KPSS, 1954-
Moscow : T︠S︡K KPSS, 1954-
Classification:
périodiques
périodiques
Publication:
Moscow : T︠S︡K KPSS, 1954-
Moscow : T︠S︡K KPSS, 1954-
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[202] p. : chiefly ill. (some col.), plans ; 30 cm.
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[202] p. : chiefly ill. (some col.), plans ; 30 cm.
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Moskva : Gos. izd-vo lit-ry po stroitelʹstvu i arkhitekture, 1955.
Moskva : Gos. izd-vo lit-ry po stroitelʹstvu i arkhitekture, 1955.
Titre:
Архитектура Всесоюзной сельскохозяйственной выставки / А.Ф. Жуков. Arkhitektura Vsesoi︠u︡znoĭ selʹskokhozi︠a︡ĭstvennoĭ vystavki / A.F. Zhukov.
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[202] p. : chiefly ill. (some col.), plans ; 30 cm.
Архитектура Всесоюзной сельскохозяйственной выставки / А.Ф. Жуков. Arkhitektura Vsesoi︠u︡znoĭ selʹskokhozi︠a︡ĭstvennoĭ vystavki / A.F. Zhukov.
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[202] p. : chiefly ill. (some col.), plans ; 30 cm.
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livres
livres
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Moskva : Gos. izd-vo lit-ry po stroitelʹstvu i arkhitekture, 1955.
Moskva : Gos. izd-vo lit-ry po stroitelʹstvu i arkhitekture, 1955.
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185 pages : illustrations, plans ; 27 cm
Description:
185 pages : illustrations, plans ; 27 cm
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Moskva : Izogiz, 1932.
Moskva : Izogiz, 1932.
Titre:
Архитектура современного запада : Ле Корбюзье, Бруно Таут, В. Гропиус, И.П. Ауд, Франк Райт, Л. Гильберсеймер и другие / общая редакция и критические статьи Д. Аркина. Arkhitektura sovremennogo zapada : Le Korbi︠u︡zʹe, Bruno Taut, V. Gropius, I.P. Aud, Frank Raĭt, L. Gilʹberseĭmer i drugie / obshchai︠a︡ redakt︠s︡ii︠a︡ i kriticheskie statʹi D. Arkina.
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185 pages : illustrations, plans ; 27 cm
Архитектура современного запада : Ле Корбюзье, Бруно Таут, В. Гропиус, И.П. Ауд, Франк Райт, Л. Гильберсеймер и другие / общая редакция и критические статьи Д. Аркина. Arkhitektura sovremennogo zapada : Le Korbi︠u︡zʹe, Bruno Taut, V. Gropius, I.P. Aud, Frank Raĭt, L. Gilʹberseĭmer i drugie / obshchai︠a︡ redakt︠s︡ii︠a︡ i kriticheskie statʹi D. Arkina.
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185 pages : illustrations, plans ; 27 cm
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livres
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Moskva : Izogiz, 1932.
Moskva : Izogiz, 1932.
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livres
livres
Prix:
$48.95
(disponible sur commande)
Résumé:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics,(...)
$48.95
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Résumé:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics,(...)
Titre:
To see Paris and die: the Soviet lives of Western culture
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$48.95
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Résumé:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
To see Paris and die: the Soviet lives of Western culture
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$48.95
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Résumé:
The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
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livres
livres
Publication:
décembre 2018
décembre 2018
Sujet:
Expositions en cours
Expositions en cours
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livres
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Description:
122, [4] pages : illustrations, plans ; 22 cm
Description:
122, [4] pages : illustrations, plans ; 22 cm
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Kiev : Yroz︠h︡aĭ, 1991.
Kiev : Yroz︠h︡aĭ, 1991.
Titre:
Развитие планировки и застройки сел Украины / Г.А. Делеур. Razvitie planirovki i zastroĭki sel Ukrainy / G.A. Deleur.
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122, [4] pages : illustrations, plans ; 22 cm
Развитие планировки и застройки сел Украины / Г.А. Делеур. Razvitie planirovki i zastroĭki sel Ukrainy / G.A. Deleur.
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122, [4] pages : illustrations, plans ; 22 cm
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livres
livres
Publication:
Kiev : Yroz︠h︡aĭ, 1991.
Kiev : Yroz︠h︡aĭ, 1991.
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