43434 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
General Textual Files
General Textual Files
Numéro de référence:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
General Textual Files
Actions:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
General Textual Files
Actions:
AP116.S3.SS12.D1
Description:
File documents the editorial activites related to the production of Legitimate Transcriptions: The Early Works of Charles Gwathmey, issue 11 of ANY magazine (July/August). Material in file was produced between 1994 and 1995. File contains article drafts, correspondence and photographs.
Niveau de description archivistique:
File 1
File 1
Date:
1994-1995
1994-1995
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
Personnes et institutions:
Date:
[ca. 1949-1969]
[ca. 1949-1969]
Titre:
Photographs
Actions:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
Photographs
Actions:
AP032.S5.D1
Description:
Black and white photographs, negatives, and contact sheets taken in Italy, Sweden, and America, particularly Chicago ca.1949-1950. Photos include works by Mies van der Rohe and Pier Luigi Nervi, as well as snapshots of Myron Goldsmith with Dr. Farnsworth.
Niveau de description archivistique:
File 1
File 1
Date:
[ca. 1949-1969]
[ca. 1949-1969]
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Personnes et institutions:
Date:
1970-1992
1970-1992
Titre:
Fonds Blanche Lemco van Ginkel
Actions:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Fonds Blanche Lemco van Ginkel
Actions:
AP058
Résumé:
The Blanche Lemco van Ginkel fonds consists of textual records documenting her participation in professional societies and committees, conferences and lectures, and her administrative and teaching activities at the Faculty of Architecture and Landscape Architecture, University of Toronto, including material relating to the programme and exhibitions. The fonds contains correspondence, reports, minutes, notes, information packages, papers, presentation panels, etc., dating from 1970 to 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1970-1992
1970-1992
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Localisation:
Salles principales
Salles principales
Date:
23 octobre 2002 au 6 avril 2003
23 octobre 2002 au 6 avril 2003
Titre:
Herzog & de Meuron : archéologie de l'imaginaire
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Herzog & de Meuron : archéologie de l'imaginaire
Actions:
Description:
Herzog de Meuron: archéologie de l’imaginaire présente un éventail exhaustif de documents provenant des archives des architectes Herzog de Meuron et de collections connexes. À l’image d’une exposition d’histoire naturelle, celle-ci comprend maquettes d’étude, livres, photographies, jouets, photographies, fossiles, pierres de lettrés chinois ainsi que quelques œuvres(...)
Classification:
expositions
expositions
Date:
23 octobre 2002 au
6 avril 2003
23 octobre 2002 au
6 avril 2003
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Titre:
Mies en Amérique
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Localisation:
Salles principales
Salles principales
Date:
17 octobre 2001 au 20 janvier 2002
17 octobre 2001 au 20 janvier 2002
Titre:
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Classification:
expositions
expositions
Date:
17 octobre 2001 au
20 janvier 2002
17 octobre 2001 au
20 janvier 2002
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Personnes et institutions:
Date:
1970-1995
1970-1995
Titre:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Niveau de description archivistique:
Project
Project
Date:
1970-1995
1970-1995
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Personnes et institutions:
Date:
1998-1999
1998-1999
Titre:
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Notes and sketches by Melvin Charney on his later works
Actions:
DR2012:0011:020
Description:
Ring binder containing notes and sketches related to the following events, locations, and/or projects: - Cities on the move; - Monument to Canadian Aid Workers; - The size of things; - New York exhibition; - Golems on the move; - American city series; - Saigon; - Federation CJA building entrance.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1998-1999
1998-1999
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
Personnes et institutions:
Titre:
Sketches, drawings, photographs of an exhibition showing drawings and models
Actions:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
Sketches, drawings, photographs of an exhibition showing drawings and models
Actions:
AP142.S2.D4.P4
Description:
sketches, drawings, photographs of an exhibition showing drawings and models, estimates, exhibition plans and layouts, lists of exhibited works, a list of projects by Aldo Rossi, draft exhibition labels, a document label, a draft for the exhibition, and a report
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
événements
événements
Titre:
Freegans
Freegans
Actions:
Description:
Emily Rauhala, journaliste vivant à Hong Kong, parle de la philosophie anticonsumériste des « freegans » -ou « fouilleurs de poubelles » – qui dénichent des quantités astronomiques de produits alimentaires encore comestibles et d’autres produits dans les bennes à ordures de nos villes, pour les redistribuer aux personnes dans le besoin, ou pour leur consommation(...)
Emily Rauhala, journaliste vivant à Hong Kong, parle de la philosophie anticonsumériste des « freegans » -ou « fouilleurs de poubelles » – qui dénichent des quantités astronomiques de produits alimentaires encore comestibles et d’autres produits dans les bennes à ordures de nos villes, pour les redistribuer aux personnes dans le besoin, ou pour leur consommation(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
8 janvier 2009
8 janvier 2009
Titre:
Freegans
Actions:
Description:
Emily Rauhala, journaliste vivant à Hong Kong, parle de la philosophie anticonsumériste des « freegans » -ou « fouilleurs de poubelles » – qui dénichent des quantités astronomiques de produits alimentaires encore comestibles et d’autres produits dans les bennes à ordures de nos villes, pour les redistribuer aux personnes dans le besoin, ou pour leur consommation(...)
Freegans
Actions:
Description:
Emily Rauhala, journaliste vivant à Hong Kong, parle de la philosophie anticonsumériste des « freegans » -ou « fouilleurs de poubelles » – qui dénichent des quantités astronomiques de produits alimentaires encore comestibles et d’autres produits dans les bennes à ordures de nos villes, pour les redistribuer aux personnes dans le besoin, ou pour leur consommation(...)
Classification:
événements
événements
Date:
8 janvier 2009
8 janvier 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
Personnes et institutions:
Date:
2001-2004, 2006
2001-2004, 2006
Titre:
Amberes, exposición, Antwerp, Belgium (2004)
Actions:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
Amberes, exposición, Antwerp, Belgium (2004)
Actions:
AP164.S1.2004.D18
Description:
The project series documents the Amberes exhibition, at de Singel, in Antwerp, Belgium. Moritz Küng curated the exhibition on Abalos & Herreros’ works. The firm identified this project as number 178. Documenting the exhibition are design development drawings, correspondence, advertisements, reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
2001-2004, 2006
2001-2004, 2006
Personnes et institutions:
