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43 pages ; 28 cm.
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43 pages ; 28 cm.
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[Tucson, Arizona] : Center for Creative Photography, University of Arizona, [1983], ©1983
[Tucson, Arizona] : Center for Creative Photography, University of Arizona, [1983], ©1983
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W. Eugene Smith papers / compiled by Charles Lamb and Amy Stark.
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43 pages ; 28 cm.
W. Eugene Smith papers / compiled by Charles Lamb and Amy Stark.
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43 pages ; 28 cm.
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[Tucson, Arizona] : Center for Creative Photography, University of Arizona, [1983], ©1983
[Tucson, Arizona] : Center for Creative Photography, University of Arizona, [1983], ©1983
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XL photography 4
XL photography 4
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$83.00
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important(...)
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important(...)
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Photographie- collections
Photographie- collections
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septembre 2011
septembre 2011
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XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important representatives from the so-called Becher School, led by Bernd and Hilla Becher, to exciting new work by the next generation of young photographers, as well as significant contributions by photojournalists. The fourth volume in this excellent series, "XL Photography 4" documents the collection's holdings and its evolution over the last decade. It features outstanding recent works by emerging and mid-career artists such as Beate Gutschow, Tobias Zielony, Sze Tsung Leong and Pieter Hugo, as well as established masterworks by Werner Bischoff, Joseph Szabo and Philip Jones Griffiths.
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important representatives from the so-called Becher School, led by Bernd and Hilla Becher, to exciting new work by the next generation of young photographers, as well as significant contributions by photojournalists. The fourth volume in this excellent series, "XL Photography 4" documents the collection's holdings and its evolution over the last decade. It features outstanding recent works by emerging and mid-career artists such as Beate Gutschow, Tobias Zielony, Sze Tsung Leong and Pieter Hugo, as well as established masterworks by Werner Bischoff, Joseph Szabo and Philip Jones Griffiths.
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septembre 2011
septembre 2011
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Photographie- collections
Photographie- collections
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192 pages : illustrations (some color) ; 24 cm
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192 pages : illustrations (some color) ; 24 cm
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Cambridge, Mass. : MIT Press, ©1998., ©1998.
Cambridge, Mass. : MIT Press, ©1998., ©1998.
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Julien Levy : portrait of an art gallery / edited by Ingrid Schaffner and Lisa Jacobs.
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192 pages : illustrations (some color) ; 24 cm
Julien Levy : portrait of an art gallery / edited by Ingrid Schaffner and Lisa Jacobs.
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192 pages : illustrations (some color) ; 24 cm
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Cambridge, Mass. : MIT Press, ©1998., ©1998.
Cambridge, Mass. : MIT Press, ©1998., ©1998.
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2 volumes : chiefly illustrations (chiefly color), color maps ; 29 cm
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2 volumes : chiefly illustrations (chiefly color), color maps ; 29 cm
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Dhaka, Bangladesh : ARCASIA, 2010.
Dhaka, Bangladesh : ARCASIA, 2010.
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Arcasia heritage / editor, Abu Sayeed M. Ahmed.
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2 volumes : chiefly illustrations (chiefly color), color maps ; 29 cm
Arcasia heritage / editor, Abu Sayeed M. Ahmed.
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2 volumes : chiefly illustrations (chiefly color), color maps ; 29 cm
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Dhaka, Bangladesh : ARCASIA, 2010.
Dhaka, Bangladesh : ARCASIA, 2010.
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232 pages : illustrations (chiefly color), portraits ; 34 cm
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232 pages : illustrations (chiefly color), portraits ; 34 cm
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Berlin : Gestalten, 2016., ©2008
Berlin : Gestalten, 2016., ©2008
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Look inside : cutaway illustrations and visual storytelling / by Juan Velasco and Samuel Velasco ; edited by Juan Velasco, Samuel Velasco, Sven Ehmann, and Robert Klanten.
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232 pages : illustrations (chiefly color), portraits ; 34 cm
Look inside : cutaway illustrations and visual storytelling / by Juan Velasco and Samuel Velasco ; edited by Juan Velasco, Samuel Velasco, Sven Ehmann, and Robert Klanten.
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232 pages : illustrations (chiefly color), portraits ; 34 cm
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Berlin : Gestalten, 2016., ©2008
Berlin : Gestalten, 2016., ©2008
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$65.00
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some(...)
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some(...)
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Modern times: the age of photography
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as André Kertész, Brassaï, Robert Capa, László Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyö, Man Ray and Joel Meyerowitz.
Modern times: the age of photography
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as André Kertész, Brassaï, Robert Capa, László Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyö, Man Ray and Joel Meyerowitz.
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livres
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Publication:
février 2015
février 2015
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Photographie- collections
Photographie- collections
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$85.00
(disponible en magasin)
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
$85.00
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano(...)
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Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
Spiriti: Eight photographers recount Giancarlo de Carlo in Urbino
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$85.00
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Coinciding with the exhibition of the same name at the Galleria Nazionale delle Marche at the Palazzo Ducale in Urbino, eight internationally-renowned photographers describe Giancarlo De Carlo's work in Urbino. They are also professors at Istituto Superiore per le Industrie Artistiche. Paola Binante, Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford, Stefano Graziani, Armin Linke, and Giovanna Silva explore and recount the essence of the Italian architect's work through their own photographs of the spaces he designed, adding written accounts of their interpretation. De Carlo is quoted as saying a place is a space "experienced, consumed, perennially transformed by human presence".
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août 2021
août 2021
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Photographie- collections
Photographie- collections
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2 v. illus., plates. 31 cm.
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2 v. illus., plates. 31 cm.
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Princeton, Princeton University Press, 1957.
Princeton, Princeton University Press, 1957.
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The sculpture of Donatello / by H.W. Janson, incorporating the notes and photographs of the late Jenö Lányi.
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2 v. illus., plates. 31 cm.
The sculpture of Donatello / by H.W. Janson, incorporating the notes and photographs of the late Jenö Lányi.
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2 v. illus., plates. 31 cm.
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Princeton, Princeton University Press, 1957.
Princeton, Princeton University Press, 1957.
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Transbordeur, no 06
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
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avril 2022
avril 2022
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Photographie- collections
Photographie- collections
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6,755 items., Arranged by series.
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6,755 items., Arranged by series.
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Fonds Jacques Rousseau, 1963-1997.
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6,755 items., Arranged by series.
Fonds Jacques Rousseau, 1963-1997.
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6,755 items., Arranged by series.
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