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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its(...)
The book on the floor: André Malraux and the imaginary museum
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n 1954, the French writer, politician, and publisher André Malraux (1901–1976) posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Théorie de la photographie
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Human heads on animal bodies, people in fanciful landscapes, faces that are deftly morphed into common household objects—these are among the Victorian experiments in photocollage seen and explained in this marvelous book. With sharp wit and dramatic shifts of scale, these images flouted the serious conventions of photography in the 1860s and 1870s. Often made by women for(...)
Playing with pictures; the art of Victorian photocollage
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Human heads on animal bodies, people in fanciful landscapes, faces that are deftly morphed into common household objects—these are among the Victorian experiments in photocollage seen and explained in this marvelous book. With sharp wit and dramatic shifts of scale, these images flouted the serious conventions of photography in the 1860s and 1870s. Often made by women for albums, they reveal the educated minds and accomplished hands of their makers, taking on the new theory of evolution, addressing the changing role of photography, and challenging the strict conventions of aristocratic society. Although these photocollages may seem wonderfully odd to us now, the authors argue that they are actually perfectly in keeping with the Victorian sensibility that embraced juxtaposition and variety.
Illustration
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"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often(...)
Plaster monuments: architecture and the power of reproduction
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"Plaster monuments" unsettles conventional thinking about copies and originals. As Mari Lending shows, casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. The first comprehensive history of these full-scale replicas, "Plaster monuments" examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today.
Théorie de l’architecture
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red(...)
février 2008, Los Angeles
Francis Alys. The politics of rehearsal
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red Volkswagen Beetle attempting to ascend a steep hill in Tijuana: its attempts are synchronized with the sound track of Mexican danzon musicians rehearsing. "Ensayo 2, 2005" follows the rehearsal of a dancer practicing a striptease, and "Ensayo 3" will be produced by Alys specifically for the exhibition. Other works include "When Faith Moves Mountains" and "Song for Lupita," as well as many paintings, photographs and drawings. This significant new publication contains a DVD and an in-depth exploration of Alys's oeuvre by Russell Ferguson, organizer of the exhibition, focusing on the theme of rehearsal, which is so characteristic of Alys' work.
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This book presents more than thirty of the architect's recent works, including high-profile commissions such as the Suntory Museum in Tokyo and the Ondo Civic Center in Kure; the exquisite Lotus House in Zushi; large-scale urban developments like Sanlitun Village South in Beijing; as well as tea pavilions and installations that have exhibited in the United States,(...)
Material immaterial: the new work of Kengo Kuma
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This book presents more than thirty of the architect's recent works, including high-profile commissions such as the Suntory Museum in Tokyo and the Ondo Civic Center in Kure; the exquisite Lotus House in Zushi; large-scale urban developments like Sanlitun Village South in Beijing; as well as tea pavilions and installations that have exhibited in the United States, England, Italy, South Korea, China, Germany, and France, many of them never before published. The book also includes an extended essay on the evolution of the architect s work, from the founding of Kengo Kuma and Associates in 1990 to the present. An accompanying exhibit the first retrospective of the architect's work, also titled Material Immaterial displayed at the University of Illinois at Urbana-Champaign in late 2008 and will travel to locales around the world over the next two years.
Architecture, monographies
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and(...)
Tham & Videgard Arkitekter : the operative elements of architecture
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and interiors. Foremost is the lasting impact and building quality: long-term environmental effects, architectural integrity and function, and the capacity to convey societal ideals.
Architecture, monographies
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Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the(...)
Sound in Z: experiments in sound and electronic music in early 20th century Russia
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Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's "Symphony of Sirens," an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career-compiling the first full account of Russian electronic music.
Acoustique
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In this sequel to her enduring bestseller ''Hope in the Dark'', Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often(...)
The beginning comes after the end: Notes on a world of change
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In this sequel to her enduring bestseller ''Hope in the Dark'', Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized. While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.
Social
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In the very near future energy-efficient building will cease to be the exception but will be the rule. Whether insulating glazing, multifunctional facades or organic solar cells, there have been important new developments in the areas of solar thermal technology, photovoltaics, heating and ventilation technology which can make a significant contribution to the(...)
In detail : solar architecture
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In the very near future energy-efficient building will cease to be the exception but will be the rule. Whether insulating glazing, multifunctional facades or organic solar cells, there have been important new developments in the areas of solar thermal technology, photovoltaics, heating and ventilation technology which can make a significant contribution to the conservation of natural resources in sustainable building. They are suitable for a wide range of uses from large-scale urban-planning projects, to individual single family houses. This publication contains carefully selected articles which cover such essential topics as passive and active systems, the development of new insulating materials, and concepts for entire residential estates. They take into consideration all areas of solar building, providing information on planning methods and techniques which will enable the user to assess and apply the individual measures correctly. The essays are complemented by a selection of examples which demonstrate the technical and creative possibilities in realized projects. Solar energy can be successfully used in all kinds of projects – single family housing, office buildings, industrial buildings, and residential concepts, and this volume presents innovative solutions with full plans and large scale details, revealing the significance of an integral planning process.
Architecture écologique
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The 48th issue of The Funambulist is entitled 'Fifty shades of White(ness).'' Beyond its tongue-in-cheek title, the general editorial argument is that if we are to consider whiteness at the global scale, we require a more complex understanding of it than the one constructed in opposition to white supremacy in the United States. As stated in Léopold Lambert‘s introduction,(...)
The Funambulist n. 48 : Fifty shades of white(ness)
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The 48th issue of The Funambulist is entitled 'Fifty shades of White(ness).'' Beyond its tongue-in-cheek title, the general editorial argument is that if we are to consider whiteness at the global scale, we require a more complex understanding of it than the one constructed in opposition to white supremacy in the United States. As stated in Léopold Lambert‘s introduction, ''The distinctions this issue intends to make is that we understand whiteness as fundamentally produced by two affirmations: first, we cannot approach race solely through a regime of visibility (i.e. what’s 'visible' to us) and second, race is a space-time (i.e. racializing processes always have to be understood contextually).''
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