Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this(...)
février 2009, Toronto
Shanghai kaleidoscope
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This oversize study of Shanghai's creative culture presents an adventurous mix of architectural models, digital simulations, designer fashion apparel, drawings, runway videos, paintings, photo-works and video installations by the city's leading contemporary artists. Christopher Phillips, curator at the International Center of Photography in New York and editor of this volume, writes in his introduction, Since the early 1990s, Shanghai has been at the forefront of China's historic national resurgence. During that time, it has become one of the world's most frenetic and fascinating cities. With a population now approaching 20 million, it is an urban colossus--China's largest and most densely populated city.
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a(...)
février 2017
SakKijâjuk : Art and craft From Nunatsiavut
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Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a diverse range of Arctic and Subarctic flora and fauna, from which they have produced a stunningly diverse range of work. Artists from the territory have traditionally used stone and woods for carving; fur, hide, and sealskin for wearable art; and saltwater seagrass for basketry, as well as wool, metal, cloth, beads, and paper. In recent decades, they have produced work in a variety of contemporary art media, including painting, drawing, printmaking, photography, video, and ceramics, while also working with traditional materials in new and unexpected ways. ''SakKijâjuk: Art and craft from Nunatsiavut'' is the first major publication on the art of the Labrador Inuit. Designed to accompany a major touring exhibition organized by The Rooms Provincial Art Gallery of St. John's, the book will feature more than 80 reproductions of work by 45 different artists, profiles of the featured artists, and a major essay on the art of Nunatsiavut by Heather Igloliorte.
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and(...)
Olafur Eliasson: In real life
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Conceived as an illustrated “field guide” to the work of Danish artist Olafur Eliasson (b. 1967), this book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts—from anthropology, economics, political science, and biology to architecture and urbanism, dance, music, and food. Eliasson builds such conversations into his daily life and work. They help him not only to understand other people’s unique fields of knowledge, but also to ask, “What does my understanding of your knowledge do to my understanding of the world?” The interweaving of these texts with stunning photography of his remarkable and immersive works provides an insight into what Eliasson calls his ongoing aim of “reaching out into the world.”
Leica: witness to a century
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
août 2013
Leica: witness to a century
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
$51.95
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Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph(...)
Monographies photo
septembre 2005, Cambridge
Trees : national champions / photographs by Barbara Bosworth
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Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph America's "champion" trees - trees that are the biggest of their species, as recorded in the National Register of Big Trees, a list established and maintained by the nonprofit conservation organization American Forests. She has traveled down highways and up back roads, walked through forests and across clear-cut land, sometimes led by local tree enthusiasts, sometimes alone, to photograph trees that are remarkable not only for their size but for their endurance. Bosworth finds champion trees in backyards, fields, and forests, near roadways, power lines, and sidewalks. Her photographs document the trees' magnificence but also show how they are markers of a changing landscape. The yellow poplar, for example, stands on the fringes of a suburban housing development, in the center of a park for the enjoyment and relaxation of residents. The western red cedar stands alone in the middle of a clear-cut, saved from logging only because it is recorded in the Register as the biggest of its kind. The trees and their surroundings tell us about our relationship with nature and the land. Bosworth captures the ineffable grace and dignity of trees with clarity and directness: the green ash that shades a midwestern crossroads, the common pear that blooms in a Washington field, and the Florida strangler fig with its mass of entwining aerial roots. Her photographs, panoramic views taken with an 8 x 10 camera, show the immensity of the largest species and the hidden triumphs of the smallest. Some trees are dethroned each year because of sickness or destruction, but more often simpy because a new and bigger specimen is discovered; only three trees from the original Register in 1940 are still living today. Bosworth's 70 photographs of champion trees are not only a collection of tree portraits but the story of an American adventure as well. With a foreword by Roger Conover and essays by Douglas R. Nickel and John R. Stilgoe.
Monographies photo
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
juin 2017
Modeling history. The case for the tectonic. Stagecraft: models and photos
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
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The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held(...)
Robert Rauschenberg: I don't think about being great
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The American artist Robert Rauschenberg (1925–2008) won acclaim and awards for his diverse oeuvre that spanned six decades and included paintings, sculpture, prints, photography, and performance. Less well known is the role that writing played in his creative process. Rauschenberg self-identified as dyslexic and did not publish extensively, leading to the widely held assumption that he was not an artist who wrote. This book corrects the record, showcasing 100 passages, many published here for the first time, from Rauschenberg’s robust body of written work. Comprising correspondence, artist notes, testimony, speeches, and more, this collection brings to light the artist’s love of language and reveals that writing was, in fact, central to Rauschenberg’s practice. The writings, illustrated with reproductions in the artist’s distinctive hand, are infused with visual and intellectual lyricism, humor, and insight, and span topics from the freedom of artistic expression to environmental concerns.
$38.95
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''Flood Plain Color Field'' is a project by a photographer, an artist, and a scholar that explores a part of our energy consumption typically unseen by the public, the residual monuments of energy waste that accumulate in the flood plains of rivers. This photobook is the third installment of the ''Energy Landscapes of St. Louis'' project.
novembre 2017
Flood plain color field: Energy landscapes of St. Louis no.3
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''Flood Plain Color Field'' is a project by a photographer, an artist, and a scholar that explores a part of our energy consumption typically unseen by the public, the residual monuments of energy waste that accumulate in the flood plains of rivers. This photobook is the third installment of the ''Energy Landscapes of St. Louis'' project.
$98.00
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The new de Young museum in San Francisco’s Golden Gate Park has been designed by the Swiss firm of Herzog & de Meuron. This book is a case study in design and urban planning, documenting the complex five-year process that has resulted in this outstanding contribution to contemporary museum architecture. Founded by San Francisco Chronicle publisher Michael de Young,(...)
Architecture, monographies
octobre 2005, San Francisco
The de Young in the 21st century : a museum by Herzog & de Meuron
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The new de Young museum in San Francisco’s Golden Gate Park has been designed by the Swiss firm of Herzog & de Meuron. This book is a case study in design and urban planning, documenting the complex five-year process that has resulted in this outstanding contribution to contemporary museum architecture. Founded by San Francisco Chronicle publisher Michael de Young, the museum's permanent collection includes the art of Africa, Oceania and traditional cultures of the Americas; American painting and sculpture from the colonial period to the present; and both Western and non-Western textiles. After the museum was damaged in a 1989 earthquake, its fate became the focus of intense public debate, in which issues of environmental sensitivity and the role of cultural institutions in urban parks were paramount. Illustrated with colour photographs as well as plans, drawings and models, this book traces the architects’ creative process in detail. Principal photography by Mark Darley.
Architecture, monographies